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DTSTART;VALUE=DATE:20230922
DTEND;VALUE=DATE:20230925
DTSTAMP:20260416T024331
CREATED:20230823T135020Z
LAST-MODIFIED:20230823T135020Z
UID:55307-1695351600-1695524399@humanities.princeton.edu
SUMMARY:Black Sea Migrations in the Long Thirteenth Century: Bodies\, Things\, Ideas
DESCRIPTION:This conference examines the role both of the major ports and cities of the Black Sea region — such as Constantinople\, Pera\, Kiev\, Caffa\, Sudak\, Tana\, Sarai Batu and Trebizond – and of the agrarian and pastoral communities of the hinterlands in shaping the trans-regional movement of people\, goods and ideas between Asia\, Europe and Africa. Register here. \nOrganized by: Lillian Datchev | Earnestine Qiu | Teresa Shawcross | Center for Collaborative History \nSponsored by: Center for Collaborative History | Department of Art & Archaeology | Department of Religion | Humanities Council | Princeton Institute for International and Regional Studies | Program in Medieval Studies | Program in Russian\, East European and Eurasian Studies\nThe Seeger Center for Hellenic Studies | University Center for Human Values
URL:https://humanities.princeton.edu/event/black-sea-migrations-in-the-long-thirteenth-century-bodies-things-ideas/
LOCATION:211 Dickinson Hall
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/08/TfOF2llY.jpeg
ORGANIZER;CN="Jennifer Loessy":MAILTO:jloessy@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230922T090000
DTEND;TZID=America/New_York:20230922T170000
DTSTAMP:20260416T024331
CREATED:20230905T133045Z
LAST-MODIFIED:20230905T133045Z
UID:55441-1695373200-1695402000@humanities.princeton.edu
SUMMARY:Thinking Through Minshū Bukkyō: Popular Buddhism and the Study of Premodern Japan
DESCRIPTION:The category of folk or popular Buddhism (minshū Bukkyō) offers tremendous promise for scholars of Japanese religion. It forces us to consider Buddhism beyond the walls of the monastery and challenges elite centered narratives by turning to the religion of the many (minshū) rather than the select and famous few. As such\, taking the Japanese category of popular Buddhism seriously helps usher in a new understanding of religion in premodern Japan\, one that addresses lived religion as enacted by individuals from diverse walks of life. Attention to the broader populace (minshū) allows scholars to move beyond standard accounts of premodern Japanese religions\, which have typically centered on powerful religious institutions as gates of power (kenmon) or the state’s role in promoting and regulating Buddhism. Put succinctly\, the model encourages a shift from top-down to bottom-up accounts of religiosity. \nBut the category also presents numerous problems\, many undertheorized in scholarship to date. Who is included in the category of popular? How is the term minshū best translated? What are the boundaries of this sociological category? Are the lines between elite and popular sharp? Does religious practice necessarily map onto social class? And given the fact that most extant sources stem from elite circles\, to what extent can we even access the religious lives of those outside of the upper echelons of society in premodern times? What methods are needed to do so? \nThis workshop encourages us to think through the concept. By this\, the organizers mean that we will both use the notion of popular Buddhism as a lens onto premodern Japanese religions while also engaging in a reassessment of the category’s meaning\, utility\, and limits. In doing so\, we will contribute to both the study of Japanese Buddhism and to that of the humanities more broadly. For the former\, we aim to develop new historiographical angles and greater conceptual rigor. For the latter\, we hope that the Japanese concept of minshū and the presented case studies will contribute new theoretical language and methods for studying non-elite practices. \nThe conference is open to the public and is bilingual. Papers will be presented in both English and Japanese. No translation will be provided. Register here.
URL:https://humanities.princeton.edu/event/thinking-through-minshu-bukkyo-popular-buddhism-and-the-study-of-premodern-japan/
LOCATION:202 Jones Hall
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/09/minshu.jpeg
ORGANIZER;CN="Jenny Legath":MAILTO:jlegath@princeton.edu
GEO:40.7228732;-74.0621867
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230922T160000
DTEND;TZID=UTC:20230922T190000
DTSTAMP:20260416T024331
CREATED:20230918T205847Z
LAST-MODIFIED:20230918T205957Z
UID:55895-1695398400-1695409200@humanities.princeton.edu
SUMMARY:Film Screening and Artist Talk: Chantel Comardelle and Dennis Davis of “Knowledge is Power”
DESCRIPTION:Join the Arts Council of Princeton for an artist talk featuring Dennis Davis and Chantel Comardelle of Our Knowledge is Power: The Cultures of Beauty and Survival in Isle de Jean Charles\, LA and Shishmaref\, AK\, on view in the ACP’s Taplin Gallery. \nThroughout the event\, screenings of Preserving our Place: Our Knowledge is Power will take place in the ACP’s Solley Theater. \nExecutive Producers:\nChantel Comardelle\, Dennis Davis\, and Elizabeth Marino \nDirector/Editor:\nJeremy Lavoi \nProducer:\nAbby Berendt Lavoi \nCollaborators:\nNathan Jessee\, Alessandra Jerolleman\, Gwen Davis \nThis film was sponsored by NSF award #1929145: Adaptations to Repetitive Flooding: Understanding Cross Cultural and Legal Possibilities for Long Term Flooding Risks. \nHosted by the Arts Council of Princeton\, and co-sponsored by Fluid Futures\, Humanities Council Magic Project & HMEI Global Environmental Justice Fund\, and the Environmental Humanities Colloquium (HMEI).
URL:https://humanities.princeton.edu/event/film-screening-and-artist-talk-chantel-comardelle-and-dennis-davis-of-knowledge-is-power/
LOCATION:Arts Council of Princeton
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/09/Our-Knowledge.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230926T120000
DTEND;TZID=America/New_York:20230926T131500
DTSTAMP:20260416T024331
CREATED:20230918T203445Z
LAST-MODIFIED:20230918T203445Z
UID:55856-1695729600-1695734100@humanities.princeton.edu
SUMMARY:Mellon Forum // Womanist Work: Black Women Preachers and the Making of Sermonic Space in Literature and Music
DESCRIPTION:In Black Performance Theory\, Dr. D. Soyini Madison’s foreword explicates the imperatives and aesthetics of Black expressive culture coupled with the ways in which Blackness is performatively examined in time and space. Womanist Work centers the efficacy of the sermon within African American literature\, music\, and social-spiritual moments with respect to Black women preachers as cultural figures. In addition to investigating how Black women preachers use their sermons as modes of resistance\, Womanist Work foregrounds the Black woman preacher’s emphasis on musicality\, expressivity\, thematic relevance\, and improvisatory phrasing\, clarifying the ways that the delivery of the sermon must be understood in terms of both content and context. Womanist Work also acknowledges the prophetic scenarios in African American literature\, music\, and theology that speak to creating\, producing\, and discovering sermonic space regarding Black women preachers within the twenty-first century freedom movement.
URL:https://humanities.princeton.edu/event/mellon-forum-womanist-work-black-women-preachers-and-the-making-of-sermonic-space-in-literature-and-music/
LOCATION:Betts Auditorium and Zoom\, Princeton\, NJ\, 08544\, United States
ORGANIZER;CN="Jacquelyn Walsh":MAILTO:jw42@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230926T163000
DTEND;TZID=America/New_York:20230926T180000
DTSTAMP:20260416T024331
CREATED:20230731T200124Z
LAST-MODIFIED:20230907T140335Z
UID:54476-1695745800-1695751200@humanities.princeton.edu
SUMMARY:Double Exposure: Re-Seeing the West with Timothy O’Sullivan\, America’s Most Mysterious War Photographer
DESCRIPTION:Author Robert Sullivan speaks on his forthcoming book\, Double Exposure: Resurveying the West with Timothy O’Sullivan\, America’s Most Mysterious War Photographer (FSG\, 2024). \nRobert Sullivan is the author of numerous books\, including Rats\, The Meadowlands\, A Whale Hunt\, The Thoreau You Don’t Know and My American Revolution. His writing has appeared in The New Yorker\, The New York Times\, A Public Space and Vogue. He is the recipient of a 2022 Guggenheim Fellowship and teaches creative writing at Middlebury College’s Bread Loaf School of English. In April\, FSG will publish his latest book\, Double Exposure: Resurveying the West with Timothy O’Sullivan\, America’s Most Mysterious War Photographer. He will be a Short-Term Whitney J. Oates Fellow in the Humanities Council and the Department of English in spring 2024. \nPhoto credit: O’Sullivan\, Timothy H\, photographer. Black Cañon Colorado River\, from camp 8\, looking above / T.H. O’Sullivan\, phot. 1871. Photograph. Retrieved from the Library of Congress (https://www.loc.gov/item/99404085/)
URL:https://humanities.princeton.edu/event/double-exposure-resurveying-the-west-with-timothy-osullivan-americas-most-mysterious-war-photographer/
LOCATION:010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/07/new-robert-sullivan.jpg
ORGANIZER;CN="Sarah Malone":MAILTO:sarah.k.malone@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230926T163000
DTEND;TZID=America/New_York:20230926T180000
DTSTAMP:20260416T024331
CREATED:20230913T195852Z
LAST-MODIFIED:20230913T195852Z
UID:55781-1695745800-1695751200@humanities.princeton.edu
SUMMARY:Sensory Life in South India: Counter-Narratives of Islamic Material Culture
DESCRIPTION:The Islamic built environment in India is under tremendous strain today. Mosques\, especially\, are disparaged as “ocular reminders” of India’s Muslim past. In this context\, how can we understand the range of significations that such sites have for ordinary Muslims? This talk focuses on mosques on the southeastern coast of India\, built in a distinctive style that is rooted in local architectural idioms. Such mosques are an integral part of the Tamil sacred landscape\, indexing the region’s longstanding Muslim presence as well as histories of maritime trade and mobility. The presentation explores how the architecture and materiality of the built environment mediate people’s connection to the past\, and how such sites are reimagined as spaces of heritage\, historical consciousness\, and cultural value. \nRegister here. \nThis event is co-sponsored by the Program in South Asian Studies and the Department of Anthropology.
URL:https://humanities.princeton.edu/event/sensory-life-in-south-india-counter-narratives-of-islamic-material-culture/
LOCATION:A71 Louis A. Simpson Building
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/09/mosque1.jpg
ORGANIZER;CN="Harini Kumar":MAILTO:harinik@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230926T163000
DTEND;TZID=America/New_York:20230926T180000
DTSTAMP:20260416T024331
CREATED:20230920T153015Z
LAST-MODIFIED:20230920T153015Z
UID:55929-1695745800-1695751200@humanities.princeton.edu
SUMMARY:Chile 9/11 Series | Voluspa Jarpa: "Chile 9/11 Before Chile 9/11"
DESCRIPTION:Chilean artist Voluspa Jarpa investigates the broader notion of the archive by synthesizing popular discourse\, declassified documents\, state symbols\, urban space\, personal narratives\, and psychoanalytic theory. Using materials as disparate as oil on canvas to lasers\, Jarpa analyzes the construction of hegemonic history and memory\, taking into account its inherent erasures and absences. Jarpa also explores ways to emancipate ourselves from these structures and facilitate a more complex telling of past\, present\, and future. \nAmong her numerous solo exhibitions such as En nuestra pequeña región de por acá at MALBA\, Buenos Aires (2016) and L’effet Charcot at La Maison de l’Amerique Latine in Paris (2010)\, Voluspa Jarpa has participated in many international exhibitions\, including the Venice Biennale\, Italy (2019); Shanghai Biennial\, China (2018); Parapolitics: Cultural Freedom and the Cold War at the Haus der Kulturen der Welt\, Berlin (2017–2018); and the 31st Sao Paulo Biennial\, Brazil (2014)\, among others. She recently participated in the BAM-Biennial of the Mediterranean Archipelago\, curated by Beatrice Merz\, with the work False Flag (2022). \nThis series has been funded by a Magic Grant from the Humanities Council. \nDISCUSSANTS\nRachel Price\, Spanish and Portuguese\, Princeton University\nOlivia Lott\, PLAS Postdoctoral Research Associate and Lecturer\, Princeton University \nMODERATOR\nJavier Guerrero\, Spanish and Portuguese \n\nThis talk will be in Spanish with simultaneous interpretation in English. This event is free and open to the public. \nSPONSORS \n\nHumanities Council\nDepartment of Spanish and Portuguese\nPrinceton Institute for International and Regional Studies
URL:https://humanities.princeton.edu/event/chile-9-11-series-voluspa-jarpa-chile-9-11-before-chile-9-11/
LOCATION:219 Aaron Burr Hall
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/09/chile_series_-_picture9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230926T170000
DTEND;TZID=America/New_York:20230926T183000
DTSTAMP:20260416T024331
CREATED:20230920T134835Z
LAST-MODIFIED:20230920T134835Z
UID:55906-1695747600-1695753000@humanities.princeton.edu
SUMMARY:Climate Inheritance
DESCRIPTION:Climate Inheritance is a speculative design publication that reckons with the complexity of world and heritage in the Anthropocene. The impacts of climate change on heritage sites—from Venice flooding to extinction in the Galápagos Islands—have garnered empathetic media attention in a landscape that has otherwise failed to communicate the urgency of the crisis. In a subversion of the media aura of heritage\, DESIGN EARTH casts ten World Heritage sites as narrative figures to visualize pervasive climate risks and narrate entangled inheritances to bequeath other worlds and values. \nRania Ghosn is Associate Professor of architecture and urbanism at MIT and founding partner of DESIGN EARTH. She is author of Geographies of Trash (2015)\, Geostories: Another Architecture for the Environment (3rd ed. 2022; 2018)\, and The Planet After Geoengineering (2021). Ghosn holds a Doctor of Design from Harvard GSD\, where she was founding editor of the journal New Geographies and editor of its issue Landscapes of Energy (2009). \nSylvia Lavin is a Professor of History and Theory of Architecture at Princeton University. Her work explores the limits of architecture across a wide spectrum of historical periods. Her publications include Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture\, Everything Loose Will Land: 1970s Art and Architecture in Los Angeles and Architecture Itself and Other Postmodernist Myths. She is currently working on a new book\, Building Sylvan Media. \nA discount code is provided to each attendee of the event. Attendees can type the word “princeton” in the coupon code box and use a princeton.edu email address to get a 30% discount on orders of Climate Inheritance\, Geographies of Trash\, and Geostories placed on the Actar Website.
URL:https://humanities.princeton.edu/event/climate-inheritance/
LOCATION:Room N107\, School of Architecture\, Room N107\, School of Architecture\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/09/230914_Rania-Poster-INSTA.jpg
ORGANIZER;CN="Iason Stathatos":MAILTO:iasons@princeton.edu
GEO:40.3478617;-74.6561685
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Room N107 School of Architecture Room N107 School of Architecture Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=Room N107\, School of Architecture:geo:-74.6561685,40.3478617
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230927T120000
DTEND;TZID=America/New_York:20230927T133000
DTSTAMP:20260416T024331
CREATED:20230814T151904Z
LAST-MODIFIED:20230827T145744Z
UID:54479-1695816000-1695821400@humanities.princeton.edu
SUMMARY:Writing Seminar: Where is Princeton?
DESCRIPTION:Join Robert Sullivan to map our situation\, considering ecological\, political\, and economic ecologies\, and investigate our position on the cusp of two major estuaries — the Hudson / Raritan and the Delaware — exploring the differences between the city to the north and the city to the south\, looking at how these things connect and / or disconnect the region as a whole. \nRobert Sullivan is a Short-Term Whitney J. Oates Fellow in the Humanities Council and the Department of English in the fall of 2023\, and the author of numerous books\, including Rats\, The Meadowlands\, A Whale Hunt\, The Thoreau You Don’t Know and My American Revolution. His writing has appeared in The New Yorker\, The New York Times\, A Public Space and Vogue. He is the recipient of a 2022 Guggenheim Fellowship and teaches creative writing at Middlebury College’s Bread Loaf School of English. In April\, FSG will publish his latest book\, Double Exposure: Resurveying the West with Timothy O’Sullivan\, America’s Most Mysterious War Photographer. \nImage credit: Geological Survey of New Jersey [Detail]. The State of New Jersey: Economic Geology. 1880. Map reproduction courtesy of the Norman B. Leventhal Map & Education Center at the Boston Public Library
URL:https://humanities.princeton.edu/event/writing-seminar-what-is-princeton/
LOCATION:Hinds Library\, McCosh\, Hinds Library\, McCosh\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/07/nj_economic_geology_16x9.jpg
ORGANIZER;CN="Sarah Malone":MAILTO:sarah.k.malone@princeton.edu
GEO:40.3479074;-74.6573424
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hinds Library McCosh Hinds Library McCosh Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=Hinds Library\, McCosh:geo:-74.6573424,40.3479074
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230927T120000
DTEND;TZID=America/New_York:20230927T133000
DTSTAMP:20260416T024331
CREATED:20230920T134429Z
LAST-MODIFIED:20230920T134429Z
UID:55911-1695816000-1695821400@humanities.princeton.edu
SUMMARY:Vathy Astypalaia: Recent Data from a Diachronic Palimpsest of the Aegean
DESCRIPTION:The site of Vathy on the island of Astypalaia\, Greece\, was strategically located along several maritime routes linking the prehistoric societies of the Aegean Sea. Recent excavations at Vathy have brought to light a site of major importance for our knowledge of Mediterranean cultures in the 4th- and 3rd-millennia BCE across a vast area\, from Anatolia to Iberia. The megalithic walls of the settlement are densely engraved with petroglyphs that point to a Mediterranean artistic “koine\,”a common visual language expressed in rock art. Moreover\, coastal enclosures served to contain carefully arranged infant pot burials that are paralleled by similar ritual depositions in Anatolia\, the Balkans and the Aegean. Finally\, marble figurines found at the site connect Late Neolithic and Early Cycladic Aegean statuary with material from Anatolia and the Aegean islands and the broader Mediterranean world. In this lecture\, recent finds from the excavations at Vathy will be discussed and will be placed in their Aegean context.
URL:https://humanities.princeton.edu/event/vathy-astypalaia-recent-data-from-a-diachronic-palimpsest-of-the-aegean/
LOCATION:Green Hall 3-S-15
ORGANIZER;CN="Eleni Banis":MAILTO:hbanis@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230927T163000
DTEND;TZID=America/New_York:20230927T180000
DTSTAMP:20260416T024331
CREATED:20230728T182800Z
LAST-MODIFIED:20230811T162054Z
UID:54664-1695832200-1695837600@humanities.princeton.edu
SUMMARY:From "The Mind has No Sex?" to "Gendered Innovations": A Historian’s Contribution to Enhancing Excellence in Science & Technology
DESCRIPTION:Join us on September 27 for the annual ECS Faber Lecture with Londa Schiebinger (Stanford University). \nThis event is free and open to the public. Please RSVP HERE. \nReception to follow the lecture. \nThis lecture explores how a historian of science can make significant contributions to science & technology. Professor Schiebinger will quickly sketch her journey from neo-Kantianism to understanding how women and something we might call gender—with intersectional attention to race—were excluded from science during the European scientific revolution of the seventeenth and eighteenth centuries in ways that made that exclusion seem just and natural. We will take a quick detour into the power dynamics of colonial science to discuss how knowledge circulated between Africa\, Europe\, and the Americas in the Atlantic World. Finally\, we will explore Gendered Innovations in Science\, Health & Medicine\, Engineering\, and Environment to understand how humanists and social scientists can enhance discovery\, innovation\, and social responsibility in science & tech. As time allows\, we will explore social robots\, computer vision\, facial recognition\, and other topics. This work engages with the politics of knowledge—who produces it\, and how who produces science influences to a certain extent the science that is produced. \nFunding provided by the Eberhard L. Faber 1915 Memorial Fund in the Humanities Council. \n\nLonda Schiebinger is the John L. Hinds Professor of History of Science at Stanford University\, and Founding Director of Gendered Innovations in Science\, Health & Medicine\, Engineering\, and Environment. Schiebinger is a leading international expert on gender and intersectional analysis in science and technology and has addressed the United Nations\, the European Parliament\, the Korean National Assembly\, among others\, on that topic. Schiebinger received her Ph.D. from Harvard University and is an elected member of the American Academy of Arts and Sciences. She is the recipient of numerous prizes and awards\, including the prestigious Alexander von Humboldt Research Prize and Guggenheim Fellowship. She holds Honorary Doctorates from the Universitat de València\, Spain\, 2018; Lunds Universitet\, Sweden\, 2017; and Vrije Universiteit Brussel\, Belgium\, 2013. Her publications include The Mind has No Sex? Women in the Making of Modern Science (HUP\, 1989); Nature’s Body: Gender in the Making of Modern Science (Beacon\, 1993); Plants and Empire: Colonial Bioprospecting in the Atlantic World (HUP\, 2004); edited with Robert N. Proctor\, Agnotology: The Making & Unmaking of Ignorance (SUP\, 2008); The Secret Cures of Slaves: People\, Plants\, and Medicine in the Eighteenth-Century Atlantic World (SUP\, 2017); AI can be Sexist and Racist—It’s Time to Make it Fair Nature (2018); Sex and Gender Analysis Improves Science and Engineering Nature (2019); A Framework for Sex\, Gender\, and Diversity Analysis in Research Science (2022). Her work has been translated into numerous languages.
URL:https://humanities.princeton.edu/event/from-the-mind-has-no-sex-to-gendered-innovations-a-historians-contribution-to-enhancing-excellence-in-science-technology/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/07/Schiebinger-high-res-cropped.jpg
GEO:40.3487701;-74.6584686
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=010 East Pyne 010 East Pyne Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=010 East Pyne:geo:-74.6584686,40.3487701
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230927T163000
DTEND;TZID=America/New_York:20230927T180000
DTSTAMP:20260416T024331
CREATED:20230905T133128Z
LAST-MODIFIED:20230905T133128Z
UID:55444-1695832200-1695837600@humanities.princeton.edu
SUMMARY:“Into the Forever and Beautiful Sky”: Confronting Animal Brutality in a Galaxy of Limitless Capitalism
DESCRIPTION:Andrea Jain asks\, What happens when we show a film that pays worshipful attention to animal welfare to a Marvel Studios-sized audience? How does capitalism colonize the popular imagination\, religious and otherwise? Lifting up the Guardians of the Galaxy vol. 3 as her primary artifact\, Jain uses the film to illustrate how capitalists sell animal ethics and why consumers buy it\, arguing that confrontations with animal brutality get contained within and subsumed by capitalist realism\, that is\, a framework in which capitalism is deemed limitless and without viable alternatives\, and gun capitalism\, that is\, the material and cultural condition of being flooded with guns\, which are mass produced and sold as consumer products. \nThe Doll Lecture on Religion and Money was established in 2007 by Henry C. Doll ’58 and his family. It reflects the family’s longstanding interest in the subject of philanthropy and its relationship with religion.
URL:https://humanities.princeton.edu/event/into-the-forever-and-beautiful-sky-confronting-animal-brutality-in-a-galaxy-of-limitless-capitalism/
LOCATION:A17 Julis Romo Rabinowitz Building\, Washington Road\, Princeton\, NJ\, 08544
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/09/Jain.png
ORGANIZER;CN="Jenny Legath":MAILTO:jlegath@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230927T163000
DTEND;TZID=America/New_York:20230927T180000
DTSTAMP:20260416T024331
CREATED:20230912T141303Z
LAST-MODIFIED:20230912T141303Z
UID:55693-1695832200-1695837600@humanities.princeton.edu
SUMMARY:On the Translation and Adaptation of The Vocabulario da lingoa de Iapam
DESCRIPTION:The current translation project has sprung forth from an enduring fascination with the Vocabulario da lingoa de Iapam\, the monumental Japanese-Portuguese dictionary produced by the Jesuit mission in Nagasaki in 1603 and 1604. The Vocabulario is the oldest and first dictionary of the Japanese classical language\, written by people who lived there. My hope for this dictionary is to achieve\, especially outside Japan and a small circle of linguistic experts\, a broader recognition and wider usage as an unparalleled\, lexicographical tool for the study of the Japanese language of the late medieval period—known among specialists as Late Middle Japanese—and its social context. As part of the translation\, a number of modifications to the original are made\, both in structure and its presentation\, in order to enhance the usability. The romanization system has been changed to modified Hepburn; Japanese script has been added for all expressions in that language; and all Portuguese has been translated into English. \nThis translation-cum-adaptation\, then\, aims to produce the first-ever dictionary of premodern Japanese to English\, based on the original Japanese-Portuguese text of the Vocabulario. In addition\, its purpose is to study the original dictionary from three different angles: 1) The formative process and origination of the Vocabulario\, most prominently the role of Japanese collaborators at the entry level; 2) The mosaic of everyday life in late sixteenth-century Japan that can be analyzed and described\, both quantitively as well as qualitatively\, on the basis of the Vocabulario’s entries; and 3) The perceptions and biases\, or lack thereof\, of the Jesuit missionaries regarding their Japanese living and working environment. Of special interest are their attitudes towards local religious practices and the extent to which they adaptated local terms for their own missionary purposes. \nJeroen Lamers is the author of Japonius Tyrannus: The Japanese Warlord Oda Nobunaga Reconsidered (Japonic Neerlandica\, 2001)\, Treatise on Epistolary Style: João Rodriguez on the Noble Art of Writing Japanese Letters (Volume 39) (Michigan Monograph Series in Japanese Studies\, 2002)\, and The Chronicle of Lord Nobunaga (Brill\, 2011)\, translated with Jurgis Elisonas. \nRegister for this Zoom talk.
URL:https://humanities.princeton.edu/event/on-the-translation-and-adaptation-of-the-vocabulario-da-lingoa-de-iapam/
LOCATION:Zoom\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/09/Picture1.png
ORGANIZER;CN="Chao-Hui Jenny Liu":MAILTO:chaoliu@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230927T180000
DTEND;TZID=America/New_York:20230927T180000
DTSTAMP:20260416T024331
CREATED:20230726T172200Z
LAST-MODIFIED:20230827T150006Z
UID:54560-1695837600-1695837600@humanities.princeton.edu
SUMMARY:Civic Storytelling: The Rise of Short Forms and the Agency of Literature with Florian Fuchs & Daniel Heller Roazen
DESCRIPTION:We invite you for a conversation about the deep history of storytelling as civic agency\, recalibrating literature’s political role for the twenty-first century. \nWhy did short narrative forms like the novella\, fable\, and fairy tale suddenly emerge around 1800 as genres symptomatic of literature’s role in life and society? In order to explain their rapid ascent to such importance\, Florian Fuchs identifies an essential role of literature\, a role traditionally performed within classical civic discourse of storytelling\, by looking at new or updated forms of this civic practice in modernity. \nFuchs’s focus in this groundbreaking book is on the fate of topical speech\, on what is exchanged between participants in argument or conversation as opposed to rhetorical speech\, which emanates from and ensures political authority. His book outlines a genealogy of various literary short forms—from fable\, fairy tale\, and novella to twenty-first century video storytelling—that attempted on both “high” and “low” levels of culture to exercise again the social function of topical speech. Some of the specific texts analyzed include the novellas of Theodor Storm and the novella-like lettre de cachet\, proverbial fictions of Gustave Flaubert and Gottfried Keller\, the fairy tale as rediscovered by Vladimir Propp and Walter Benjamin\, the epiphanies of James Joyce\, and the video narratives of Hito Steyerl. \nFlorian Fuchs is currently a visiting Postdoc in the SFB 980 “Episteme in Bewegung” at Freie Universität Berlin. His book prior to Civic Storytelling is  the co-edited and co-translated History\, Metaphors\, Fables: A Hans Blumenberg Reader. Daniel Heller-Roazen is Professor of Comparative Literature and the Council of the Humanities. He is the author of eight books the most recently of which are Absentees: On Variously Missing Persons; No One’s Ways: An Essay on Infinite Naming; and Dark Tongues: the Art of Rogues and Riddlers.
URL:https://humanities.princeton.edu/event/civic-storytelling-the-rise-of-short-forms-and-the-agency-of-literature-with-florian-fuchs-daniel-heller-roazen/
LOCATION:Labyrinth Books\, 122 Nassau Street\, Princeton\, NJ\, 08542\, United States
GEO:40.3502494;-74.6588981
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Labyrinth Books 122 Nassau Street Princeton NJ 08542 United States;X-APPLE-RADIUS=500;X-TITLE=122 Nassau Street:geo:-74.6588981,40.3502494
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230927T190000
DTEND;TZID=UTC:20230927T213000
DTSTAMP:20260416T024331
CREATED:20230627T144417Z
LAST-MODIFIED:20230907T141642Z
UID:54350-1695841200-1695850200@humanities.princeton.edu
SUMMARY:Film Screening & Discussion: "Turn Every Page - The Adventures of Robert Caro and Robert Gottlieb"
DESCRIPTION:Turn Every Page  follows the iconic Pulitzer Prize-winning author Robert Caro and his editor\, the literary giant Robert Gottlieb\, in this chronicle of a unique 50-year professional relationship. The film screening will be followed by a conversation with filmmaker\, Lizzie Gottlieb\, and Julian Zelizer\, Professor of History and Public Affairs at Princeton University. \nTickets are available for purchase from the Princeton Garden Theatre. Elizabeth “Lizzie” Alice Gottlieb is an American film and theater director best known for her documentaries Turn Every Page\, Today’s Man\, and Romeo Romeo. Currently\, Gottlieb is teaching documentary filmmaking at the New York Film Academy. Robert A. Caro is an American journalist and author known for his celebrated biographies of United States political figures Robert Moses and Lyndon B. Johnson. After working for many years as a reporter\, Caro wrote The Power Broker (1974)\, a biography of New York urban planner Robert Moses\, which was chosen by the Modern Library as one of the hundred greatest nonfiction books of the twentieth century. He has since written four of a planned five volumes of The Years of Lyndon Johnson (1982\, 1990\, 2002\, 2012)\, a biography of the former president. For his biographies\, he has won two Pulitzer Prizes in Biography\, the National Book Award\, the Francis Parkman Prize (awarded by the Society of American Historians to the book that “best exemplifies the union of the historian and the artist”)\, two National Book Critics Circle Awards\, the H.L. Mencken Award\, the Carr P. Collins Award from the Texas Institute of Letters\, the D.B. Hardeman Prize\, and a Gold Medal in Biography from the American Academy of Arts and Letters.
URL:https://humanities.princeton.edu/event/film-screening-discussion-turn-every-page-the-adventures-of-robert-caro-and-robert-gottlieb/
LOCATION:Princeton Garden Theatre\, 160 Nassau Street\, Princeton\, NJ\, 08542\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/06/Turn-Every-Page_Poster.jpg
GEO:40.3506754;-74.6575644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Princeton Garden Theatre 160 Nassau Street Princeton NJ 08542 United States;X-APPLE-RADIUS=500;X-TITLE=160 Nassau Street:geo:-74.6575644,40.3506754
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230928T120000
DTEND;TZID=America/New_York:20230928T120000
DTSTAMP:20260416T024331
CREATED:20230726T173108Z
LAST-MODIFIED:20230913T154724Z
UID:54563-1695902400-1695902400@humanities.princeton.edu
SUMMARY:"Animal Spirits: The American Pursuit of Vitality from Camp Meetings to Wall Street" with Jackson Lears & Graham Burnett
DESCRIPTION:Join us for a discussion of Jackson Lears’s new book\, in which he retrieves the spiritual visions and vitalisms that animate American life and the possibilities they offer today. \nAnimal Spirits explores an alternative American cultural history by tracking the thinkers who championed the individual’s spontaneous energies and the idea of a living universe against the strictures of conventional religion\, business\, and politics. From Puritan times to today\, Lears traces ideas and fads such as hypnosis and faith healing from the pulpit and stock exchange to the streets and the betting table. We meet the great prophets of American vitality\, from Walt Whitman and William James to Andrew Jackson Davis (the “Poughkeepsie Seer”) and the “New Thought” pioneer Helen Wilmans\, who spoke of the “god within—rendering us diseaseless incarnations of the great I Am.” \nWell before John Maynard Keynes stressed the reliance of capitalism on investors’ “animal spirits\,” these vernacular vitalists established an American religion of embodied mind that also suited the needs of the marketplace. In the twentieth century\, the vitalist impulse would be enlisted in projects of violent and racially charged national regeneration by Theodore Roosevelt and his legatees\, even as African American writers confronted the paradoxes of primitivism and the 1960s counterculture imagined new ways of inspiriting the universe. Today\, scientists are rediscovering the best features of the vitalist tradition—permitting us to reclaim the role of chance and spontaneity in the conduct of our lives and our understanding of the cosmos. \n“Jackson Lears is the preeminent cultural historian of the American empire. This book is another masterpiece in his magisterial corpus.’’ —Cornel West \nJ. Jackson Lears is Professor of History at Rutgers University and the author of many acclaimed books\, including Rebirth of a Nation: The Making of Modern America\, 1877–1920and Fables of Abundance: A Cultural History of Advertising in America.D. Graham Burnett is a Professor of History at Princeton University who works at the intersection of historical inquiry and artistic practice with a particular interest in the history of attention. His books include Trying Leviathan: the 19th century NY Court Case that Put the Whale on Tiral and Challenged the Order of Nature and\, most recently\, the work of speculative historiography In Search of the Third Bird.
URL:https://humanities.princeton.edu/event/animal-spirits-the-american-pursuit-of-vitality-from-camp-meetings-to-wall-street-with-jackson-lears-graham-burnett/
LOCATION:Labyrinth Books\, 122 Nassau Street\, Princeton\, NJ\, 08542\, United States
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/07/animalspiritssite-1.png
GEO:40.3502494;-74.6588981
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Labyrinth Books 122 Nassau Street Princeton NJ 08542 United States;X-APPLE-RADIUS=500;X-TITLE=122 Nassau Street:geo:-74.6588981,40.3502494
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230928T120000
DTEND;TZID=America/New_York:20230928T132000
DTSTAMP:20260416T024331
CREATED:20230907T180947Z
LAST-MODIFIED:20230927T230535Z
UID:55506-1695902400-1695907200@humanities.princeton.edu
SUMMARY:McGraw Center Faculty Presentation: The Power of Checking In - Mid-Semester Course Feedback
DESCRIPTION:The purpose of this session is to present faculty with approaches to conducting midterm course evaluations for course improvement and advancement of their teaching. Faculty will be presented with compelling evidence from the literature on the benefits of conducting such activities\, as well as multiple approaches and strategies that could be taken\, including short survey development. Workshop will cover example approaches\, resources available\, action based on analysis\, and general discussion of utilizing student feedback for the improvement of teaching and support of learning.
URL:https://humanities.princeton.edu/event/mcgraw-center-faculty-presentation-the-power-of-checking-in-mid-semester-course-feedback/
LOCATION:Zoom\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/09/The-McGraw-Center-logo-01-1.png
ORGANIZER;CN="Ruthie Boyce":MAILTO:ruthieb@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230928T120000
DTEND;TZID=America/New_York:20230928T140000
DTSTAMP:20260416T024331
CREATED:20230915T172856Z
LAST-MODIFIED:20230915T172856Z
UID:55827-1695902400-1695909600@humanities.princeton.edu
SUMMARY:Walking in Place: A Tour of Princeton and Vicinity\, Organized by Robert Sullivan
DESCRIPTION:Join Robert Sullivan for a lunchtime walk and talk that can be visited\, too\, in the online modes suggested in the signup form. This will be a tour-walk where we talk and think in heads-together moments. You might walk the walk or be at home\, or elsewhere. You could do a little of the walk\, or walk to the end\, which is hoped to be the Mercer Oak site on the Princeton Battlefield. \nTo walk with us\, register so we know to look for you\, and meet us by Maclean House\, by the American sycamores\, at noon. \nCosponsored by the Humanities Council and High Meadows Environmental Institute. \nImage: Detail of topographical map of New Jersey. U.S. Geological Survey. 1894.
URL:https://humanities.princeton.edu/event/walking-in-place-a-tour-of-princeton-and-vicinity-organized-by-robert-sullivan/
LOCATION:Maclean House\, Maclean House\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/09/princeton-usgs-1894.jpg
ORGANIZER;CN="Sarah Malone":MAILTO:sarah.k.malone@princeton.eu
GEO:40.3467174;-74.6568772
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Maclean House Maclean House Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=Maclean House:geo:-74.6568772,40.3467174
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230928T140000
DTEND;TZID=UTC:20230928T160000
DTSTAMP:20260416T024331
CREATED:20230918T133232Z
LAST-MODIFIED:20230918T133232Z
UID:55848-1695909600-1695916800@humanities.princeton.edu
SUMMARY:Pond Music: Interspecies Improvisation
DESCRIPTION:David Rothenberg will drop a hydrophone in the Institute pond\, which will then be transmitted to speakers above ground. He will then improvise with the sounds of plants and insects in the pond. \n\n\n\n\n\nA concert by the Animal Song Collective\, a Humanities Council Magic Project
URL:https://humanities.princeton.edu/event/pond-music-interspecies-improvisation/
LOCATION:Institute for Advanced Study
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/09/230928_PondMusic_Social-1-1280x600-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230928T163000
DTEND;TZID=America/New_York:20230928T173000
DTSTAMP:20260416T024331
CREATED:20230828T145815Z
LAST-MODIFIED:20230828T145815Z
UID:55332-1695918600-1695922200@humanities.princeton.edu
SUMMARY:The Thief Who Stole My Heart
DESCRIPTION:This talk commences by introducing the audience to the sacred bronzes created by a master sculptor around the year 1000\, and suggests that his inspiration may well have been child-saint Sambandar’s opening hymn that hails god Shiva as “the thief who stole my heart.” Vidya Dehejia then moves beyond this sensuous imagery to ask questions of this material that have not been asked before\, treating the bronzes as material objects that interacted in meaningful ways with human activities\, and with socioeconomic and religious practices. Where did the Cholas acquire the copper required to cast the many temple bronzes that are solid and heavy pieces of metal? Why were the Cholas obsessed with island Sri Lanka? What were the circumstances that permitted the creation of so many temples and such large numbers of exquisite bronzes despite the constant warfare that the Chola monarchs undertook to retain and expand their empire? What was the source of the pearls\, and also of coral\, rubies and diamonds\, that were embedded in gold jewelry gifted to adorn temple bronzes? Why did the Cholas cover the walls of their temple walls with inscriptions– some 13\,000 in total – using them the walls almost as if they were the public records office?
URL:https://humanities.princeton.edu/event/the-thief-who-stole-my-heart/
LOCATION:A71 Louis A. Simpson Building
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/08/Vidya-Dehejia-Sept.-28-Art502.png
ORGANIZER;CN="Mo Chen":MAILTO:mochen@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230928T163000
DTEND;TZID=UTC:20230928T180000
DTSTAMP:20260416T024331
CREATED:20230711T125117Z
LAST-MODIFIED:20230711T131100Z
UID:54458-1695918600-1695924000@humanities.princeton.edu
SUMMARY:Medieval Song and the Sounding of World\, Body\, and Imagination
DESCRIPTION:LUDUS and the Program in Medieval Studies present “Medieval Song and the Sounding of World\, Body\, and Imagination:” a lecture-performance by Sarah Kay and Concordian Dawn.   \n“Almost everything we might wish to know about the sound of medieval music is lost to us\,” warns Daniel Leech-Wilkinson. Through the double medium of discursive speculation and live performance\, Sarah Kay and Concordian Dawn set out in this lecture-performance not to know medieval song – we agree that is not possible – but to relive some of its affective realities\, which we locate not in the objective worlds of time\, place\, or historical circumstance\, but in dynamic interactions between body and world inflected by imagination. The sounds of this song are conjured not just by birds and fountains\, but by celestial beasts and alluring sirens. Some of these sung texts represent the singing subject captivated by beauty\, others struggling between life and death\, others at the limits of a dream world\, or ecstatic with joy. \nLUDUS is a Collaborative Humanities Project from the Humanities Council. \nSarah Kay bio: \nCurrently Professor Emerita at New York University and a Life Fellow of Girton College Cambridge\, Sarah Kay has taught French and Medieval Occitan at the universities of Liverpool\, Cambridge\, and Princeton\, as well as at NYU. Her many publications range widely over medieval literature in French\, Occitan\, and Latin\, especially in relation to medieval and modern thought. Her most recent book\, Medieval Song from Aristotle to Opera\, was published by Cornell in 2022 together with a companion website that hosts experimental performances by Christopher Preston Thompson and Concordian Dawn of many of the songs discussed in her book. \nConcordian Dawn bio: \nConcordian Dawn specializes in twelfth- through fourteenth-century vocal repertoire\, drawing on primary source material and focusing on socio-philosophical similarities between texts from centuries ago and the mindset of modern society. In so doing\, Concordian Dawn produces a musical experience accessible to contemporary audiences\, relating the human condition of the past to the familiar experiences of the present. The ensemble’s “mesmerizing” (Early Music America) debut album\, Fortuna Antiqua et Ultra (MSR Classics)\, was released in December of 2021 to critical acclaim\, and in July of 2022\, Cornell University Press published a collaborative book-recording project between the ensemble and medieval studies scholar\, Sarah Kay\, entitled Medieval Song from Aristotle to Opera. Since its inaugural concert in 2012\, Concordian Dawn has performed regularly on the east coast and annually with Gotham Early Music Scene\, NYC. The ensemble has given performances and led workshops and lectures for Princeton University\, New York University\, the University of Pennsylvania\, the San Francisco Conservatory of Music\, the Universities of California-Berkeley and Davis\, Bard College\, The Graduate Center of the City University of New York\, the Santa Cruz Baroque Festival\, and the Medieval Academy of America\, among others. \nDetails of Concordian Dawn: \nConcordian Dawn\, Ensemble for Medieval Music \nAmber Evans\, soprano \nClifton Massey\, countertenor \nDavid Dickey\, recorder and countertenor \nThomas McCargar\, baritone \nNiccolo Seligmann\, vielle \nChristopher Preston Thompson\, artistic director\, tenor and medieval harp
URL:https://humanities.princeton.edu/event/medieval-song-and-the-sounding-of-world-body-and-imagination/
LOCATION:Taplin Auditorium\, Taplin Auditorium\, 08544
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/07/Siren-BnF-fr.-14970-fol.-9v_crop.jpg
GEO:40.3458286;-74.6524037
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Taplin Auditorium Taplin Auditorium 08544;X-APPLE-RADIUS=500;X-TITLE=Taplin Auditorium:geo:-74.6524037,40.3458286
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230928T163000
DTEND;TZID=America/New_York:20230928T180000
DTSTAMP:20260416T024331
CREATED:20230907T181042Z
LAST-MODIFIED:20230907T181042Z
UID:55509-1695918600-1695924000@humanities.princeton.edu
SUMMARY:McGraw Center Faculty Special Event: A Celebration of Excellent Teaching and Mentoring
DESCRIPTION:Join us for a celebration of excellent teaching and mentoring! This event will feature short pedagogy presentations by and engaged discussion with recent winners of the President’s Award for Distinguished Teaching\, followed by a wine and cheese reception. Featuring presentations by Matt Weinberg (Computer Science ); Neta A. Bahcall (Astrophysics); and Jesse Gomez (Neuroscience)
URL:https://humanities.princeton.edu/event/mcgraw-center-faculty-special-event-a-celebration-of-excellent-teaching-and-mentoring/
LOCATION:330 Frist\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/09/The-McGraw-Center-logo-01-2.png
ORGANIZER;CN="Ruthie Boyce":MAILTO:ruthieb@princeton.edu
GEO:40.3467174;-74.6568772
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230928T163000
DTEND;TZID=America/New_York:20230928T180000
DTSTAMP:20260416T024331
CREATED:20230920T134650Z
LAST-MODIFIED:20230920T134650Z
UID:55909-1695918600-1695924000@humanities.princeton.edu
SUMMARY:Embodied Minds in the Late Capitalist System: Suicide and Environmental Degradation in Africa
DESCRIPTION:This talk limns the landscape of suicide in Africa\, but also here in the US\, as a means to contemplate the deadly and I believe escalating psychic toll of our environmental predicament. It asks how climate change — a welter of incremental\, corrosive shifts layered with sudden catastrophic events generated and perpetuated through industrial systems of profit can get under the skin and into the human psyche.
URL:https://humanities.princeton.edu/event/embodied-minds-in-the-late-capitalist-system-suicide-and-environmental-degradation-in-africa/
LOCATION:144 Louis A. Simpson Building
ORGANIZER;CN="Fiona Romaine":MAILTO:fromaine@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230928T163000
DTEND;TZID=America/New_York:20230928T180000
DTSTAMP:20260416T024331
CREATED:20230922T022114Z
LAST-MODIFIED:20230922T022114Z
UID:55966-1695918600-1695924000@humanities.princeton.edu
SUMMARY:Carlos Fonseca *15 | A Discussion on His Latest Novel: Austral
DESCRIPTION:Princeton alumnus Carlos Fonseca *15 will be in conversation with Xita Rubert\, Ph.D. candidate in the Department of Comparative Literature\, to discuss his latest novel Austral. Translated by Megan Mcdowell\, Austral (Farrar\, Straus and Giroux\, 2023) is a story that deals with issues concerning memory\, extinction and language. Rubert and Fonseca will be discussing these themes as well as his work on the Latin American archival novel\, testimony\, the language of pain and the limits of expression. \nABOUT OUR GUEST SPEAKER \nCarlos Fonseca was born in Costa Rica in 1987\, brought up in Puerto Rico and graduated from Princeton in 2014. He was selected by the Hay Festival as part of the Bogotá 39 group (2016)\, by Granta magazine as one of the twenty-five best young Spanish-language writers (2021) and by Encyclopaedia Britannica as one of the twenty most promising writers in the world for their ‘Young Shapers of the Future’ series (2022). His previous novels are Colonel Lágrimas and Natural History\, both translated by Megan McDowell. His work has been translated into more than ten languages. He is Assistant Professor of Postcolonial Latin American Literature at the University of Cambridge \, where he is a fellow of Trinity College. His latest novel\, Austral\, has been described by The New York Times as a “a masterly voyage of discovery\, both physical and intellectual.” \nThis event is free and open to the public.
URL:https://humanities.princeton.edu/event/carlos-fonseca-15-a-discussion-on-his-latest-novel-austral/
LOCATION:216 Aaron Burr Hall\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/09/Austral-Cover.jpg
ORGANIZER;CN="Damaris Zayas":MAILTO:damaris@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230929T090000
DTEND;TZID=America/New_York:20230930T180000
DTSTAMP:20260416T024331
CREATED:20230910T030134Z
LAST-MODIFIED:20230910T030217Z
UID:55657-1695978000-1696096800@humanities.princeton.edu
SUMMARY:The Chinua Achebe Symposium and 10th Anniversary Memorial Celebration
DESCRIPTION:Princeton University’s Africa World Initiative and Program in African Studies in partnership with The Christie and Chinua Achebe Foundation are hosting the Chinua Achebe Symposium and 10th Anniversary Memorial celebration on September 29th and 30th. \nMore information can be found here.
URL:https://humanities.princeton.edu/event/the-chinua-achebe-symposium-and-10th-anniversary-memorial-celebration/
LOCATION:50 McCosh Hall\, 50 McCosh Hall\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/09/Chinua-Achebe_0.jpg
GEO:40.3453563;-74.6374228
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=50 McCosh Hall 50 McCosh Hall Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=50 McCosh Hall:geo:-74.6374228,40.3453563
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230929T123000
DTEND;TZID=UTC:20230929T160000
DTSTAMP:20260416T024331
CREATED:20230821T134136Z
LAST-MODIFIED:20230927T224312Z
UID:55244-1695990600-1696003200@humanities.princeton.edu
SUMMARY:Innovation Forum
DESCRIPTION:Innovation Forum is the Keller Center’s annual competition and networking event showcasing Princeton research with commercialization\, or cultural and societal potential. Princeton faculty\, research staff\, postdocs\, and graduate students present their research in a three-minute presentation to the audience and a panel of judges\, followed by a question and answer period. Following the presentations is a poster session and networking reception where participants can further discuss and demonstrate their research. \nThe event consists of two distinct tracks: \n\nScience and engineering innovations\nSocial sciences and humanities innovations\n\n\n\nOpen to the public and the campus community. Refreshments will be served. Registration is required. \n\n\nInnovation Forum is co-sponsored by the Office of Technology Licensing and the Humanities Council.\n \n\n\n12 pm – Registration/Check-in opens\n12:30 pm – Opening remarks & STEM pitches\n1:35 pm – Keynote\n2 pm – Humanities pitches\n3 pm – Demo station reception\n3:45 pm – Winners announced
URL:https://humanities.princeton.edu/event/innovation-forum/
LOCATION:Frist Multipurpose Room\, Frist Multipurpose Room
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/08/IF-17-Stage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230929T133000
DTEND;TZID=UTC:20230929T150000
DTSTAMP:20260416T024331
CREATED:20230920T162342Z
LAST-MODIFIED:20230920T203111Z
UID:55944-1695994200-1695999600@humanities.princeton.edu
SUMMARY:Structuring Itelmen Word Order
DESCRIPTION:Word order in Itelmen (itl\, Chukotko-Kamchatkan) is quite flexible and has not been previously studied in any depth. This talk draws on a small text corpus to investigate the role of Information Structure in conditioning the distribution of object-verb and verb-object (OV\,VO) word orders. Although speakers in elicitation contexts generally assent to both orders and describe them as meaning the same\, a robust pattern emerges in the corpus: O denoting new discourse entities are overwhelmingly preverbal\, while given objects may occur pre- or post-verbally. In this talk\, I argue that these results have a variety of implications: (i) the observed pattern converges with other evidence that Itelmen is an OV language and provides an argument that the VO order in Itelmen is not simply a calque from Russian\, (ii) the Information-Structural evidence provides a means to resolve a syntactic puzzle about the analysis of perception verb complements in Itelmen\, (iii) the pattern contributes to larger debates about the syntactic/grammatical representation of new versus given (or topic and focus)\, potentially arguing against “focus-movement” (cartographic) perspectives\, and (iv) Information Structure provides a better characterization of the OV/VO alternations than competing accounts of such alternations that appeal to extra-grammatical communicative efficiency\, notably those rooted in ambiguity avoidance with animate objects. \n  \nJonathan David Bobaljik (B.A. McGill\, Ph.D. MIT) is Professor of Linguistics at Harvard University. He previously held faculty positions at McGill University and the University of Connecticut. He has worked with speakers of the Itelmen language in Kamchatka since 1993. His recent publications include Universals in Comparative Morphology  (MIT Press 2012) and Bogoras’s 1901 Itelmen Notebooks (Kulturstiftung Sibirien 2023\, with M. Pupynina and A. Syuryun).
URL:https://humanities.princeton.edu/event/structuring-itelmen-word-order/
LOCATION:1-S-5 Green Hall\, 1-S-5 Green Hall\, Princeton\, NJ\, 08540\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230929T190000
DTEND;TZID=UTC:20230929T210000
DTSTAMP:20260416T024331
CREATED:20230924T182650Z
LAST-MODIFIED:20230924T182650Z
UID:55998-1696014000-1696021200@humanities.princeton.edu
SUMMARY:Concert: "Greek Rock Sounds: Rhythms and Riffs Across Cultures" featuring PANEL
DESCRIPTION:Building upon last year’s successful event with Sounds of Cyprus\, musicians from the Princeton Hellenic Studies community will collaborate in a concert performance with PANEL\, by Elena Chris and Peter Douskalis. Greek Rock Sounds takes listeners on a journey through the evolution of Greek rock music and its cross-cultural influences including blues\, jazz\, Latin\, and reggae. \nAs each era and subgenre of Greek rock unfolds\, the song selections demonstrate the profound impact of globalization and multilingual cultural exchange inherent in rock ‘n roll. The adaptation and combination of styles\, including folk melodies and rhythms\, results in a rich musical culture experience. \nPANEL is the emergence of the collaborative musicing of Peter Douskalis and Elena Chris\, and is a project that blends together their passions in American music\, Greek music\, original music\, Sounds of Cyprus\, and education programs. \nThe concert takes form as a multimodal lecture and performance presentation. \nPerformers:\nElena Chris\, voice\, Artistic Director\nPeter Douskalis\, guitar\, Music Director and orchestrator\nDominic Frigo\, bass\nKasey Blezinger\, drums and percussion \nPrinceton Musicians:\nSimeon Brown GS\, guitar and percussion\nJacob Neis GS\, clarinet\nKarolina Rokka ’27\, voice\nNikitas Tampakis ’14\, viola \nFree and Open to the Public \nRegistration for all attendees is required either at the door or in advance\, online \n.
URL:https://humanities.princeton.edu/event/concert-greek-rock-sounds-rhythms-and-riffs-across-cultures-featuring-panel/
LOCATION:301 Frist Campus Theater
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/09/PANEL.jpg
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DTSTART;TZID=America/New_York:20230929T200000
DTEND;TZID=America/New_York:20230929T200000
DTSTAMP:20260416T024331
CREATED:20230907T183937Z
LAST-MODIFIED:20230924T183405Z
UID:55587-1696017600-1696017600@humanities.princeton.edu
SUMMARY:Timbuktu Grooves Festival: Once the Dust Settles Flowers Bloom
DESCRIPTION:Olivier Tarpaga‘s humanist piece Once the Dust Settles Flowers Bloom is the first of three concerts in the Timbuktu Grooves Festival celebrating the vibrant sounds and rhythms of the African continent and its diaspora. The piece sheds light on refugees of Burkina Faso and the Sahel region\, who were displaced after fleeing from the shadow of jihadists. Seven dancers and five musicians from Burkina Faso\, Mali\, Senegal\, Benin\, Morocco and France will channel the strength and beauty of this displaced population. \nThis performance will begin with a brief moderated conversation with Olivier Tarpaga. \nThe performance is in partnership with McCarter Theatre Center and Seuls en Scène\, Princeton French Theater Festival. \nBONUS: Afrobeats After-Party! Join us for a post-show after-party at the McCarter Lobby\, featuring drink specials\, live DJ\, and dancing! \nTickets*:  $25-$65 available at www.mccarter.org \n*Princeton University Students can access FREE tickets with Passport to the Arts using code PUTIGER. Tickets must be booked ONLINE with student ID. \nMore Info on PU Student Tix: www.mccarter.org/tigertix \nPrinceton University Faculty & Staff get 20% off with code PUSTAFF24 (Zones B & C only) \n\nBe sure to check out additional Timbuktu Grooves concerts here: \nTimbuktu Grooves Festival: Fatoumata Diawara \nTimbuktu Grooves Festival: Djandjoba
URL:https://humanities.princeton.edu/event/timbuktu-grooves-festival-once-the-dust-settles-flowers-bloom/
LOCATION:Matthews Theatre at McCarter Theatre Center\, Princeton\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/09/Dust-by-Olivier-Tarpaga-1-1280x600-1.jpg
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DTSTART;TZID=America/New_York:20230930T200000
DTEND;TZID=America/New_York:20230930T200000
DTSTAMP:20260416T024331
CREATED:20230907T184520Z
LAST-MODIFIED:20230924T183542Z
UID:55595-1696104000-1696104000@humanities.princeton.edu
SUMMARY:Timbuktu Grooves Festival: Fatoumata Diawara
DESCRIPTION:As part of the Timbuktu Grooves Festival\, McCarter Theatre Center presents a concert highlighting Malian singer-songwriter Fatoumata Diawara\, wielding her electric guitar to write songs that blend Wassoulou folk music\, spiritually centered Afropop\, and desert blues. Singing mostly in Bambara\, the national language of Mali\, Diawara sings about migration\, African identity\, motherhood\, and the struggle of African women. A veteran of the screen and stage\, she debuted as an actress in the ‘90s\, appearing in films such as Cheick Oumar Sissoko’s La Genèse and the Oscar-nominated Timbuktu. Since her 2011 debut LP Fatou\, she’s collaborated with the likes of Herbie Hancock\, Bobby Womack\, Flea of the Red Hot Chili Peppers\, and Damon Albarn (Blur\, Gorillaz)\, who co-produced her latest album London Ko. In 2019 she became the first Malian artist to perform at the Grammys\, where she was nominated for “Best World Music Album” for her 2018 record Fenfo (Something to Say). \nTickets*: $25-$55 available at www.mccarter.org \n*Princeton University Students can access FREE tickets with Passport to the Arts using code PUTIGER. Tickets must be booked ONLINE with student ID. More Info on PU Student Tix: www.mccarter.org/tigertix \nPrinceton University Faculty & Staff get 20% off with code PUSTAFF24 (Zones B & C only) \n\nBe sure to check out additional Timbuktu Grooves concerts here: \n\nTimbuktu Grooves Festival: Djandjoba
URL:https://humanities.princeton.edu/event/timbuktu-grooves-festival-fatoumata-diawara/
LOCATION:Matthews Theatre at McCarter Theatre Center\, Princeton\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/09/fatoumata-diawara.jpg
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