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Music Decoding: Forgetting Perfection, Finding Results in Digital Musicology
106 WoolworthMusicology Colloquium Series When musicologists make a decision to engage with the digital humanities, they are often encouraged to join in “music encoding”. The process of creating digital scholarly editions (think Urtext or M2) might feel like the twenty-first century continuation of the long, distinguished, and noble discipline of critical editing within musicology. “Learn the […]