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DTSTART;TZID=America/New_York:20240413T190000
DTEND;TZID=America/New_York:20240413T210000
DTSTAMP:20260504T053101
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SUMMARY:Princeton French Film Festival | Screening of Ousmane Sembène's classic "Black Girl" (1966) and Q&A with Johanna Makabi
DESCRIPTION:As part of the second edition of the Princeton French Film Festival\, you’re invited to the free screening of Ousmane Sembène’s Black Girl (French: La noire de…)(1966)\, a classic of world cinema by “the father of African cinema” who follows Diouana (Mbissine Thérèse Diop)\, a Senegalese woman who is eager to find a better life abroad. She takes a job as a governess for a French family\, but finds her duties reduced to those of a maid after the family moves from Dakar to the south of France. In her new country\, Diouana is constantly made aware of her race and mistreated by her employers. Her hope for better times turns to disillusionment. \nFree and open to everyone upon registration\, this screening will be followed by a short movie interview (Notre Mémoire\, 12 minutes) of actress Mbissine Thérèse Diop made by filmmaker Johanna Makabi who will be in attendance for a Q&A. \nCheck out the Festival’s whole schedule on our website. \nSponsored by:\nPrinceton University: Graduate Student Government Board; Department of French & Italian\, Department of African American Studies; Campus Conversation on Identity; Gender + Sexuality Resource Center; Center for Collaborative History; Department of English; Lewis Center for the Arts; Program in Contemporary European Politics & Society; Department of Art & Archeology; Princeton Center for Language Study; Forbes College; Department of Comparative Literature; Department of Music; Davis International Center . Cultural institutions: Princeton French Center for Excellence; Albertine Cinémathèque (a program of FACE Foundation and Villa Albertine\, with support from the CNC / Centre National du Cinema\, and SACEM / Fonds Culturel Franco-Américain); Délégation Générale du Québec à New York; Princeton Accueil. Educational institutions: French American School of Princeton; The Lawrenceville School (Language Department); Alliance Française de Princeton
URL:https://humanities.princeton.edu/event/princeton-french-film-festival-screening-of-ousmane-sembenes-classic-black-girl-1966-and-qa-with-johanna-makabi/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2024/03/Black-Girl-poster.png
ORGANIZER;CN="Yassine Ait Ali":MAILTO:yali@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240410T163000
DTEND;TZID=America/New_York:20240410T174500
DTSTAMP:20260504T053101
CREATED:20240317T172728Z
LAST-MODIFIED:20240318T203306Z
UID:61011-1712766600-1712771100@humanities.princeton.edu
SUMMARY:McGraw Center Special Event: Civic\, Liberal\, and Global Education: Designing a New First-Year Curriculum
DESCRIPTION:How do we teach students the purpose and power of the liberal arts? How do we connect critical inquiry to their present – and future – lives? How do we prepare our students to live in community\, and in multiple communities? In this panel conversation\, moderated by David Bell\, Dan Edelstein will describe the new curricular foundation at Stanford\, with responses from Yelena Baraz\, Agustín Fuentes\, and Esther Schor. \nReception to follow.
URL:https://humanities.princeton.edu/event/mcgraw-center-special-event-civic-liberal-and-global-education-designing-a-new-first-year-curriculum/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2024/03/The-McGraw-Center-logo-01.jpg
ORGANIZER;CN="Ruthie Boyce":MAILTO:rb4236@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240328T180000
DTEND;TZID=America/New_York:20240328T200000
DTSTAMP:20260504T053101
CREATED:20240320T204423Z
LAST-MODIFIED:20240320T204423Z
UID:61230-1711648800-1711656000@humanities.princeton.edu
SUMMARY:The Conversation Pit: 20 Years of Log
DESCRIPTION:Celebrating Log’s 20-year milestone of observations on architecture and the contemporary city\, now representing a generation of critical discourse\, The Conversation Pit: 20 Years of Log\, a live roundtable discussion moderated by Cynthia Davidson (SoA Visiting Faculty and Log Founder & Editor)\, will turn the tables on former guest editors and contributors of Log to ask critical questions on discourse: \n“Where is architecture today?” \n“Where and what is the world that architecture shapes?” \n“What keeps you up at night?” \nParticipants include Darell Fields\, Sanford Kwinter\, Sylvia Lavin\, Michael Meredith\, Florencia Pita\, Monica Ponce de Leon\, and Cameron Wu. \nOn September 30\, 2003\, the first issue of Log was launched at Urban Center Books on Madison Avenue in New York City. Like a ship’s log\, the new journal set out to observe and record architecture discourse and the built environment in a literary format\, promoting writing in and on architecture over architectural images. As editor Cynthia Davidson wrote in that issue: \n“A log\, by definition\, is a way of recording observations of the present through writing in time. Seen against the backdrop of a culture of images and rhetoric\, and in its distance from both the academy and mass media\, Log offers the possibility of a critical context for writing about architecture today—for observing its movement or lack thereof\, its images\, its texts\, and its subtexts. In the complexity of these times\, this writing\, these observations\, may begin to define not only where architecture is moving\, but where we too\, the observers\, are headed.” \nFrom Log 1 to Log 58\, these cumulative pages—all 9\,420 of them!—present a generation of developing ideas. While some of architecture’s concerns have changed radically\, others remain pertinent and persistent. Over two decades Log has proved to be a flexible and resilient platform for bringing together both new and established voices in productive critical dialog.
URL:https://humanities.princeton.edu/event/the-conversation-pit-20-years-of-log/
LOCATION:Betts Auditorium
ORGANIZER;CN="Kyara Robinson":MAILTO:kr9710@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240325T180000
DTEND;TZID=America/New_York:20240325T200000
DTSTAMP:20260504T053101
CREATED:20240320T204211Z
LAST-MODIFIED:20240320T204211Z
UID:61242-1711389600-1711396800@humanities.princeton.edu
SUMMARY:Plants as Inventors: A lecture from Catherine Seavitt
DESCRIPTION:Catherine Seavitt is Professor and Chair of the Department of Landscape Architecture at the University of Pennsylvania’s Stuart Weitzman School of Design. She is also the Martin and Margy Meyerson Chair of Urbanism\, Co-Executive Director of The Ian L. McHarg Center for Urbanism and Ecology\, and Creative Director of LA+\, an interdisciplinary journal of landscape architecture. Seavitt’s scholarship and design work examine the entanglements of public space and health through the lens of ecology\, policy\, and novel plant science. Taking a multiscalar approach to ecological knowledge and design\, she studies the potential for incorporating indeterminate\, collective\, and nonbinary thinking in support of social\, environmental\, and multispecies justice. \nA registered architect and landscape architect\, Seavitt is a Fellow of the American Academy in Rome\, a Fellow of the American Society of Landscape Architects\, and a recipient of a Fulbright Fellowship and Graham Foundation grants for research in Brazil. Her publications include Four Corridors (Hatje Cantz\, 2019)\, Structures of Coastal Resilience (Island Press\, 2018)\, Depositions: Roberto Burle Marx and Public Landscapes under Dictatorship (University of Texas Press\, 2018)\, and On the Water: Palisade Bay (Hatje Cantz\, 2010). Additionally\, her writings have been featured in Architectural Review\, Artforum\, Avery Review\, Harvard Design Magazine\, JoLA\, LA+\, Landscape Architecture Magazine\, and Topos. \nPrior to joining the University of Pennsylvania\, Seavitt served as Professor and Director of the Master of Landscape Architecture Program at the City College of New York. She has taught at the Cooper Union\, Princeton University\, the Harvard Graduate School of Design\, the Parsons School of Design\, Louisiana State University\, and the University of Virginia. She received her Bachelor of Architecture from the Cooper Union and her Master of Architecture from Princeton University. \n​Lectures made possible by the Jean Labatut Memorial Lectures in Architecture.
URL:https://humanities.princeton.edu/event/plants-as-inventors-a-lecture-from-catherine-seavitt/
LOCATION:Betts Auditorium
ORGANIZER;CN="Kyara Robinson":MAILTO:kr9710@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240305T180000
DTEND;TZID=America/New_York:20240305T200000
DTSTAMP:20260504T053101
CREATED:20240301T034204Z
LAST-MODIFIED:20240301T034204Z
UID:60394-1709661600-1709668800@humanities.princeton.edu
SUMMARY:Reading Symptoms and Enjoyments | A lecture from K Michael Hays
DESCRIPTION:K. Michael Hays is the Eliot Noyes Professor of Architecture Theory and Co-Director of the Master in Design Studies Program at the Harvard Graduate School of Design (GSD)\, where he has taught since 1988. In addition to teaching\, he advises doctoral students on the history and theory of architecture. Prior to the GSD\, Hays held academic appointments at numerous institutions including Princeton University\, along with Columbia University\, Cornell University\, Rhode Island School of Design (RISD)\, and Massachusetts Institute of Technology (MIT)\, among others. \nHis research and scholarship focus on critical theory\, modernism\, and the legacy of poststructuralism in architecture. Hays has played a pivotal role in the development of architectural theory. He was founding editor of the journal Assemblage and the first Adjunct Curator of Architecture at the Whitney Museum. His notable publications include Modernism and the Posthumanist Subject (MIT Press\, 1992)\, Architecture Theory since 1968 (MIT Press\, 1998)\, Architecture’s Desire (MIT Press\, 2009)\, and\, most recently with Andrew Holder\, Inscriptions (Harvard University Press\, 2022). \nHays received his Master of Architecture degree and his Ph.D. in the History\, Theory\, and Criticism of Architecture and Art from MIT. \n​Lectures made possible by the Jean Labatut Memorial Lectures in Architecture and Urban Planning Fund.
URL:https://humanities.princeton.edu/event/reading-symptoms-and-enjoyments-a-lecture-from-k-michael-hays/
LOCATION:Betts Auditorium
ORGANIZER;CN="Kyara Robinson":MAILTO:kr9710@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240302T183000
DTEND;TZID=America/New_York:20240302T203000
DTSTAMP:20260504T053101
CREATED:20240214T142129Z
LAST-MODIFIED:20240214T142129Z
UID:59009-1709404200-1709411400@humanities.princeton.edu
SUMMARY:Free Screening of "The Rapture" (2023) + Q&A with Director Iris Kaltenbäck
DESCRIPTION:You’re invited to an exceptional free screening of award-winning “The Rapture” (French: “Le ravissement”) (2023)\, a moving debut following Lydia (Hafsia Herzi)\, a Parisian midwife highly invested in her career who has completely lost control of her life. Was it due to heartbreak\, her best friend Salomé’s pregnancy\, or meeting Milos\, with whom she could have a potential new relationship? Lydia gets stuck in a spiral of lies where everyone’s life is turned upside down. The screening will be followed by an in-person Q&A with Director Iris Kaltenbäck who won the SACD Award at the 2023 Festival de Cannes for this remarkable feature. \nMore information can be found in the registration link. \nSponsors & Partners \nOrganized by the Princeton Film Festival Society in collaboration with 1)GradFUTURES\, 2)Unifrance USA\, 3)Albertine Cinemathèque\, a program of FACE Foundation and Villa Albertine (New York)\, with support from the CNC / Centre National du Cinema\, and SACEM / Fonds Culturel Franco-Américain.
URL:https://humanities.princeton.edu/event/free-screening-of-the-rapture-2023-qa-with-director-iris-kaltenback/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2024/02/Le-ravissement.jpg
ORGANIZER;CN="Yassine Ait Ali":MAILTO:yali@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240229T180000
DTEND;TZID=America/New_York:20240301T160000
DTSTAMP:20260504T053101
CREATED:20240201T145519Z
LAST-MODIFIED:20240201T145519Z
UID:58758-1709229600-1709308800@humanities.princeton.edu
SUMMARY:2024 Womxn in Design and Architecture Conference: Alero Olympio: Activated Matter
DESCRIPTION:Organized by Womxn in Design and Architecture (WDA\, @princetonwda)\, a graduate student group formed in 2014 at Princeton University School of Architecture\, this annual conference celebrates the work and memory of a pivotal architect or designer with contributions from international historians and scholars\, in addition to artists\, musicians\, curators\, and practitioners. The eighth Womxn in Design Conference at the Princeton School of Architecture honors the life and work of Alero Olympio. \nAlero Olympio was an architect and builder of radical ecologies. Born in Ghana and working extensively between Scotland and her homeland\, Olympio theorized and exercised a rigorous dedication to social and environmental sustainability at all scales. She envisioned building methods and materials as emergent sites of potential\, rejecting industrialized products in favor of inherited\, place-specific knowledge systems. Locally sourced Laterite clay and African hardwood were essential materials in her new architectural language\, as she championed the ongoing protection of West African timber resources and delicate forest ecosystems. Olympio’s work codified an intimately ecological approach to architecture\, one embedded within the specific material and social conditions of its place\, and an innovative and distinctly African mode of practice. \nDynamic and inspired\, Olympio challenged the conventional architect archetype. She pursued entrepreneurial endeavors that pushed far beyond the building realm\, from furniture to care products to a children’s book. Her built projects in Ghana and Scotland–including the Kokrobitey Institute\, the visitor trail at Kakum National Park\, and many private residential homes–stand as a testament to the coherence of her methods and the persistence\, integrity\, and longevity of her vision. These projects\, many of which she constructed of local materials\, proposed an affordable\, sustainable\, and site-specific infrastructure that acknowledged Ghanaian social mobility within a post-independence context. Flourishing and developing their own networks of care and mutuality\, the cross-continental communities living within her designs embody Olympio’s enduring legacy. \nThe 2023-24 conference proceedings will call on the discipline with timely topics and inquiries\, such as the wide-reaching sustainable potential of local building materials and place-specific methods\, the role of the architect in forging cross-cultural exchange\, and the impact of architecture as a site for community-building and cultural transformation. Olympio’s work exists at a nexus that continues to be central to contemporary architectural discourse: intertwining biogenic materiality and social resiliency. \nConference participants include Joe Osae-Addo\, Nana Biamah-Ofosu\, Erandi de Silva\, Prof. Lesley Lokko\, Baerbel Mueller\, Renee C. Neblett\, and DK Osseo-Asare\, among others. \nConcurrent with the conference will be a pop-up exhibition celebrating the Ghanaian craft and culture from which Alero Olympio drew much of her inspiration and design methodology. Housed in a building designed by Olympio and informed by her legacy\, the Kokrobitey Institute in Accra\, Ghana\, is an artist residency and community education center. With deep regional roots and cross-global connections\, the Kokrobitey Institute is a site of sustainable making\, providing space for slow craftsmanship and active experimentation. The exhibition features archival images of Olympio’s projects and process\, along with one-of-a-kind garments handmade by Accra-based designers at the Kokrobitey Institute with recycled materials from local fast-fashion landfills. \nWDA conferences are made possible by the Jean Labatut Memorial Lectures in Architecture and Urban Planning Fund at Princeton University. Free and open to the public\, additional details and speakers to be announced.
URL:https://humanities.princeton.edu/event/2024-womxn-in-design-and-architecture-conference-alero-olympio-activated-matter/
LOCATION:Betts Auditorium
ORGANIZER;CN="Kyara Robinson":MAILTO:kr9710@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240222T180000
DTEND;TZID=America/New_York:20240222T200000
DTSTAMP:20260504T053101
CREATED:20240213T190548Z
LAST-MODIFIED:20240213T190548Z
UID:58966-1708624800-1708632000@humanities.princeton.edu
SUMMARY:From Resistance to Resilience—Stories from the Urban Risk Lab
DESCRIPTION:Miho Mazereeuw is Associate Professor of Architecture and Urbanism and Director of the Urban Risk Lab at MIT. Operating at several scales\, her research focuses on designing cities to prepare for disasters such as earthquakes\, flooding\, and typhoons. With the Urban Risk Lab\, she engages in extensive field work and community workshops\, focusing on the needs of diverse cultures and contexts. The Lab aspires to change the course of current global development trends through a radical shift in education and action to proactively embed preparedness and risk reduction in a rapidly urbanizing world. \nHer forthcoming book\, Design Before Disaster: Japan’s Culture of Preparedness (University of Virginia Press\, 2024)\, offers a holistic framework to design for anticipated disasters and provides examples of resilient interventions in urban landscapes and architecture. She has also been the recipient of the Janet Darling Webel Prize\, the Charles Eliot Traveling Fellowship\, and the Wheelwright Prize. \nMazereeuw is both a registered architect and a registered landscape architect\, and prior to joining MIT\, she was an associate at the Office for Metropolitan Architecture (OMA). Additionally\, she held teaching appointments at the Harvard Graduate School of Design and the University of Toronto. Mazereeuw received her Master of Architecture and Landscape Architecture with distinction from the Harvard Graduate School of Design. \nLectures made possible by the Jean Labatut Memorial Lectures in Architecture and Urban Planning Fund.
URL:https://humanities.princeton.edu/event/from-resistance-to-resilience-stories-from-the-urban-risk-lab/
LOCATION:Betts Auditorium
ORGANIZER;CN="Kyara Robinson":MAILTO:kr9710@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240211T180000
DTEND;TZID=America/New_York:20240211T210000
DTSTAMP:20260504T053101
CREATED:20240130T145417Z
LAST-MODIFIED:20240130T145417Z
UID:58640-1707674400-1707685200@humanities.princeton.edu
SUMMARY:Free Screening of "Return to Seoul" + Q&A with Director Davy Chou
DESCRIPTION:You’re invited to an exceptional free screening of multi-award-winning “Return to Seoul” (2022)\, an “absorbing and emotional Korean drama about adoption”. Freddie (Park Ji-Min)\, a twenty-five-year-old French woman returns to South-Korea\, the country she was born in before being adopted by a French couple\, for the very first time. She decides to track down her biological parents\, but her journey takes a surprising turn… The screening will be followed by an in-person Q&A with director and screenwriter Davy Chou. Rated 97% on Rotten Tomatoes. \nIn English\, French\, and Korean with English subtitles\, the screening will start at 6:00 PM on Sunday\, February 11\, 2024\, and will last about 120 minutes. Followed by Q&A from 8:00 PM to 8:30 PM. Doors open at 5:45 PM. \nOpen to the public. Tickets are free but registration is required. The room is wheelchair-friendly. \nMore information on parking areas and directions to the screening room will be sent to ticket holders via email. \nOrganized by the Princeton Film Festival Society with support from 1) GradFUTURES (Princeton University)\, 2) Princeton University’s Department of East Asian Studies\, and 3)Albertine Cinemathèque\, a program of FACE Foundation and Villa Albertine (New York)\, including support from the CNC / Centre National du Cinema\, and SACEM / Fonds Culturel Franco-Américain.
URL:https://humanities.princeton.edu/event/free-screening-of-return-to-seoul-qa-with-director-davy-chou/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2024/01/return-to-seoul-1.jpg
ORGANIZER;CN="Yassine Ait Ali":MAILTO:yali@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240201T180000
DTEND;TZID=America/New_York:20240201T200000
DTSTAMP:20260504T053101
CREATED:20240123T193004Z
LAST-MODIFIED:20240201T144529Z
UID:58338-1706810400-1706817600@humanities.princeton.edu
SUMMARY:Resisting Gravity: A lecture from John McMorrough
DESCRIPTION:John McMorrough is an architect and writer who explores the relationship between contemporary culture and design methodology through architecture’s extended field of practices. In addition to buildings\, his writing engages with complementary media such as installations\, films\, and other structured narratives. As a partner at studioAPT (Architecture Project Theory)\, he also works on design projects at the scale of buildings\, graphics\, and situations. His writing and design work have been featured in Perspecta\, Threshold\, Log\, Volume\, Praxis\, MAS Context\, and Flat Out. Most recently\, he contributed to the architectural journal OASE (2023) and the book Fulfilled: Architecture\, Excess\, and Desire (AR+D Publishing\, 2022). \nMcMorrough is currently a Professor of Architecture and Interim Chair of the Architecture Program at the Taubman College of Architecture and Urban Planning at the University of Michigan. He has taught design and theory at Harvard University\, Yale University\, The Ohio State University\, and the University of Applied Arts Vienna. He received his Ph.D. in Architecture and his M.Arch. with distinction from the Harvard Graduate School of Design. \nLectures made possible by the Jean Labatut Memorial Lectures in Architecture and Urban Planning Fund.
URL:https://humanities.princeton.edu/event/resisting-gravity-a-lecture-from-john-mcmorrough/
LOCATION:Betts Auditorium
ORGANIZER;CN="Kyara Robinson":MAILTO:kr9710@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231107T170000
DTEND;TZID=America/New_York:20231107T183000
DTSTAMP:20260504T053101
CREATED:20231012T200030Z
LAST-MODIFIED:20231012T200030Z
UID:56545-1699376400-1699381800@humanities.princeton.edu
SUMMARY:"On Modern Living”
DESCRIPTION:Graduate Program in Media + Modernity | Princeton University \nGerard & Kelly\n” On Modern Living”\n[Response: Beatriz Colomina]\nTuesday\, November 07\, 2023 @5pm ET\nBetts Auditorium (School of Architecture) \nEvent co-sponsored by the Program in Visual Arts (VIS). \nIn Modern Living\, a series of films and performances created in iconic architectural sites\, Gerard & Kelly mine “ruins of modernism” for their hidden choreographies and radical social experiments. Beginning with the R.M. Schindler House in West Hollywood\, California (1922)\, designed to house two young couples in an early experiment of communal living\, and continuing through their recent project at E 1027\, Eileen Gray’s villa in Roquebrune-Cap Martin\, France (1929)\, the lecture tracks the artists’ ongoing probe of the layered and complicated history of modernism. \nAmerican artists based in Paris since 2018\, Brennan Gerard and Ryan Kelly have collaborated for nearly two decades on performance\, video\, and installation\, among other formats. Having collectively studied ballet\, visual art\, literature\, and gender studies\, Gerard & Kelly use conceptual strategies within art and dance to examine broader themes of memory\, history\, subjectivity\, and sexuality. \nBeatriz Colomina is the Howard Crosby Butler Professor of the History of Architecture. Her most recent books are X-Ray Architecture (Lars Muller\, 2019)and Radical Pedagogies\, ed. with Ignacio Gonzalez Galan\, Evangelos Kotsioris\, and Anna-Maria Meister (MIT Press\, 2022). \nGerard & Kelly\, Modern Living\, 2016. Performance view: MAK Center for Art and Architecture at the Schindler House\, West Hollywood\, California. Julia Eichten\, Rachelle Rafailedes. Courtesy of the artists and Marian Goodman Gallery. © Adagp Paris\, 2023 \nPlease visit M+M’s official website for details and current information.
URL:https://humanities.princeton.edu/event/on-modern-living/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/10/231012_GK-Poster-INSTA.jpg
ORGANIZER;CN="Iason Stathatos":MAILTO:iasons@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231030T180000
DTEND;TZID=America/New_York:20231030T200000
DTSTAMP:20260504T053101
CREATED:20231023T135923Z
LAST-MODIFIED:20231023T135923Z
UID:56776-1698688800-1698696000@humanities.princeton.edu
SUMMARY:Circular Connecting
DESCRIPTION:Catherine De Wolf is Assistant Professor at the Swiss Federal Institute of Technology Zurich (ETH Zurich). She is also Chair of Circular Engineering for Architecture (CEA)\, an interdisciplinary team of civil engineers\, architects\, urbanists\, and computer scientists who collaborate towards automating the reuse of building materials. Through the CEA\, she conducts research on digital innovation—particularly the use of AI and machine learning—towards a circular built environment. A key element in Catherine’s work is ensuring a continuous link between academia and industry. She collaborates closely with governmental institutions and pioneering industry partners on the reuse of building materials in real-world projects\, such as the reuse of the glass from the Centre Pompidou in 2021\, which she described as turning the caterpillar into a butterfly. \nCatherine has a dual background in civil engineering and architecture from Belgium\, and obtained her Ph.D. in building technology from the Massachusetts Institute of Technology (MIT)\, where her dissertation examined low-carbon pathways for structural design and embodied life cycle impacts of building structures. She also worked for the University of Cambridge\, the Swiss Federal Institute of Technology Lausanne (EPFL)\, and University of Technology Delft (TU Delft). She has received a number of awards and recognitions including the Association of Collegiate Schools of Architecture’s (ACSA) Research Contribution Award (US) in 2020\, International Association for Space and Shell Structures’ (IASS) Hangai Prize (JP) in 2016\, and MIT’s Technology Review Innovators Under 35 Belgium Award (US) in 2015\, among others.
URL:https://humanities.princeton.edu/event/circular-connecting/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/10/fa23_1030_CDW-web2_0-e1698069549678.png
ORGANIZER;CN="Kyara Robinson":MAILTO:kr9710@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231026T180000
DTEND;TZID=America/New_York:20231026T200000
DTSTAMP:20260504T053101
CREATED:20231023T140056Z
LAST-MODIFIED:20231025T201128Z
UID:56773-1698343200-1698350400@humanities.princeton.edu
SUMMARY:Violence on Land and Body
DESCRIPTION:Jordan Weber is a New York-based regenerative land sculptor and activist who works at the intersection of social justice and environmental apartheid through grassroots collaboration in industrially polluted places such as St. Louis\, Detroit\, Boston\, Des Moines\, and the Red Hook neighborhood of Brooklyn. In 2020\, the Walker Art Center commissioned Weber to create an urban phytoremediation farm in North Minneapolis as a counter tactic to industrial violence upon biodiverse lands and racially diverse communities. His work All Our Liberations–which took inspiration from Japanese Zen gardens and created a space for community learning\, reflection\, and healing–was exhibited through the Pulitzer Arts Foundation in 2021. This year\, the triennial civic exhibition Counterpublic engaged Weber to develop Defensive Landscape\, a site-specific regenerative earthwork in St. Louis’s Peace Park\, which will permanently house a community-engaged rainwater garden and gathering space\, offering a critical intervention into the generational health implications of the intertwined crises of captivity and ecological apartheid. \nWeber has received notable awards and honors including the 2023 Guggenheim Award and 2022 United States Artist Award\, and he was named a 2021 Harvard LOEB Fellow. He was recently appointed as the inaugural Yale University Artist in Residence to build an environmental-humanities focused project at Horse Island for the Black and Indigenous student body. His work was also featured in this year’s Architecture Biennale in Venice.
URL:https://humanities.princeton.edu/event/violence-on-land-and-body/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/10/fa23_1026_JW_web_0-e1698069641187.png
ORGANIZER;CN="Kyara Robinson":MAILTO:kr9710@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231024T170000
DTEND;TZID=UTC:20231024T190000
DTSTAMP:20260504T053101
CREATED:20230822T183018Z
LAST-MODIFIED:20231023T193531Z
UID:55298-1698166800-1698174000@humanities.princeton.edu
SUMMARY:Gauss Seminars in Criticism: Silvia Federici
DESCRIPTION:The Humanities Council’s Fall 2023 Gauss Seminars in Criticism will be presented by Silvia Federici\, Professor of Political Philosophy and International Studies\, Emerita\, Hofstra University.  Her visit\, under the general title\, “Rethinking\, Remaking a Feminist Agenda\,” will comprise a public lecture on Tuesday\, October 24 and a seminar on Wednesday\, October 25. \nProfessor Federici is a longtime activist\, teacher\, and writer. In 1972 she was among the founders of the International Feminist Collective\, the organization that launched the Campaign for Wages For Housework in the US and abroad. She has also been active in the anti-globalization movement and the anti-death penalty movement. In the 1990s she was a member of the journal Radical Midnight Notes and in 1991\, after a period of teaching in Nigeria\, she helped found the Committee for Academic Freedom in Africa\, which for more than ten years documented the struggle of African students against the austerity programs imposed by the IMF and the World Bank. \nTuesday\,  October 24 at 5:00 PM in Betts Auditorium \nPublic Lecture: “Feminism\, Social Reproduction\, and the Reconstruction of the Commons” \nThis lecture discusses the different ways in which feminist movements internationally are imagining and constructing a post-capitalist world built on the principle of the “commons.” It presents a feminist theory on the “commoning” of life while showing how\, already\, the principle of the “commons” and “commoning” is reshaping our conception of social reproduction\, knowledge-building\, and feminist organizing. \nWednesday\, October 25 at 12:30 PM — Location TBA \nSeminar: “The Body as a Site of Resistance” \nSince the 1970s\, in feminist theory and practice\, the body has emerged as a key terrain of confrontation with institutional policies and transformative practices. This seminar will discuss the significance of the feminist politicization of the body\, the struggles it has inspired\, and how “body politics” helps us in re-imagining and enriching the perspective of other social justice movements. \nRSVP required for this lunch seminar\, which is open only to members of the Princeton University community. To reserve a spot\, please email both Brooke Holmes and Jeannine Matt Pitarresi . The location will be communicated to all registrants several days before the seminar.
URL:https://humanities.princeton.edu/event/gauss-seminars-in-criticism-silvia-federici/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/08/La_escritora_y_activista_feminista_Silvia_Federici_cropped.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230921T180000
DTEND;TZID=America/New_York:20230921T200000
DTSTAMP:20260504T053101
CREATED:20230917T160725Z
LAST-MODIFIED:20230917T160725Z
UID:55843-1695319200-1695326400@humanities.princeton.edu
SUMMARY:On Assembling
DESCRIPTION:On Assembling \nA lecture from Andrew Holder and Claus Benjamin Freyinger \nThursday\, September 21\, 2023\, 6:00 pm \nBetts Auditorium \nSchool of Architecture \nAndrew Holder is co-principal of The LADG and an Associate Professor at the Harvard Graduate School of Design\, where he is also Program Director for the MArch I degree track. His research and design interests include the late Baroque architecture of 18th century Germany\, the English picturesque\, and the construction of architecture as an inanimate subject. He has held teaching appointments at the University of Michigan\, the University of Queensland\, UCLA\, SCI-Arc\, and Otis College of Art and Design. Andrew’s writing connects architecture’s form and physical presence to its participation in a larger history of ideas\, most recently in the book Inscriptions: Architecture Before Speech\, co-edited with K. Michael Hays (2022). Additional publications include essays and projects in Young Architects 16\, a+t\, Log\, Pidgin\, Project\, Harvard Design Magazine\, and RM 1000. \nClaus Benjamin Freyinger is co-principal of The LADG and a lecturer at the UCLA Department of Architecture and Urban Design. He is a frequent guest critic at institutions across the United States. His built work and architectural proposals focus on how buildings can become active participants\, and the relationship of academic research to architectural practice. Recent projects include a series of five houses in Los Angeles\, a retreat in rural Maine\, a compound in the Mount Washington suburbs of Los Angeles\, and an exhibition design for the Resnick Pavilion at the Los Angeles County Museum of Art. \nThe LADG (Los Angeles Design Group) is an architectural practice founded in 2004 by Andrew Holder and Claus Benjamin Freyinger. With offices in Venice\, California and Cambridge\, Massachusetts\, The LADG creates work at all scales–from furniture to multi-unit buildings–making the familiar new again. With completed projects in California\, Colorado\, Hawaii\, Minnesota\, New York\, Oregon\, and the United Kingdom\, their architectural projects take the “everyday” seriously\, challenging the status quo of buildings and our built environment. They have received several awards\, the 2022 AIA LA Next LA Award for their “House on Dusty Mile\,” located in the high desert of Landers\, California\, along with the 2017 and 2018 Progressive Architecture Awards\, among other accolades. Their recently completed “House 5” was published in Wallpaper Magazine and featured on the cover of Dwell Magazine in 2023. \nLectures made possible by the Jean Labatut Memorial Lectures in Architecture and Urban Planning Fund. The School of Architecture\, Princeton University\, is registered with the AIA Continuing Education (AIA/CE) and is committed to developing quality learning activities in accordance with the AIA/CE criteria. Members of the AIA can log credits for this event by completing the form at the event.
URL:https://humanities.princeton.edu/event/on-assembling/
LOCATION:Betts Auditorium
ORGANIZER;CN="Gabrielle Langholtz":MAILTO:gml@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230920T163000
DTEND;TZID=America/New_York:20230920T180000
DTSTAMP:20260504T053101
CREATED:20230731T200517Z
LAST-MODIFIED:20230827T144737Z
UID:54471-1695227400-1695232800@humanities.princeton.edu
SUMMARY:Notes Toward the Media History of Gibberish
DESCRIPTION:Gibberish has historically inhabited three media: voice\, letter\, and analog device. Since the beginning of speech\, people have been making and hearing unintelligible sounds; since the invention of the alphabet and later of moveable type\, spirits of all kinds have conjured with the combinatorics of letters; and since the 19th-century invention of audiovisual transmission and recording\, new kinds of white noise have erupted.  This talk aims partly to inventory and exemplify forms of gibberish\, and partly to consider the necessarily nonrandom fates that chase us symbolic animals. \nJohn Durham Peters teaches and writes on media history and philosophy. He is the María Rosa Menocal Professor of English and of Film & Media Studies at Yale University. He taught at the University of Iowa between 1986-2016. He is the author of Speaking into the Air: A History of the Idea of Communication\, Courting the Abyss: Free Speech and the Liberal Tradition\, and most recently\, The Marvelous Clouds: Toward a Philosophy of Elemental Media.
URL:https://humanities.princeton.edu/event/notes-toward-the-media-history-of-gibberish/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/07/twombly_1970_16x9.jpg
ORGANIZER;CN="Sarah Malone":MAILTO:sarah.k.malone@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230414T163000
DTEND;TZID=America/New_York:20230414T180000
DTSTAMP:20260504T053101
CREATED:20230407T170748Z
LAST-MODIFIED:20230407T170748Z
UID:53512-1681489800-1681495200@humanities.princeton.edu
SUMMARY:Kyung-Sook Shin Book Reading
DESCRIPTION:Reading by one of South Korea’s most important and prolific authors\, Shin Kyung-Sook\, on the occasion of the English language translation publication of her most recent novel\, I Went to See My Father. Reading and discussion in Korean with live interpretation to English by Helen Hwayeon Kim. \nFree and open to the public. \nKyung-Sook Shin is the author of numerous works of fiction and is one of South Korea’s most widely read and acclaimed novelists. She was the first woman to be awarded the Man Asian Literary Prize (for Please Look After Mom)\, and she has also been honored with the Manhae Literature Prize\, the Dong-in Literature Prize\, and the Yi Sang Literary Prize\, as well as France’s Pirx de l’Inaperçu. Please Look After Mom is her first book to appear in English. It will be published in twenty-nine countries and has sold over 2 million copies in South Korea alone. \nSponsored by: Department of East Asian Studies\, East Asian Studies Program\, Comparative Literature\, Program in Translation and Intercultural Communication\, Creative Writing Program
URL:https://humanities.princeton.edu/event/kyung-sook-shin-book-reading/
LOCATION:Betts Auditorium
ORGANIZER;CN="Jeff Heller":MAILTO:jh43@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230410T163000
DTEND;TZID=America/New_York:20230410T180000
DTSTAMP:20260504T053101
CREATED:20230215T212821Z
LAST-MODIFIED:20230406T174804Z
UID:53498-1681144200-1681149600@humanities.princeton.edu
SUMMARY:CFS Faber Lecture: Cinematic Faces and Hands
DESCRIPTION:Join the Committee for Film Studies for this Faber Lecture\, the second talk in our spring 2023 series that brings prominent film scholars into conversation with members of the Princeton community. This event features Mary Ann Doane\, Class of 1937 Professor of Film & Media at the University of California-Berkeley. \nFaber Lecture title\n“Cinematic Faces and Hands” \nAbstract \nThe close-up\, the classification of the shot that has been discussed most extensively in the history and theory of the cinema\, has also been insistently associated primarily with the face as its content. Despite some film theoretical speculation about the close-up and the detail\, the face in close-up evokes the rich territories of identification and surveillance\, recognition\, the haunting of the facial close-up by the physiognomic discourses of the eighteenth and nineteenth centuries and hence the invocation of colonialism and racism\, and not least\, the question of the legibility of space in cinema. Both Balázs and Deleuze have argued forcefully that the close-up of the face is despatialized\, abstracted from any physical environment. It is assigned a diegetic autonomy\, the refusal of the spatio-temporal coordinates of the narrative. It purportedly signifies in itself\, through expression\, interiority\, figuration\, and intensities. In being divorced from space\, the face is also liberated from a body\, without the negative connotations of decapitation. In this sense\, the face is unlike any other body part\, including that which vies for second place as the content of the close-up—the hand. In this essay\, I trace the distinctions between the close-up of the face and that of the hand\, in particular their respective relations to space and the body. The hand has also received extensive attention\, especially in essay films that compile a history of its instanciations in cinema\, such as Harun Farocki’s 1997 Der Ausdruck Der Hände or kogonada’s The Hands of Bresson. The hand is related to a familiar series of tropes as well—the erotic\, the laboring body\, thievery\, the fingerprint as clue (index)\, the finger as deixis\, palm reading and the future. But its relation to space is never as autonomous as that of the face; rather it indicates and orients\, activating the filmic space. While the face in close-up is abstracted from space\, the hand in close-up helps to produce that space\, to delineate its limits. The hand is sutured to space in a way that goes beyond its mere localization or existence in a specific place. Instead\, it produces space\, delineates it through its deictic operations. In this way\, it mimics or doubles the work of the close-up itself. \nMary Ann Doane is the Class of 1937 Professor of Film & Media at UC-Berkeley where she has taught since 2012. Previously\, she held the George Hazard Crooker University Professorship at Brown University where she worked from 1979-2011. Her primary research interests lie in media theory\, film theory/criticism\, and cultural theory. She is the author of The Emergence of Cinematic Time: Modernity\, Contingency\, the Archive (2002)\, Femmes Fatales: Feminism\, Film Theory\, Psychoanalysis (1991)\, The Desire to Desire: The Woman’s Film of the 1940s (1987) and editor of a 2007 special issue of differences\, “Indexicality: Trace and Sign.” Her latest book\, Bigger Than Life: The Close-Up and Scale in the Cinema was published by Duke University Press in 2022. She is the recipient of a Guggenheim Fellowship\, an ACLS Fellowship\, an American Academy of Berlin Fellowship\, a Miegunyah Distinguished Fellowship (Melbourne)\, and a Huaying Lecture Professorship (Nanjing) among others. The Emergence of Cinematic Time was the winner of the 2nd Limina Award and a commendation in the Kraszna-Krauss Book Awards (London). Her work has been translated into French\, German\, Spanish\, Japanese\, Chinese\, Italian\, Czech\, Polish\, Danish\, Hungarian\, and Ukrainian. \nReception to follow. This event is free and open to the public. \nThis event is sponsored by the Eberhard L. Faber 1915 Memorial Fund in the Humanities Council. It is part of the “Figure Ground Media” lecture series\, which is presented by the Humanities Council’s Committee for Film Studies. \nPlease email program manager Margo Bresnen at mbresnen@princeton.edu with any questions.
URL:https://humanities.princeton.edu/event/cfs-faber-lecture-mary-ann-doane/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/Doane_Mary_Ann_web-774x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230404T170000
DTEND;TZID=America/New_York:20230404T190000
DTSTAMP:20260504T053101
CREATED:20220222T164551Z
LAST-MODIFIED:20230330T171654Z
UID:45174-1680627600-1680634800@humanities.princeton.edu
SUMMARY:Gauss Seminars in Criticism: Gayatri Chakravorty Spivak
DESCRIPTION:Gauss Seminar in Criticism Spring 2023 will be presented by Gayatri Chakravorty Spivak\, University Professor in the Humanities at Columbia University.  Her visit\, under the general title\, “The Practice of Learning Du Bois\,” will comprise a public lecture on Tuesday\, April 4 and a lunch seminar on Wednesday\, April 5\, which is open to members of the Princeton University community. Masks are required for both events. \nProfessor Spivak is a globally renowned literary theorist\, feminist critic\, and activist. She is a founding member of the establishment’s Institute for Comparative Literature and Society Literature at Columbia University. \nTuesday\,  April 4 at 5:00 PM in Betts Auditorium\nPublic Lecture: “My Brother Burghardt” \nDu Bois wrote many autobiographies. I will speak of the relationship between his final\, posthumously published\, autobiography and his final fiction\, the Black Flame trilogy. \nWednesday\, April 5 at 12:00 PM — Location TBA\nSeminar: “The Long Shadow of Du Bois” \nIf reading is transactional\, how has the transaction with Du Bois affected my other work? \nThe lunch seminar\, which is open only to members of the Princeton University community\, is currently at capacity. To reserve a spot on the wait list\, please email both Andrew Cole (acole@princeton.edu) and Jeannine Matt Pitarresi (jp16@princeton.edu). The location will be communicated to all registrants several days before the seminar.
URL:https://humanities.princeton.edu/event/gauss-seminars-in-criticism-gayatri-chakravorty-spivak/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/02/Gayatri_Spivak_on_Subversive_Festival.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230323T180000
DTEND;TZID=America/New_York:20230323T193000
DTSTAMP:20260504T053101
CREATED:20230320T182146Z
LAST-MODIFIED:20230320T182146Z
UID:53107-1679594400-1679599800@humanities.princeton.edu
SUMMARY:Book Discussion | Carlo Ginzburg: History/Microhistories/Architectural Histories
DESCRIPTION:On March 6\, 2022\, Yehuda Safran (Pratt Institute) and Daniel Sherer (Princeton SoA) interviewed Italian historian Carlo Ginzburg for Issue 5 of Potlatch journal\, perhaps the most extensive and in-depth exchange ever given. From a broad spectrum of subjects\, Ginzburg discusses key sources of his intellectual formation\, the complex relation of art history\, architectural history\, and microhistory–convergences and divergences between historical\, literary and cinematic narrative\, and the reading of diverse types of evidence across disciplines. In an unusual moment of synthesis\, the interview contains the only published discussion of Ginzburg’s intellectual and personal exchange with architectural theorist Manfredo Tafuri\, focusing on the concepts of polycentric histories of architecture and microhistory. Nearly a year after the interview\, Carlo Ginzburg: History/Microhistories/Architectural Histories brings together multiple scholars across disciplinary fields to discuss this seminal dialog and Ginzburg at large. \nParticipants include Daniel Sherer (Visiting Faculty\, History and Theory of Architecture\, School of Architecture\, Princeton University)\, Yehuda Safran (Critic; Adjunct Professor\, History and Theory of Architecture\, School of Architecture\, Pratt Institute)\, Eva Del Soldato (Associate Professor of Italian Studies\, Francophone\, Italian And Germanic Studies\, University of Pennsylvania)\, Francesca Trivellato (Andrew W. Mellon Professor\, School of Historical Studies\, Institute for Advanced Study\, Princeton University)\, and Spyros Papapetros (Associate Professor\, History and Theory of Architecture\, School of Architecture\, Princeton University). \nThis lecture is made possible by the Jean Labatut Memorial Lectures in Architecture and Urban Planning Fund and is co-sponsored by the Center for Collaborative History.
URL:https://humanities.princeton.edu/event/book-discussion-carlo-ginzburg-history-microhistories-architectural-histories/
LOCATION:Betts Auditorium
ORGANIZER;CN="Carrie Ruddick":MAILTO:cruddick@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230302
DTEND;VALUE=DATE:20230305
DTSTAMP:20260504T053101
CREATED:20230219T055254Z
LAST-MODIFIED:20230219T055254Z
UID:52286-1677726000-1677898799@humanities.princeton.edu
SUMMARY:Svetlana Kana Radević: Aggregate Assemblies\, 2023 Womxn in Design and Architecture Conference
DESCRIPTION:Register here. \nSvetlana Kana Radević’s architecture is a radical act of mediation. Rising to prominence in post-war Yugoslavia\, her buildings speak on all scales\, engaging geo-political and social complexities. Drawing from knowledge of materiality and vernacular traditions within her native Montenegro (formerly Yugoslavia)\, her work filters modernism’s globalized forces through an intimate\, place-based lens. Radević’s civic spaces re-centered provincial knowledge and facilitated a socially-progressive public sphere within the Yugoslav socialist state. \nAt age 29\, Radević became the youngest and only woman to receive the national Yugoslavian Borba Award for Architecture in 1968 for her design of Hotel Podgorica. Prominent projects such as the Podgorica Bus Terminal\, Petrovac Apartment Building\, and Monument to Fallen Fighters express Radević’s commitment to generating a symbiosis between civic engagement and landscape design through the use of local building materials\, bold forms\, and generous proportions. Radević articulated her own cross-cultural practice\, working simultaneously between the United States\, Japan\, France\, Russia\, and Yugoslavia\, where she eventually returned for the remainder of her career. \nThe seventh Womxn in Design and Architecture Conference at the Princeton School of Architecture honors the life and work of Svetlana Kana Radević. The 2022–23 conference proceedings will call on the discipline with timely topics and inquiries\, such as What is architecture’s role in times of social and political transformation? How can architecture re-center local systems of power\, collective memory\, and vernacular tradition? Disrupting the dichotomy between periphery and center while standing as one of the most avant-garde voices of Yugoslavian architecture\, Radević’s legacy raises questions that are as pressing now as they were during her lifetime. \nParticipants include Ljiljana Blagojević Ph.D.\, Sonja Dragović\, Dr. Lina Džuverović\, Anna Kats\, Ena Kukić\, Vladimir Kulić\, Prof. a.D. Dr.-Ing. Mary Pepchinski\, Dr. Dubravka Sekulić\, Dr. Ljubica Spaskovska\, Łukasz Stanek\, and Alla Vronskaya\, among others. \nA full list of conference participants\, schedule\, and panel descriptions can be viewed at wda.princeton.edu. \nViewing information\nFree and open to the public\, but registration is required to attend in-person. A live stream will also be accessible via the WDA website on the days of the event: wda.princeton.edu. \nAbout WDA\nWomxn in Design and Architecture (WDA) is a graduate student group formed in 2014 at Princeton University School of Architecture. The annual WDA conference celebrates the work and legacy of a pivotal female architect or designer with contributions from international historians and scholars\, in addition to artists\, curators\, and practitioners. Read more. \n2022-23 WDA Members include Olivia Ahmadi\, Jocelyn Beausire\, Marie Chapa\, Julia Chou\, Hermine Demaël\, Keren Dillard\, Sophia Diodati\, Vanessa Gonzalez\, Laura Fegely\, Patty Hazle\, Luciana Hodara Rahde\, Kyara Robinson\, Sofia Rojo\, Ewa Roztocka\, Marie de Testa\, Shoshana Torn\, Priscilla Zhang\, and Janeen Zheng. \nThe WDA conference is made possible by the Jean Labatut Memorial Lecture Fund. WDA is a recognized student organization by The Graduate School of Princeton University. The School of Architecture\, Princeton University\, is registered with the AIA Continuing Education System (AIA/CES) and is committed to developing quality learning activities in accordance with the AIA/CES criteria. \nWDA is open to all Princeton graduate students regardless of identity.
URL:https://humanities.princeton.edu/event/svetlana-kana-radevic-aggregate-assemblies-2023-womxn-in-design-and-architecture-conference/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/02/venice-biennale-1_kanaradevic.me_.jpg
ORGANIZER;CN="Carrie Ruddick":MAILTO:cruddick@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230223T180000
DTEND;TZID=America/New_York:20230223T193000
DTSTAMP:20260504T053101
CREATED:20230217T200306Z
LAST-MODIFIED:20230217T200306Z
UID:52284-1677175200-1677180600@humanities.princeton.edu
SUMMARY:Born Under Punches
DESCRIPTION:David Goodman is Acting Dean\, Director of the Bachelor of Architectural Studies and the Master of Architecture\, and Professor of Architecture at the IE School of Architecture and Design in Madrid and Segovia\, Spain. He holds a Doctorate in Business Administration from the IE Business School\, specializing in Strategic Management and Organization Theory\, with a focus on institutional theory and the creative industries. His current research deals with innovations in architecture practice and production during times of socioeconomic turbulence\, and how totalitarian regimes have used the teaching of building methods to construct and institutionalize social inequalities. \nGoodman is coauthor of the book An Introduction to Architecture Theory: 1968 to the Present. His work has also appeared in the journals Log\, A+T\, Journal of Architectural Education\, Technology | Architecture + Design\, and in the anthologies Chicago Architecture: Histories\, Revisions\, Alternatives and Walter Netsch: A Critical Appreciation and Sourcebook. A graduate of the Harvard Graduate School of Design and of Cornell University\, Goodman has previously taught at the Illinois Institute of Technology\, Harvard Graduate School of Design and the Boston Architectural College\, as well as working in the office of Rafael Moneo in Madrid and as co-founder of the Chicago-based architecture firm R+D Studio. He likes to run\, although\, increasingly\, his knees do not. \nLectures made possible by the Jean Labatut Memorial Lectures in Architecture and Urban Planning Fund. The School of Architecture\, Princeton University\, is registered with the AIA Continuing Education (AIA/CE) and is committed to developing quality learning activities in accordance with the AIA/CE criteria. Members of the AIA can log credits for this event by completing the form at the event.
URL:https://humanities.princeton.edu/event/born-under-punches/
LOCATION:Betts Auditorium
ORGANIZER;CN="Carrie Ruddick":MAILTO:cruddick@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221206T170000
DTEND;TZID=America/New_York:20221206T183000
DTSTAMP:20260504T053101
CREATED:20220829T181624Z
LAST-MODIFIED:20220830T145418Z
UID:49024-1670346000-1670351400@humanities.princeton.edu
SUMMARY:“Ten Minutes Later”  A Public Lecture by Belknap Visiting Fellow Josephine Meckseper
DESCRIPTION:Sponsored by Department of Art & Archaeology and the Humanities Council\nCo-sponsored by Princeton University Art Museum\, Program in Visual Arts \, Lewis Center for the Arts\, and the Program in Media + Modernity.
URL:https://humanities.princeton.edu/event/ten-minutes-later-a-public-lecture-by-belknap-visiting-fellow-josephine-meckseper/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/08/MEJ2013-009.jpg
ORGANIZER;CN="Brigid Doherty / Mo M. Chen":MAILTO:bdoherty@princeton.edu / mochen@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221206T120000
DTEND;TZID=America/New_York:20221206T132000
DTSTAMP:20260504T053101
CREATED:20221119T033202Z
LAST-MODIFIED:20221119T033202Z
UID:51107-1670328000-1670332800@humanities.princeton.edu
SUMMARY:Sick Architecture
DESCRIPTION:Architecture and sickness are tightly intertwined. Architectural discourse always weaves itself through theories of body and brain\, constructing the architect as a kind of doctor and the client as a patient. Architecture has been portrayed as both a form of prevention and cure for thousands of years. Sick Architecture began as a series of graduate seminars led by Professor Beatriz Colomina highlighting a topic that has shaped our lives since the outbreak of the COVID-19 pandemic. For their research\, doctoral students explored a range of case studies in which architecture\, urbanization\, infrastructure\, and spatial discourse were strongly influenced by concern for sickness\, health\, and medicine. \nPRESENTED BY\nProfessor Beatriz Colomina\, Architecture \nWITH CASES STUDIES BY\nAngela H. Brown\, Art and Archaeology\nMarie de Testa\, Architecture\nDante Furioso\, Architecture\nAngelika Joseph\, Architecture\nShivani Shedde\, Architecture\nMaxwell Smith-Holmes\, Architecture \nOpen to students\, faculty\, visiting scholars\, staff and invited guests. Lunch will be provided while supplies last.
URL:https://humanities.princeton.edu/event/sick-architecture/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/11/Sick-Architecture.png
ORGANIZER;CN="Damaris Zayas":MAILTO:damaris@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221025T170000
DTEND;TZID=America/New_York:20221025T190000
DTSTAMP:20260504T053101
CREATED:20220331T200112Z
LAST-MODIFIED:20221025T154946Z
UID:47139-1666717200-1666724400@humanities.princeton.edu
SUMMARY:Gauss Seminars in Criticism: Hortense J. Spillers
DESCRIPTION:The Humanities Council’s Fall 2022 Gauss Seminars in Criticism will be presented by Hortense Spillers (Emerita\, Vanderbilt University). Her visit\, under the general title\, “Criticism in Times of Stress\,” will comprise a public lecture on Tuesday\, October 25 and a seminar on Wednesday\, October 26. \nHortense J. Spillers is a Black Feminist scholar and Gertrude Conaway Vanderbilt Professor Emerita at Vanderbilt University. A specialist of the African diaspora\, Spillers is known for her essays on African American literature\, collected in Black\, White\, and In Color: Essays on American Literature and Culture (2003) and Comparative American Identities: Race\, Sex\, and Nationality in the Modern Text\, a collection edited by Spillers (1991). Her essay in Diacritics\, “Mama’s Baby\, Papa’s Maybe: An American Grammar Book\,” is among the most important and influential articles in the contemporary humanities.   \nTuesday\,  October 25 at 5:00 PM in Betts Auditorium\nPublic Lecture: “Ethics and the Everyday” \nHow can we be ethical in a world where many think of ethics as a joke? \n*Masks will be required for this event. \nWednesday\, October 26 at 12:00 PM — Location TBA  *seminar full\, wait list only*\nSeminar: “Women and the Laws” \nThis seminar focuses on Le Code Noir (the Black Code)—the infamous edict by King Louis XIV\, as well as “the most monstrous legal document of modern times\,” that established the terms of enslavement in the French colonies. We will ask: how does the nameless\, faceless female slave bear the weight of the moral disaster of slavery? \nRSVP required for this lunch seminar\, which is open only to members of the Princeton University community. To reserve a spot\, please email both Andrew Cole (acole@princeton.edu) and Jeannine Matt Pitarresi (jp16@princeton.edu). The location will be communicated to all registrants several days before the seminar.
URL:https://humanities.princeton.edu/event/gauss-seminars-in-criticism-hortense-spillers/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/03/Gauss22_Spillers_DM-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220929T180000
DTEND;TZID=America/New_York:20220929T193000
DTSTAMP:20260504T053101
CREATED:20220927T155452Z
LAST-MODIFIED:20220927T155452Z
UID:49857-1664474400-1664479800@humanities.princeton.edu
SUMMARY:Book Launch: Radical Pedagogies
DESCRIPTION:In the decades after World War II\, new forms of learning transformed architectural education. These radical experiments sought to upend disciplinary foundations and conventional assumptions about the nature of architecture as much as they challenged modernist and colonial norms\, decentered building\, imagined new roles for the architect\, and envisioned participatory forms of practice. Although many of the experimental programs were subsequently abandoned\, terminated\, or assimilated\, they nevertheless helped shape and in some sense define architectural discourse and practice. This book explores and documents these radical pedagogies and efforts to defy architecture’s status quo. \nPlease join Princeton School of Architecture in celebrating the launch of Radical Pedagogies (MIT Press\, 2022) with editors Beatriz Colomina\, Ignacio G. Galán\, Evangelos Kotsioris\, and Anna-Maria Meister; presenters Anthony Acciavatti\, Esther Choi\, Diana Cristóbal Olave\, Curt Gambetta\, Ruo Jia\, Lydia Kallipoliti\, Ivan Lopez Munuera\, Masha Panteleyeva\, Federica Vannucchi\, Mark Wasiuta\, Mark Wigley; and respondents Sylvia Lavin and Anthony Vidler. \nEditors: \nBeatriz Colomina \nHoward Crosby Butler Professor of the History of Architecture\, Princeton School of Architecture \nIgnacio G. Galán \nAssistant Professor\, Department of Architecture\, Barnard+Columbia Colleges \nEvangelos Kotsioris \nAssistant Curator\, Department of Architecture and Design\, The Museum of Modern Art \nAnna-Maria Meister \nAssistant Professor for Architecture Theory and Science\, Technical University of Darmstadt \nPresenters: \nAnthony Acciavatti\nDiana Balmori Assistant Professor\, Yale School of Architecture \nEsther Choi\nPostdoctoral Fellow in the History of Art\, Getty/ ACLS \nDiana Cristóbal Olave\nAdjunct Assistant Professor\, Barnard College and The City College of New York \nCurt Gambetta\nVisiting Critic\, Cornell University AAP \nRuo Jia\nVisiting Assistant Professor\, Graduate Architecture & Urban Design Pratt Institute; Adjunct Assistant Professor\, The Bernard & Anne Spitzer School of Architecture\, The City College of New York; Founder and Director\, IfWorks \nLydia Kallipoliti\nAssistant Professor\, Irwin S. Chanin School of Architecture\, The Cooper Union; Principal\, ANAcycle research thinktank \nIvan Lopez Munuera\nVisiting Lecturer at Architecture\, Bard College \nMasha Panteleyeva\nAdjunct Associate Professor\, School of Architecture\, Pratt Institute \nFederica Vannucchi\nPratt School of Architecture; Royal College of Art\, London \nMark Wasiuta\nSenior Lecturer in Architecture at Columbia GSAPP and Co-Director of the Critical\, Curatorial and Conceptual Practices in Architecture program \nMark Wigley\nProfessor and Dean Emeritus at Columbia GSAPP \nRespondents: \nSylvia Lavin\nProfessor of the History and Theory of Architecture\, Princeton School of Architecture \nAnthony Vidler\nVisiting Faculty\, Princeton School of Architecture; Professor of Architecture\, Irwin S. Chanin School of Architecture\, The Cooper Union \nLectures made possible by the Jean Labatut Memorial Lectures in Architecture and Urban Planning Fund.
URL:https://humanities.princeton.edu/event/book-launch-radical-pedagogies/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/09/Radical-Pedagogies.jpg
ORGANIZER;CN="Carrie Ruddick":MAILTO:cruddick@princeton.edu
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220923T170000
DTEND;TZID=America/New_York:20220923T190000
DTSTAMP:20260504T053101
CREATED:20220826T204524Z
LAST-MODIFIED:20220914T194935Z
UID:49022-1663952400-1663959600@humanities.princeton.edu
SUMMARY:Belknap Global Conversation with Filmmaker Ryusuke Hamaguchi
DESCRIPTION:The Humanities Council is pleased to host a Belknap Global Conversation with award-winning director and screenwriter Ryusuke Hamaguchi\, and Princeton faculty Anne Cheng (English)\, Steven Chung (East Asian Studies)\, Thomas Hare (Comparative Literature)\, and Gavin Steingo (Music). \nHamaguchi is among the most thoughtful and original filmmakers working in global cinema today. Across diverse genres\, technical experimentations\, and production modalities\, he has forged a vision of how film can capture the pitfalls and promises of human communication. His most recent film\, the hypnotic and challenging Drive My Car (2021)\, won multiple international awards\, including Best Screenplay at the 74th Cannes International Film Festival and Best International Feature at the 94th Academy Awards. \nThomas Hare (Comparative Literature) will introduce the speakers\, after welcome remarks by Humanities Council Acting Chair Tera W. Hunter (History\, African American Studies). \nThe Belknap Global Conversation is co-sponsored by the Department of East Asian Studies\, the Department of Comparative Literature\, the Program in East Asian Studies\, the Committee for Film Studies\, and the Princeton Public Library. \nOpen to the public\, with a reception immediately following. Current guidance for visitors regarding COVID-19 may be found on the EHS Visitor Policy page. \n\nThis event is part of Conversations\, a celebration of Hamaguchi’s films\, hosted by the Department of East Asian Studies\, the Department of Comparative Literature\, and the Program in East Asian Studies. During this series\, Hamaguchi will engage the Princeton community over the course of a week in residence. A mini retrospective of his more recent films\, including Drive My Car\, will screen throughout the week at the Garden Theater. Most generously\, he will lead a series of workshops through which a small number of students will develop and produce short films. More information about public events can be found on the Conversations website.
URL:https://humanities.princeton.edu/event/fall-2022-belknap-global-conversation/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/08/BGC_Hamaguchi_2209_16x9-2.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220922T180000
DTEND;TZID=America/New_York:20220922T193000
DTSTAMP:20260504T053101
CREATED:20220916T204800Z
LAST-MODIFIED:20220916T204800Z
UID:49626-1663869600-1663875000@humanities.princeton.edu
SUMMARY:Alphabets\, Fridge Magnets\, the Morning Paper
DESCRIPTION:Tessa Kelly is an architect and partner at Group AU\, as well as co-founder of The Mastheads\, a public design non-profit in Pittsfield\, Massachusetts. She is a graduate of the Harvard School of Design\, and has taught previously within the Studio Art Department of Williams College and at the Yale School of Architecture. She is currently teaching ARC 404 at the Princeton School of Architecture. At Group AU\, Tessa spearheads urbanism projects that have been supported by both the National Endowment for the Arts and the National Endowment for the Humanities\, and which engage the local community in Pittsfield through themes of urban history\, cultural and literary heritage\, and identity-building through design.
URL:https://humanities.princeton.edu/event/alphabets-fridge-magnets-the-morning-paper/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/09/fa22_922_Tessa-Kelly_FB.png
ORGANIZER;CN="Carrie Ruddick":MAILTO:cruddick@princeton.edu
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220419T170000
DTEND;TZID=America/New_York:20220419T190000
DTSTAMP:20260504T053101
CREATED:20220314T132140Z
LAST-MODIFIED:20220406T154806Z
UID:46122-1650387600-1650394800@humanities.princeton.edu
SUMMARY:Gauss Seminars in Criticism: "Back to the Future of the End"
DESCRIPTION:The Humanities Council’s Spring 2022 Gauss Seminars in Criticism will be presented by Alenka Zupančič (The Slovene Academy of Sciences and Arts).  Her visit\, under the general title of “Back to the Future of the End\,” will comprise a public lecture on Tuesday\, April 19 and a seminar on Wednesday\, April 20. \nThe lecture\, “Dead Ends\,” explores the strange psychological and social dynamics involved in denial and disavowal. To take just one example\, the denial of the catastrophic dimensions of climate change is bound to hasten that very catastrophe. Disavowal is also an interesting phenomenon because it is not simply about denying or ignoring a threat\, but about robbing it of its reality\, while being fully aware of it. Judging from these and other similar phenomena\, one could conclude that we are more afraid of being scared to death than of actually dying. Why is that? \nAlenka Zupančič is a Slovene philosopher and social theorist. She works as Research Councilor at the Institute of Philosophy\, Scientific Research Center of the Slovene Academy of Sciences and Arts. She is also professor at the European Graduate School in Switzerland\, and is invited as a guest lecturer to numerous universities worldwide. Renowned for her work on the intersection of philosophy and psychoanalysis\, she is the author of numerous articles and many books\, including Ethics of the Real: Kant and Lacan; The Shortest Shadow: Nietzsche’s Philosophy of the Two; Why Psychoanalysis: Three Interventions; The Odd One In: On Comedy; What is Sex? and\, forthcoming\, Let Them Rot: Antigone’s Parallax. \nTuesday\,  April 19 at 5:00 PM in Betts Auditorium\nPublic Lecture:  “Dead Ends” \nOpen to PU ID holders. Attendees will be required to wear face coverings. Register here. \n\nWednesday\, April 20 at 12:00 PM — Location TBA\nSeminar: “The Apocalypse is Disappointing?”\n \nRSVP required for this lunch seminar\, which is open only to members of the Princeton University community. To reserve a spot\, please email both Andrew Cole (acole@princeton.edu) and Jeannine Matt Pitarresi (jp16@princeton.edu). The location will be communicated to all registrants several days before the seminar. \n 
URL:https://humanities.princeton.edu/event/gauss-seminars-in-criticism-dead-ends/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/03/alenka-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211118T180000
DTEND;TZID=America/New_York:20211118T193000
DTSTAMP:20260504T053101
CREATED:20211116T192556Z
LAST-MODIFIED:20211116T192710Z
UID:42655-1637258400-1637263800@humanities.princeton.edu
SUMMARY:POTENTIAL FUTURES 21 Q&A on Architecture & Pedagogy with Princeton SoA
DESCRIPTION:This event is reserved for the SoA Community and live streaming will not be available. \n21 Q&A on Architecture & Pedagogy is a multilog format curated by Eva Franch i Gilabert that travels across schools and cultural institutions to discuss the state of architecture education today through the specific voices of students\, faculty and staff. \nEva Franch has been recognized for her curatorial and pedagogical work as one of the most influential voices of our time. Franch holds a Master’s Degree in Architecture from ETSAB/UPC and Princeton SoA where she earned the Suzanne Kolarik Underwood Prize for exceptional architectural design. She has built in Europe and dedicated the last ten years to transforming educational and cultural institutions across the globe. Her work articulates global desires with local understandings\, with an interest in new architecture histories and potential futures. An advocate for new forms of collectivity\, curatorial activism\, and free education\, Franch is the former Director of the Architectural Association in London\, and Director and Chief Curator of Storefront for Art and Architecture in New York. Franch has directed the Thesis Studio at Rice University and The Cooper Union where she is currently a faculty member\, and taught seminars and design studios at Princeton University\, Columbia University GSAPP\, the IUAV University of Venice\, and SUNY Buffalo. Franch has received the Reyner Banham Fellowship\, the Wortham Fellowship\, the La Caixa Fellowship\, a Schloss Solitude Fellowship\, and grants from the National Endowment for the Arts\, the Graham Foundation\, and the US State Department. She has received numerous awards\, and her work has been exhibited internationally including the Venice Architecture Biennale\, FAD Barcelona\, and the Shenzhen Biennale of Architecture and Urbanism\, among others. Publications by Franch include Agenda (Lars Müller\, 2014)\, Atlas (Lars Müller\, 2015) and Manual (Lars Müller 2017)\, all published as part of the project for collective practice\, OfficeUS. \nLecture made possible by the Jean Labatut Memorial Lectures in Architecture and Urban Planning Fund. The School of Architecture\, Princeton University\, is registered with the AIA Continuing Education (AIA/CE) and is committed to developing quality learning activities in accordance with the AIA/CE criteria. Members of the AIA can log credits for this event by completing the form on the SoA website.
URL:https://humanities.princeton.edu/event/potential-futures-21-qa-on-architecture-pedagogy-with-princeton-soa/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2021/11/fa21_1118_eva_FB.png
ORGANIZER;CN="Carrie Ruddick":MAILTO:cruddick@princeton.edu
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