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DTSTART;TZID=UTC:20230313T090000
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UID:52364-1678698000-1679331600@humanities.princeton.edu
SUMMARY:UCHV Research Film Studio
DESCRIPTION:Director\, Film Forum and Research Film Studio: Erika Kiss\, University Center for Human Values\n\nThe UCHV Research Film Studio offers an opportunity for Princeton University students (Campus Productions) and faculty (Local Spirit Initiative) to develop their research ideas through short films as well as other publications in immersive and mixed media and supports the students’ coursework for Kiss’s studio classes. The Research Film Studio regularly invites award-winning film directors for intensive filmmaking workshops. \n\n\nCall for Applications\nThe UCHV Research Film Studio launches its first intensive Film School in the spring of 2023. The week-long daily workshops will take place in Princeton University from March 13 to March 20 in the spring break. Our guest professor\, Gyula Gazdag will prepare the Research Film Studio’s first collective student film\, The Curious Adventures of William Monroe Trotter for production. The school will close on Monday\, March 20th with a public conversation between Gyula Gazdag and Erika Kiss entitled Research and Filmmaking. \nAll Princeton University undergraduates are eligible to apply. \nHOW TO APPLY \nSubmit a sample dialog based on the minutes of the White House meeting between Wilson and Trotter that you may download from here. Study the Hidden History of Hollywood course website and the production book to understand what the historical meeting was about. \nChoose a characteristic style or genre for your dialogue: it may be satirical\, or comedic\, or existentialist\, or absurd\, or tragic\, or melodramatic\, or a thriller\, or horror. \nOR \nSubmit photos taken of interior and exterior locations relevant to the 1914 story that takes place in Washington DC. The images can be fragmented\, archival or taken by you and should not contain elements that are anachronistic. The best practice is to scout locations on the Princeton campus that can be used for the film: e.g. photograph a white column or an adequate room that can be used for a White House scene\, or exteriors and interiors that can be used for a DC building. The images are supposed to serve both as historical references and as mood boards. The photographs you take may have a recognizable style: gothic\, super realist\, dreamy\, surreal\, etc. \nPlease indicate your wish to attend as soon as possible by writing to Kim Girman to expect your submission. Applications will be evaluated in the order they are received until February 28.
URL:https://humanities.princeton.edu/event/uchv-research-film-studio/
LOCATION:Princeton University
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/02/Research-Film-Studio.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230320T163000
DTEND;TZID=America/New_York:20230320T180000
DTSTAMP:20260430T193216
CREATED:20230213T161856Z
LAST-MODIFIED:20230213T161856Z
UID:52174-1679329800-1679335200@humanities.princeton.edu
SUMMARY:Spatial Operations. Harun Farocki and Architecture
DESCRIPTION:A continuous interest in architecture informs Harun Farocki’s work on different levels\, but it has not yet been explored in detail. The observational film Sauerbruch Hutton Architects (2013) and the comparative study on brick production In Comparison (2009) are direct expressions of Farocki’s fascination with construction and building methods\, but works such as Prison Images (2000) or The Creators of the Shopping Worlds (2001) also revolve around the relationship between built space\, media technologies\, and social conditioning. \nIn his lecture\, Pantenburg will begin by focusing on Farocki’s take on the intersection between architecture\, economics\, and history during the period between 1977 and 1985\, examining two productions made for West-German public television (WDR): Industry and Photography (1979) and Stadtbild (1981). While the former looks at the industrial sector and its architectural drive towards efficiency in the Weimar Republic\, Stadtbild provides a complementary perspective by focusing on the rebuilding of west-German cities\, in particular West-Berlin\, after World War II. An unfinished film with the working title Haus (ca. 1982)\, found in the Farocki Institut’s archive in 2019\, also testifies to Farocki’s ongoing fascination with architecture. \nGoing beyond these examples\, the lecture will explore the more extended notions of architecture and urban space that pervade work like Images of the World and the Inscription of War (1988) or the Eye/Machine (2000/2002) series. In particular\, the focus here will be on the intimate relation between construction and destruction\, a fundamental premise of Farocki’s approach and more recent examples of “forensic architecture.”
URL:https://humanities.princeton.edu/event/spatial-operations-harun-farocki-and-architecture/
LOCATION:205 East Pyne
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/02/Sesam_Hauser_03.png
ORGANIZER;CN="Fiona Romaine":MAILTO:fromaine@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230320T163000
DTEND;TZID=America/New_York:20230320T180000
DTSTAMP:20260430T193216
CREATED:20230219T055422Z
LAST-MODIFIED:20230219T055422Z
UID:52296-1679329800-1679335200@humanities.princeton.edu
SUMMARY:Archaeological Research at the Ancient Ionian City of Notion
DESCRIPTION:Notion was a Greek city on the western coast of Ionia\, 50 km south of Smyrna. It was closely associated with the inland town of Colophon\, 15 km to the north; from the 2nd century BC onward\, it was known as New Colophon\, or Colophon-by-the-Sea. Prior research has shown that Notion was only intensively occupied from the 3rd century BC to the 1st century AD. The archaeology of Notion illuminates the turbulent history of Ionia in the Hellenistic period\, and the different ways in which local communities responded to the imposition of Roman rule. \nThis lecture reports on the results of a new program of archaeological excavation at Notion\, begun in 2022 after five years of survey. As preserved\, Notion is a grid-planned city\, surrounded by stout fortification walls. Excavation began with examination of a centrally located courtyard house and will include investigation of other houses throughout the city as well as civic buildings\, especially the Bouleuterion (Council House). Our research program also includes study of the surrounding region\, including the harbor\, the cemeteries\, local stone quarries\, and the water supply system.
URL:https://humanities.princeton.edu/event/archaeological-research-at-the-ancient-ionian-city-of-notion/
LOCATION:Green Hall 3-S-15
ORGANIZER;CN="Mo Chen":MAILTO:mochen@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230320T163000
DTEND;TZID=America/New_York:20230320T180000
DTSTAMP:20260430T193216
CREATED:20230320T134629Z
LAST-MODIFIED:20230320T134649Z
UID:53086-1679329800-1679335200@humanities.princeton.edu
SUMMARY:UCHV Research Film Studio | Research & Filmmaking: A Conversation with Gyula Gazdag & Erika A. Kiss
DESCRIPTION:A public conversation between Gyula Gazdag and Erika Kiss on research and filmmaking.
URL:https://humanities.princeton.edu/event/uchv-research-film-studio-march-20-2023-research-filmmaking-a-conversation-with-gyula-gazdag-erika-a-kiss/
LOCATION:Green Hall 0-S-6\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/2023-Spring-Film-School-0320.jpg
ORGANIZER;CN="Kim Girman":MAILTO:kgirman@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230321T163000
DTEND;TZID=America/New_York:20230321T180000
DTSTAMP:20260430T193216
CREATED:20230311T152303Z
LAST-MODIFIED:20230320T142405Z
UID:52939-1679416200-1679421600@humanities.princeton.edu
SUMMARY:Translators Beyond the Academy
DESCRIPTION:How can we forge stronger relationships with translators who work beyond the academy? What singular perspectives do these translators bring to the art as full-time writers and theorists in their own regard? In this roundtable\, we’ll talk with two of contemporary literature’s most prolific writers about translation as a full-time endeavor. We’ll explore how they’ve built meaningful relationships with authors and editors\, and where they stand relative to the space and place of the university. \nCo-sponsored by the Department of Spanish and Portuguese\, the Program in Latin American Studies\, and the Humanities Council.
URL:https://humanities.princeton.edu/event/translators-beyond-the-academy/
LOCATION:A71 Louis A. Simpson Building
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230321T170000
DTEND;TZID=America/New_York:20230321T183000
DTSTAMP:20260430T193216
CREATED:20230313T165953Z
LAST-MODIFIED:20230313T165953Z
UID:52998-1679418000-1679423400@humanities.princeton.edu
SUMMARY:Reading by Holmes Poet Marilyn Chin
DESCRIPTION:Marilyn Chin\, Anisfield Wolf Book Award recipient\, winner of five Pushcart Prizes and the current Theodore H. Holmes ’51 and Bernice Holmes Visiting Professor in Princeton’s Program in Creative Writing\, will read from her work. \nAdmission: Free and open to the public\, no tickets required. All visitors to Princeton University are expected to be either fully vaccinated\, have recently received and be prepared to show proof of a negative COVID test (via PCR within 72 hours or via rapid antigen within 8 hours of the scheduled visit)\, or agree to wear a face covering when indoors and around others. \nAccessibility: The Drapkin Studio is an accessible venue. Guests in need of access accommodations are invited to contact the Lewis Center at least one week in advance at lewiscenter@princeton.edu
URL:https://humanities.princeton.edu/event/reading-by-holmes-poet-marilyn-chin/
LOCATION:Drapkin Studio at Lewis Arts complex\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/marilyn-chin-by-jon-medel.jpeg
ORGANIZER;CN="Steve Runk":MAILTO:LewisCenter@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230322T163000
DTEND;TZID=America/New_York:20230322T180000
DTSTAMP:20260430T193216
CREATED:20221222T155637Z
LAST-MODIFIED:20230321T143010Z
UID:51380-1679502600-1679508000@humanities.princeton.edu
SUMMARY:Gossip Etherealized: Mid-Victorian Sensation Fiction and the Logic of the Record
DESCRIPTION:Join the Department of English for this lecture by Sierra Eckert\, Postdoctoral Research Associate at the Center for Digital Humanities and a Perkins Fellow at the Humanities Council.
URL:https://humanities.princeton.edu/event/lecture-by-sierra-eckert/
LOCATION:100 Jones Hall
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230322T163000
DTEND;TZID=America/New_York:20230322T180000
DTSTAMP:20260430T193216
CREATED:20230213T192630Z
LAST-MODIFIED:20230213T192630Z
UID:52199-1679502600-1679508000@humanities.princeton.edu
SUMMARY:Fear of others: Some comments on the fear of witchcraft in traditional China
DESCRIPTION:This talk will introduce a book manuscript that deals with the fear of witchcraft and its presumed perpetrators in traditional China. In line with existing scholarship into similar fears elsewhere (most extensively studied for Western Europa)\, accusations of witchcraft are understood as the product of bad social relationships. At least two types of fear were particularly prominent. One was the fear that a person was possessed by another creature controlled by another human being. This fear can still be found in most local cultures (“minorities”) but has seemingly disappeared from most of the imperial core of traditional China from the 10th century onwards. The other was the fear that someone is making figurines or little images to harm someone\, usually the person (rarely someone’s animals or other resources in the Chinese case) making the accusation or someone close to her or him. This fear was connected to real practices of cursing\, obtaining sexual access\, and healing\, all of which used a representation of the person who was addressed in the ritual. For reasons of time\, the talk’s primary focus will be the fear of figurines. In both types of fears\, both male and female persons can be either the accused or the accuser.
URL:https://humanities.princeton.edu/event/fear-of-others-some-comments-on-the-fear-of-witchcraft-in-traditional-china/
LOCATION:202 Jones Hall
ORGANIZER;CN="Chao-Hui Jenny Liu":MAILTO:chaoliu@princeton.edu
GEO:40.7228732;-74.0621867
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230322T163000
DTEND;TZID=America/New_York:20230322T180000
DTSTAMP:20260430T193216
CREATED:20230311T151552Z
LAST-MODIFIED:20230311T151552Z
UID:52973-1679502600-1679508000@humanities.princeton.edu
SUMMARY:What Moses Forgot: Memory Failures in Late Ancient Rabbinic Judaism
DESCRIPTION:The Program in Judaic Studies and Ronald O. Perelman Institute for Judaic Studies invite you to join us for the 2023 Biderman Lecture. This year’s public lecture will be given by Mira Balberg (University of California\, San Diego) titled “What Moses Forgot: Memory Failures in Late Ancient Rabbinic Judaism.” \n\nRegistration is required. Please use this form to register for this event.\nIn person attendance is open to Princeton University ID holders and members of the public. In accordance with campus guidelines\, visitors must either be fully vaccinated against COVID-19 (including booster)\, have recently received a negative test\, or agree to wear a face mask whenever indoors.\nAbility to social distance may not be possible.
URL:https://humanities.princeton.edu/event/what-moses-forgot-memory-failures-in-late-ancient-rabbinic-judaism/
LOCATION:A17 Julis Romo Rabinowitz Building\, Washington Road\, Princeton\, NJ\, 08544
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/balberg.jpg
ORGANIZER;CN="Mary Kay Bodnar":MAILTO:mbodnar@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230322T163000
DTEND;TZID=America/New_York:20230322T180000
DTSTAMP:20260430T193216
CREATED:20230321T192805Z
LAST-MODIFIED:20230321T192805Z
UID:53181-1679502600-1679508000@humanities.princeton.edu
SUMMARY:Reading\, Scribbling\, Copying: Cy Twombly and the Modern Greek Poets
DESCRIPTION:[Twombly’s] worktables are covered with oil crayons; pencils; tubes of pigment … art books … and a book of modern Greek poems in translation\, turned to George Seferis’s “Three Secret Poems.” Several lines of one stanza have been altered by Twombly. … A section of the edited and spliced poem (with a few new words added by Twombly) is written on the canvas of Summer [Quattro Stagioni]\, in Twombly’s inimitable\, childish scrawl. \nVogue magazine\, 1994 \nIn Cy Twombly’s studio\, the painter faced the poet. Twombly filled his workspace in southern Italy with books on art and poetry\, including numerous translations of George Seferis and C.P. Cavafy. Here\, Twombly explored fertile intersections between his visual art and the poetry of Seferis and Cavafy\, which the artist repeatedly used in pictorial and sculptural work in the early 1990s. These texts trace the painter’s “active” reading and treatment of poetic verse\, which he transforms into pictorial motifs by transferring words to canvas. Through the study of Twombly’s reading of Seferis’ and Cavafy’s poetry\, this paper examines the text-image and painting-poetry dialogue throughout the creative process of an influential artist from the New York school.
URL:https://humanities.princeton.edu/event/reading-scribbling-copying-cy-twombly-and-the-modern-greek-poets/
LOCATION:103 Scheide Caldwell
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/image.jpg
ORGANIZER;CN="Eleni Banis":MAILTO:hbanis@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230322T170000
DTEND;TZID=America/New_York:20230322T190000
DTSTAMP:20260430T193216
CREATED:20230213T161953Z
LAST-MODIFIED:20230306T152653Z
UID:52164-1679504400-1679511600@humanities.princeton.edu
SUMMARY:War and Machine
DESCRIPTION:In 1914\, when Henri Bergson addressed the outbreak of the First World War\, he claimed that Germany’s turn towards industrialism and mechanism was accountable for the war\, because instead of “spiritualization of matter\,” it produced a “mechanization of spirit.” Later in The Two Sources of Morality and Religion (1932)\, Bergson further stated that wars of the modern time are bound up with industrial characters of the civilization. Bergson’s analysis has little to do with modern military machines\, but rather it concerns the relation between human and technology\, or in other words\, war is the result of the “conflict of organs.” In 1948\, Norbert Wiener in his Cybernetics\, or Control and Communication in the Animal and the Machine responded to Bergson by claiming that the opposition between mechanism and vitalism belongs to a badly posed question because it is now overcome by cybernetics. How then shall we read Bergson’s critique today? \nYuk Hui wrote his doctoral thesis under the French philosopher Bernard Stiegler (1952-2020) at Goldsmiths College in London and obtained his Habilitation in philosophy from Leuphana University in Germany. Hui is author of several monographs that have been translated into a dozen languages\, including On the Existence of Digital Objects (2016)\, The Question Concerning Technology in China:-An Essay in Cosmotechnics (2016)\, Recursivity and Contingency ( 2019)\, and Art and Cosmotechnics (2021). Hui is co-editor of 30 Years after Les Immatériaux: Art\, Science and Theory (2015) and editor of Philosophy after Automation (Philosophy Today\, Vol.65. No.2\, 2021)\, among others. Since 2014\, Hui has been the initiator and convenor of the Research Network for Philosophy and Technology and sits as a juror of the Berggruen Prize for Philosophy and Culture since 2020. He is currently a professor of philosophy of technology and media at the City University of Hong Kong. \nCo-sponsored by the Humanities Council\, the German Department\, the Department of Philosophy and the Department of East Asian Studies
URL:https://humanities.princeton.edu/event/war-and-machine/
LOCATION:010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/02/Yuk-Hui.jpg
ORGANIZER;CN="Florian Endres":MAILTO:fendres@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230322T170000
DTEND;TZID=America/New_York:20230322T190000
DTSTAMP:20260430T193216
CREATED:20230314T194625Z
LAST-MODIFIED:20230314T194625Z
UID:53058-1679504400-1679511600@humanities.princeton.edu
SUMMARY:Hitch: An Iranian Story
DESCRIPTION:The Mossavar-Rahmani Center invites you to: \nA Film Screening\nHitch: An Iranian Story\nA film by Chowra Makaremi. A film screening & conversation on mourning and melancholia after the 1979 Iranian Revolution with Chowra Makaremi\, Professor Shahla Talebi (Arizona State University) and Mossavar-Rahmani Center Associate Research Scholar\, Milad Odabaei
URL:https://humanities.princeton.edu/event/hitch-an-iranian-story/
LOCATION:006 Friend Center\, 006 Friend Center\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/03/Capture-decran-2019-11-27-a-20.40.06.png
ORGANIZER;CN="Femke de Ruyter":MAILTO:femked@princeton.edu
GEO:40.3503271;-74.6526857
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=006 Friend Center 006 Friend Center Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=006 Friend Center:geo:-74.6526857,40.3503271
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230323T120000
DTEND;TZID=UTC:20230323T131500
DTSTAMP:20260430T193216
CREATED:20230126T191516Z
LAST-MODIFIED:20230308T191656Z
UID:52924-1679572800-1679577300@humanities.princeton.edu
SUMMARY:Investigating Injustice with Data
DESCRIPTION:The digital age has transformed investigative journalism. For virtually every coverage beat\, proof of wrongdoing and injustice is hidden in opaque databases. Meanwhile\, readers no longer consume news in print and have developed an unprecedented skepticism for mainstream journalism. Reporter and former software developer Neil Bedi will share his experiences navigating this new landscape by combining old school reporting skills with nontraditional technology-driven techniques. \nBedi\, a visiting Ferris Professor of Journalism in the Program in Journalism\, is a reporter at ProPublica investigating federal government agencies and policies in Washington\, D.C. He won the Pulitzer Prize for Local Reporting in 2021 as an investigative reporter at the Tampa Bay Times\, after coming to journalism from a job developing software on Wall Street. Discussant Meredith Martin is an Associate Professor of English and the Director of the Digital Humanities Center. \nThe Humanities Council’s Program in Journalism invites faculty\, graduate students and staff to participate in the next in our series of events where distinguished visiting journalists discuss their work and pressing issues of the day with faculty from a variety of disciplines. These lunchtime talks offer intimate looks inside the work of colleagues and an opportunity for dialogue across specialties. \nAttendance by reservation only. Space is limited; RSVP to Margo Bresnen at mbresnen@princeton.edu\, noting your University affiliation. \nEmail Margo Bresnen\, Journalism Program Manager\, at mbresnen@princeton.edu with any questions or difficulties.
URL:https://humanities.princeton.edu/event/neil-bedi/
LOCATION:16 Joseph Henry House
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/07/neilbedi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230323T140000
DTEND;TZID=UTC:20230325T183000
DTSTAMP:20260430T193216
CREATED:20230124T010225Z
LAST-MODIFIED:20230220T192933Z
UID:51756-1679580000-1679769000@humanities.princeton.edu
SUMMARY:Sites of Memory: A Symposium on Toni Morrison and the Archive
DESCRIPTION:Sites of Memory: A Symposium on Toni Morrison and the Archive brings together scholars\, artists\, writers\, and activists to celebrate\, interrogate\, and reflect upon the archive in relation to Toni Morrison’s writing\, her teaching\, and her public intellectual work. The event is part of a year of programming surrounding the Spring 2023 exhibition Toni Morrison: Sites of Memory. While Morrison’s literary output is well known\, this symposium breaks new ground by inviting attendees to think with her archive\, the Toni Morrison Papers\, about less recognized aspects of her art: her composition practices\, her unpublished writings\, and her daily life as a teacher at Princeton. In presentations\, conversations\, and performances\, participants and attendees will think capaciously about the archive\, taking it up as performance\, as idea\, and as something that gets articulated in published and un-published work. Across three days\, we will explore the scope of Morrison’s archive\, its central place in Princeton’s history and intellectual life\, and its status as an entry point for reconsidering Morrison’s creative work and the way it continues to shape art\, writing\, and performance. \nTaking inspiration from Morrison’s investment in collaboration and innovative programming\, the symposium’s schedule includes: a keynote lecture; a plenary conversation; five roundtables curated by Morrison scholars; commissioned performances by artists Mame Diarra Spies and Daniel Alexander Jones at The McCarter Theatre;  and additional campus programming. Across these events\, the symposium emphasizes how the Morrison Papers is very much a living archive–a site of collaboration\, innovation\, and experimentation. Speakers include: Edwidge Danticat (Author)\, Allison Saar (Sculptor & Independent Artist)\, Evie Shockley (Rutgers University & Poet)\, Riley Snorton (University of Chicago)\, Dana A. Williams (Howard University)\, Stephen Best (University of California\, Berkeley)\, Sarah Jane Cervenak (University of North Carolina\, Greensboro)\, Angie Cruz (University of Pittsburgh)\,\n \nThe symposium\, a Humanities Council Magic Project\, will convene on Thursday\, March 23 at 5pm and will close on Saturday evening\, March 25th. Our opening keynote on Thursday afternoon features Edwidge Danticat followed by an opening reception. Saturday afternoon’s closing plenary features  Evie Schokley and Alison Saar and will be followed by a closing reception.   \nYou can find the full program here.
URL:https://humanities.princeton.edu/event/sites-of-memory-a-symposium-on-toni-morrison-and-the-archive/
LOCATION:Lewis Arts complex
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/01/sites-of-memory-symposium.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230323T163000
DTEND;TZID=UTC:20230323T180000
DTSTAMP:20260430T193216
CREATED:20230222T201035Z
LAST-MODIFIED:20230223T023941Z
UID:52468-1679589000-1679594400@humanities.princeton.edu
SUMMARY:On the Edge of the World: Rome’s Fluid Frontier in Northern Britain
DESCRIPTION:Britain was the last region in Western Europe conquered by the Roman Empire. However\, its occupation was never completed: despite several campaigns by Roman armies\, most of the northern territories remained free of direct Roman rule. Over several generations\, the northernmost frontier of the Roman Empire moved back and forth between modern-day northern England and southern Scotland\, creating a fluid borderland of encounters and resistance. This lecture will provide an overview on the interactions between Roman power and indigenous communities\, presenting some results from new research projects that are fundamentally transforming our knowledge of the period between c. AD 70-400. Moreover\, it will reflect on what the evidence from a rather peripheral region of the ancient world can contribute to wider debates on borderlands and the limits of empires\, past and present. \nManuel Fernández-Götz is Abercromby Professor of Archaeology at the University of Edinburgh. His main research interests are Iron Age and Roman societies in Europe\, the archaeology of identities\, and conflict archaeology. He has authored over 200 publications and directed fieldwork projects in Spain\, Germany\, the United Kingdom\, and Croatia. His research has been recognized with the award of the Philip Leverhulme Prize and the Royal Society of Edinburgh’s Thomas Reid Medal. He is currently directing the Leverhulme- funded project ‘Beyond Walls: Reassessing Iron Age and Roman Encounters in Northern Britain’.
URL:https://humanities.princeton.edu/event/on-the-edge-of-the-world-romes-fluid-frontier-in-northern-britain/
LOCATION:010 East Pyne\, 010 East Pyne
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/02/Burnswark-Hillfort-and-Roman-Camp-photo-J.-Reid.jpg
GEO:33.0331434;-85.1424571
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=010 East Pyne 010 East Pyne;X-APPLE-RADIUS=500;X-TITLE=010 East Pyne:geo:-85.1424571,33.0331434
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230323T163000
DTEND;TZID=America/New_York:20230323T180000
DTSTAMP:20260430T193216
CREATED:20230308T213609Z
LAST-MODIFIED:20230309T180455Z
UID:52933-1679589000-1679594400@humanities.princeton.edu
SUMMARY:Venetian Air and the Avatars of Disegno in Sixteenth-Century Art Theory
DESCRIPTION:When praising cities in the early modern era it was typical to comment upon the advantages of their particular siting\, especially when it resulted in mild temperatures and good air quality. This presentation examines ways in which early modern art theorists\, Giorgio Vasari in particular\, used these environmental tropes to support their outlook on Venetian art\, bolstering their broader critical frameworks. \nLorenzo Buonanno is Assistant Professor in the Art and Art History Department at the University of Massachusetts Boston. He specializes in the art of early modern Venice. His studies on Venetian sculpture have appeared in volumes such as Santa Maria Gloriosa dei Frari. Immagini di devozione\, spazi della fede\, edited by Carlo Corsato and Deborah Howard\, and The Art of Sculpture in Fifteenth-Century Italy\, edited by Amy Bloch and Daniel Zolli\, and his first book\, The Performance of Sculpture in Renaissance Venice\, was published in March 2022.
URL:https://humanities.princeton.edu/event/venetian-air-and-the-avatars-of-disegno-in-sixteenth-century-art-theory/
LOCATION:Green Hall 0-S-9
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/584433001.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230323T180000
DTEND;TZID=America/New_York:20230323T193000
DTSTAMP:20260430T193216
CREATED:20230110T164502Z
LAST-MODIFIED:20230309T175935Z
UID:51528-1679594400-1679599800@humanities.princeton.edu
SUMMARY:LLL Presents: Poverty\, by America
DESCRIPTION:In his new book\, Matthew Desmond reimagines the debate on poverty\, making a new and bracing argument about why it persists in America: because the rest of us benefit from it. He is joined in conversation by fellow scholar about housing and poverty in America\, author\, and activist Keeanga Yamahtta-Taylor. Andrea Elliott\, who won the Pulitzer Prize for her book Invisible Child\, will introduce the speakers. \nThis event is free but ticketed. Please visit the Labyrinth Books website for more details. \nMatthew Desmond is professor of sociology at Princeton University. He is the author of four books\, including Evicted: Poverty and Profit in the American City\, and is the principal investigator of The Eviction Lab at Princeton. Keeanga Yamahtta Taylor’s Race for Profit: How Banks and the Real estate Industry Undermined Black Homeownership was a finalist for the Pulitzer Prize and the National Book Award. She is the author\, in addition\, of From #Blacklivesmatter to Black Liberation. Yamahtta-Taylor is contributing writer at The New Yorker and professor of African American Studies at Northwestern University. Andrea Elliott is investigative reporter for The New York Times and two-time Pulitzer Prize winner\, once for feature writing\, and once for her book Invisible Child: Poverty\, Survival\, and Hope in an American City. \nThis event is co-presented by Labyrinth Books and The Princeton Public Library and cosponsored by Princeton University’s Humanities Council\, School for Public and International Affairs\, Sociology Department\, African American Studies Department\, Anthropology Department\, Economics Department\, and the Kahneman Treisman Center for Behavioral Science & Public Policy at Princeton. 
URL:https://humanities.princeton.edu/event/lll-presents-poverty-by-america/
LOCATION:Nassau Presbyterian Church\, Nassau Presbyterian Church\, 61 Nassau Street\, Princeton\, NJ\, 08540\, United States
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/01/povertybyamerica-speakerimages.png
GEO:40.348964;-74.66078
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Nassau Presbyterian Church Nassau Presbyterian Church 61 Nassau Street Princeton NJ 08540 United States;X-APPLE-RADIUS=500;X-TITLE=Nassau Presbyterian Church\, 61 Nassau Street:geo:-74.66078,40.348964
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230323T180000
DTEND;TZID=America/New_York:20230323T193000
DTSTAMP:20260430T193216
CREATED:20230320T182146Z
LAST-MODIFIED:20230320T182146Z
UID:53107-1679594400-1679599800@humanities.princeton.edu
SUMMARY:Book Discussion | Carlo Ginzburg: History/Microhistories/Architectural Histories
DESCRIPTION:On March 6\, 2022\, Yehuda Safran (Pratt Institute) and Daniel Sherer (Princeton SoA) interviewed Italian historian Carlo Ginzburg for Issue 5 of Potlatch journal\, perhaps the most extensive and in-depth exchange ever given. From a broad spectrum of subjects\, Ginzburg discusses key sources of his intellectual formation\, the complex relation of art history\, architectural history\, and microhistory–convergences and divergences between historical\, literary and cinematic narrative\, and the reading of diverse types of evidence across disciplines. In an unusual moment of synthesis\, the interview contains the only published discussion of Ginzburg’s intellectual and personal exchange with architectural theorist Manfredo Tafuri\, focusing on the concepts of polycentric histories of architecture and microhistory. Nearly a year after the interview\, Carlo Ginzburg: History/Microhistories/Architectural Histories brings together multiple scholars across disciplinary fields to discuss this seminal dialog and Ginzburg at large. \nParticipants include Daniel Sherer (Visiting Faculty\, History and Theory of Architecture\, School of Architecture\, Princeton University)\, Yehuda Safran (Critic; Adjunct Professor\, History and Theory of Architecture\, School of Architecture\, Pratt Institute)\, Eva Del Soldato (Associate Professor of Italian Studies\, Francophone\, Italian And Germanic Studies\, University of Pennsylvania)\, Francesca Trivellato (Andrew W. Mellon Professor\, School of Historical Studies\, Institute for Advanced Study\, Princeton University)\, and Spyros Papapetros (Associate Professor\, History and Theory of Architecture\, School of Architecture\, Princeton University). \nThis lecture is made possible by the Jean Labatut Memorial Lectures in Architecture and Urban Planning Fund and is co-sponsored by the Center for Collaborative History.
URL:https://humanities.princeton.edu/event/book-discussion-carlo-ginzburg-history-microhistories-architectural-histories/
LOCATION:Betts Auditorium
ORGANIZER;CN="Carrie Ruddick":MAILTO:cruddick@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230324T163000
DTEND;TZID=America/New_York:20230324T180000
DTSTAMP:20260430T193216
CREATED:20230311T151734Z
LAST-MODIFIED:20230311T151734Z
UID:52976-1679675400-1679680800@humanities.princeton.edu
SUMMARY:Musicology Colloquium Series: Echoes of the Great Catastrophe: Re-Sounding Anatolian Greekness in Diaspora
DESCRIPTION:Dr. Panayotis League will discuss his recently-published monograph\, which explores the legacy of the Great Catastrophe—the death and expulsion from Turkey of 1.5 million Greek Christians following the Greco-Turkish War of 1919–1922—through the music and dance practices of Greek refugees and their descendants over the last one hundred years. The book draws extensively on original ethnographic research conducted in Greece (on the island of Lesvos in particular) and in the Greater Boston area\, as well as on the author’s lifetime immersion in the North American Greek diaspora. Through analysis of handwritten music manuscripts\, homemade audio recordings\, and contemporary live performances\, the presentation traces the routes of repertoire and style over generations and back and forth across the Atlantic Ocean\, investigating the ways that the particular musical traditions of the Anatolian Greek community have contributed to their understanding of their place in the global Greek diaspora and the wider post-Ottoman world. \nThis event is free\, un-ticketed.
URL:https://humanities.princeton.edu/event/musicology-colloquium-series-echoes-of-the-great-catastrophe-re-sounding-anatolian-greekness-in-diaspora/
LOCATION:102 Woolworth\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/Paddy-League_web.jpg
ORGANIZER;CN="Simeon W Brown":MAILTO:swbrown@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230324T170000
DTEND;TZID=UTC:20230324T183000
DTSTAMP:20260430T193216
CREATED:20230313T171116Z
LAST-MODIFIED:20230313T171116Z
UID:53006-1679677200-1679682600@humanities.princeton.edu
SUMMARY:North-East Milton Seminar: "Milton and Monism\, Yet Once More"
DESCRIPTION:The North-East Milton Seminar’s 2023 keynote lecture\, “Milton and Monism\, Yet Once More” will be presented by Stephen M. Fallon\, John J. Cavanaugh Professor of the Humanities\, Notre Dame University. This year’s seminar is scheduled for Friday\, March 24\, 2023 at 5:00 p.m. in East Pyne 010.
URL:https://humanities.princeton.edu/event/north-east-milton-seminar-milton-and-monism-yet-once-more/
LOCATION:010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/fall-of-eve.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230324T193000
DTEND;TZID=America/New_York:20230324T210000
DTSTAMP:20260430T193216
CREATED:20230313T170301Z
LAST-MODIFIED:20230313T170328Z
UID:52995-1679686200-1679691600@humanities.princeton.edu
SUMMARY:Atelier@Large: Conversations on Art-making in a Vexed Era
DESCRIPTION:In a series of conversations that bring guest artists to campus to discuss what they face in making art in the modern world\, director of the Princeton Atelier and Pulitzer Prize-winning poet Paul Muldoon moderates a discussion with Broadway actor and mime Bill Bowers\, graphic novelist and cartoonist for The New Yorker E.S. Glenn\, and poet and playwright Claudia Rankine. \nAdmission: Free and open to the public\, however tickets are required through University Ticketing at tickets.princeton.edu. All visitors to Princeton University are expected to be either fully vaccinated\, have recently received and be prepared to show proof of a negative COVID test (via PCR within 72 hours or via rapid antigen within 8 hours of the scheduled visit)\, or agree to wear a face covering when indoors and around others. \nAccessibility: The Stewart Theater is an accessible venue. Guests in need of access accommodations are invited to contact the Lewis Center at least one week in advance at LewisCenter@princeton.edu
URL:https://humanities.princeton.edu/event/atelierlarge-conversations-on-art-making-in-a-vexed-era-2/
LOCATION:James Stewart Film Theater\, 185 Nassau Street\, Princeton\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/ATL-at-Large-Glenn-Bowers-Rankine-Poster_1920x1080.jpg
ORGANIZER;CN="Steve Runk":MAILTO:LewisCenter@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230325T093000
DTEND;TZID=UTC:20230325T170000
DTSTAMP:20260430T193217
CREATED:20230308T214946Z
LAST-MODIFIED:20230314T085303Z
UID:52937-1679736600-1679763600@humanities.princeton.edu
SUMMARY:Art and Devotion - New Accounts of Religious Culture\, Race\, and Gender in the United States
DESCRIPTION:– Registration is Required – \nThis symposium is the second installment of the Princeton Graduate Book Forum. \nA Symposium on Lift Every Voice and Swing: Black Musicians and Religious Culture in the Jazz Century\, by Vaughn A. Booker and Lifeblood of the Parish: Men and Catholic Devotion in Williamsburg Brooklyn\, by Alyssa Maldonado-Estrada \nSaturday March 25\, 2023 – Lewis Library 120 \n8:30-9:30 Continental Breakfast and Registration \n9:30-9:45 Opening Remarks: Wallace Best\, Princeton University \n9:45-11:45 First Panel: “Lifeblood of the Parish” – Alyssa Maldonado-Estrada \nEziaku Atuama Nwokocha\, University of Miami \nErica Robles-Anderson\, New York University \nKatherine Dugan\, Springfield College \nChair: William Stell\, Princeton University \n12:00-1:30 Lunch Break \n1:30-3:30 Second Panel: “Life Every Voice and Swing” – Vaughn Booker \nTracy Fessenden\, Arizona State University \nLerone A. Martin\, Stanford University \nRichard Brent Tuner\, University of Iowa \nChair: Mélena Laudig\, Princeton University \n3:30-4:15 Break \n4:15-4:45 Symposium Summary – Jonathan Lee Walton\, Princeton Theological Seminary \n4:45-6:00 Closing Reception \n\n\n\nSponsors\n\nDepartment of Religion\nHumanities Council\nDepartment of African American Studies\nCenter for Culture\, Society and Religion\nUniversity Center for Human Values\nProgram in Gender and Sexuality Studies\nDepartment of Music
URL:https://humanities.princeton.edu/event/art-and-devotion-new-accounts-of-religious-culture-race-and-gender-in-the-united-states/
LOCATION:120 Lewis Library\, 120 Lewis Library\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/Art-and-Devotion-Books-Only.jpg
GEO:40.3461306;-74.6526453
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=120 Lewis Library 120 Lewis Library Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=120 Lewis Library:geo:-74.6526453,40.3461306
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230327
DTEND;VALUE=DATE:20230401
DTSTAMP:20260430T193217
CREATED:20230321T192916Z
LAST-MODIFIED:20230321T192916Z
UID:53175-1679886000-1680264000@humanities.princeton.edu
SUMMARY:Celebrating Liliana Cavani’s Life and Films
DESCRIPTION:Presented by the Department of French and Italian and The Italian Cultural Institute\, New York.\nIn association with the Humanities Council\, the Department of Comparative Literature\, Committee for Film Studies and PIRELLI in Milan: \nMarch 27\, 2023\, 7:30 pm – East Pyne 010\nFilm Screening of Francesco (1989) \nMarch 28\, 2023\, 7:00 pm – The Princeton Garden Theatre\nFilm Screening of The Night Porter (1974)\n*Followed by a conversation with the filmmaker\n*Free Admission with PU ID \nMarch 31\, 2023\, 4:00 pm – Italian Cultural Institute\, New York\nRound table discussion with Liliana Cavani on the “Francesco Trilogy”\nIntroduction by Massimo Sarti\, Attaché for Cultural Affairs\nLiliana Cavani in conversation with Fabio Finotti\, Director IIC\nMaria DiBattista\, Flavia Laviosa\, Millicent Marcus\, Gaetana Marrone-Puglia
URL:https://humanities.princeton.edu/event/celebrating-liliana-cavanis-life-and-films/
LOCATION:Various\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/Portrait_Small_Sharp.jpg
ORGANIZER;CN="Kelly Eggers":MAILTO:keggers@princeton.edu
GEO:40.3467174;-74.6568772
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230327T120000
DTEND;TZID=America/New_York:20230327T130000
DTSTAMP:20260430T193217
CREATED:20230322T145555Z
LAST-MODIFIED:20230322T145555Z
UID:53228-1679918400-1679922000@humanities.princeton.edu
SUMMARY:"Asiiskusiipuw" Munsee Language Revitalization
DESCRIPTION:Join Ian McCallum\, graduate student at the University of Toronto\, officer in the Indigenous Education Office for the Ontario Ministry of Education\, and member of the Munsee-Delaware First Nation for a virtual lecture about the river that is important to the history of the Munsee people: “Asiiskusiipuw\,” “Muddy River\,” or “Thames River.” \nIn the summer of 2021\, a group of Munsee-Delaware community members and academics paddled the Thames river\, starting from downtown London to the Munsee Delaware Nation. The purpose of the trip was to document Munsee history\, language and culture. The group documented plant\, bird\, animal and insect species to support language revitalization. The trip gave insight into the seasonal practices of the Munsee people and the importance of the location of settlement. Community members also related details about the original settlements\, corn fields\, the War of 1812\, and the importance of the Munsee community as a center in Upper Canada. \nRegister via Zoom.
URL:https://humanities.princeton.edu/event/asiiskusiipuw-munsee-language-revitalization/
LOCATION:Zoom\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/Thames-River-I.-McCallum-Image.jpg
ORGANIZER;CN="Yolanda Sullivan":MAILTO:syolanda@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230327T120000
DTEND;TZID=America/New_York:20230327T133000
DTSTAMP:20260430T193217
CREATED:20230201T162044Z
LAST-MODIFIED:20230308T184940Z
UID:51892-1679918400-1679923800@humanities.princeton.edu
SUMMARY:Feral Atlas: Toward a Collaborative Environmental Humanities
DESCRIPTION:Join us for a lunchtime conversation on Feral Atlas: The More-than Human Anthropocene\, participatory projects\, and the Environmental Humanities.\nFeral Atlas invites you to explore the ecological worlds created when nonhuman entities become tangled up with human infrastructure projects. Seventy-nine field reports from scientists\, humanists\, and artists show you how to recognize “feral” ecologies\, that is\, ecologies that have been encouraged by human-built infrastructures\, but which have developed and spread beyond human control. These infrastructural effects\, Feral Atlas argues\, are the Anthropocene. \nA speaker series co-sponsored by: The English Department’s Contemporary Poetry Colloquium\, the High Meadows Environmental Institute\, the Environmental Media Lab\, the Bain-Swiggett Poetry Fund\, the Effron Center for the Study of America\, the Interdisciplinary Doctoral Program in the Humanities\, and the University Center for Human Values.
URL:https://humanities.princeton.edu/event/feral-atlas-toward-a-collaborative-environmental-humanities/
LOCATION:Hinds Library\, McCosh\, Hinds Library\, McCosh\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/01/istockphoto-898623972-170667a.jpg
ORGANIZER;CN="Kyra Morris":MAILTO:kyram@princeton.edu
GEO:40.3479074;-74.6573424
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hinds Library McCosh Hinds Library McCosh Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=Hinds Library\, McCosh:geo:-74.6573424,40.3479074
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230327T163000
DTEND;TZID=America/New_York:20230327T180000
DTSTAMP:20260430T193217
CREATED:20230321T210241Z
LAST-MODIFIED:20230321T210241Z
UID:53202-1679934600-1679940000@humanities.princeton.edu
SUMMARY:Religion\, the Secular\, and Machines in Between
DESCRIPTION:John Lardas Modern is Arthur and Katherine Shadek Professor of the Humanities and Religious Studies at Franklin and Marshall College. He will be in conversation with CCSR Postdoctoral Fellow Suzanne van Geuns. His most recent book asks how the brain has become the locus of who we are. It takes us from Jonathan Edwards’s imprint on cognitive science to electrical shocks being administered in the making of both a heterosexual mind and the “normal” religious person.\nModern is the author of The Bop Apocalypse: The Religious Visions of Kerouac\, Ginsberg\, and Burroughs (2001)\, Secularism in Antebellum America (2011)\, and most recently\, Neuromatic; or\, a Particular History of Religion and the Brain (2021)\, winner of the International Society for Science and Religion’s 2022 Best Book Award. Modern is also the Principal Investigator for Machines in Between (2021-23)\, a multi-media project funded by the Henry Luce Foundation and the Center for Sustained Engagement with Lancaster. Machines in Between is an audio-visual experiment that reimagines our present state of technological saturation. It is part mixtape\, surreal performance\, and philosophical experiment\, asking “What do we love when we love our machines?”\nThis event is part of the Religion and the Public Conversation series. The theme for the 2022-2023 year is “Religion and Technology: From Codex to Coding.”\nThis conversation will be livestreamed. Please register to attend the live webinar.
URL:https://humanities.princeton.edu/event/religion-the-secular-and-machines-in-between/
LOCATION:Green Hall 0-S-6\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/03/ModernLogo.png
ORGANIZER;CN="Jenny Legath":MAILTO:jlegath@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230327T170000
DTEND;TZID=America/New_York:20230327T183000
DTSTAMP:20260430T193217
CREATED:20230313T171917Z
LAST-MODIFIED:20230313T171917Z
UID:52992-1679936400-1679941800@humanities.princeton.edu
SUMMARY:Reading by Ina Cariño
DESCRIPTION:Ina Cariño\, a Whiting Award-winning poet and author of Feast (Alice James Books\, 2023)\, reads from their work along with several creative writing seniors. The C.K. Williams Reading Series showcases senior thesis students of the Program in Creative Writing with established writers as special guests. \nAdmission: Free and open to the public. All visitors to Princeton University are expected to be either fully vaccinated\, have recently received and be prepared to show proof of a negative COVID test (via PCR within 72 hours or via rapid antigen within 8 hours of the scheduled visit)\, or agree to wear a face covering when indoors and around others. \nAccessibility: The Drapkin Studio is an accessible venue. An assistive listening system is available. Guests in need of other access accommodations are invited to contact the Lewis Center at least one week in advance at lewiscenter@princeton.edu
URL:https://humanities.princeton.edu/event/reading-by-ina-carino/
LOCATION:Drapkin Studio at Lewis Arts complex\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/03/Ina-Carino-by-Sass-Art.jpg
ORGANIZER;CN="Steve Runk":MAILTO:LewisCenter@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230328T043000
DTEND;TZID=America/New_York:20230328T180000
DTSTAMP:20260430T193217
CREATED:20230303T200603Z
LAST-MODIFIED:20230303T200603Z
UID:52756-1679977800-1680026400@humanities.princeton.edu
SUMMARY:Winckelmann’s Epistolary Art
DESCRIPTION:Over the two and half centuries since he met his violent end in Trieste\, the correspondence of Johann Joachim Winckelmann\, the traditional ‘founder’ of classical archaeology\, has grown as important to the formation of his legend as his published writings on art. His letters\, and the life story to which they promise access\, were crucial to his canonisation as a figure of emulation for students of classics in Germany; they also played a central role in the quest for ‘Uranian’ ancestors among activists in the burgeoning European homosexual emancipation movement of the 1890s. In this talk I will respectfully interrogate these traditions\, seeking to do justice to their importance while also criticising the ways in which they have establish a sharp (and anachronistic) divide between ‘private’ and ‘public’ categories of Winckelmann’s literary production. Turning to the educational contexts of Winckelmann’s childhood and youth and the rich evidence his manuscripts provide of his reading in Latin and vernacular authors\, I shall argue that Winckelmann practised an epistolary art grounded in classical and early modern epistolary convention. Viewed in this perspective\, his letters construct a set of queerly desiring personae more varied and interesting than traditional readings have revealed.
URL:https://humanities.princeton.edu/event/winckelmanns-epistolary-art/
LOCATION:East Pyne 010 and Zoom\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/03/Screenshot-2023-03-03-at-2.07.42-PM.png
ORGANIZER;CN="Eileen Robinson":MAILTO:eileenrobinson@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230328T163000
DTEND;TZID=America/New_York:20230328T180000
DTSTAMP:20260430T193217
CREATED:20230307T135509Z
LAST-MODIFIED:20230307T135509Z
UID:52850-1680021000-1680026400@humanities.princeton.edu
SUMMARY:Aimer en français: exil\, identité(s)\, écriture (in French)
DESCRIPTION:Kim Thúy will present the lecture Aimer en français: exil\, identité(s)\, écriture (in French)\, followed by a reception. Registration required. \nThese events were made possible thanks to the generous support of: The 250th Anniversary Fund for Innovation in Undergraduate Education\, The Délégation Générale du Québec à New York\, The Department of French and Italian\, Canadian Studies\, The Humanities Council\, The Lewis Center for the Arts\, The Organisation Internationale de la Francophonie\, The Program for Community-Engaged Scholarship (ProCES) \, The Princeton Institute for International and Regional Studies.
URL:https://humanities.princeton.edu/event/aimer-en-francais-exil-identites-ecriture-in-french/
LOCATION:219 Aaron Burr Hall
ORGANIZER;CN="Kelly Eggers":MAILTO:keggers@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230328T170000
DTEND;TZID=America/New_York:20230328T183000
DTSTAMP:20260430T193217
CREATED:20230320T134801Z
LAST-MODIFIED:20230320T134801Z
UID:53089-1680022800-1680028200@humanities.princeton.edu
SUMMARY:"Nightmare Landscapes\, Ambient Splendor\, and the End(s) of Art"
DESCRIPTION:Neferti X. M. Tadiar\n“Nightmare Landscapes\, Ambient Splendor\, and the End(s) of Art”\n[Response: Paul Nadal]\nTuesday\, March 28\, 2023 @5pm ET\nN107 (School of Architecture) \nIn this talk\, Neferti Tadiar shares readings of contemporary Philippine art in the context of catastrophe from her book Remaindered Life. She reads the work of Kiri Dalena\, Lyra Garcellano\, and others in intricate\, expressive relation to the nightmare landscapes proffered by a global fantasy of city everywhere\, an uber-urban world built on unimpeded value-productive movement\, connection\, and circulation\, which demands and depends on relentless violent life-expenditures through war. Dwelling on these works’ affective sensibility of the life of the dispossessed imprinted within these very landscapes\, their rendering of the ambient splendor of remaindered life\, Tadiar asks what in this context might be the end(s) of art. \nNeferti X. M. Tadiar is Professor of Women’s\, Gender\, and Sexuality Studies at Barnard College\, Columbia University. She is the author of Things Fall Away: Philippine Historical Experience and the Makings of Globalization; Fantasy-Production: Sexual Economies and Other Philippine Consequences for the New World Order; and most recently\, Remaindered Life. \nPaul Nadal is Assistant Professor of English and American Studies at Princeton University. An interdisciplinary scholar working at the intersection of literature and economy\, he is completing a book on novels and remittances in the Philippine diaspora\, a chapter of which appeared in American Quarterly and won the Best Essay Prize from the American Literature Society.
URL:https://humanities.princeton.edu/event/nightmare-landscapes-ambient-splendor-and-the-ends-of-art/
LOCATION:Room N107\, School of Architecture\, Room N107\, School of Architecture\, Princeton\, NJ\, 08544\, United States
ORGANIZER;CN="Iason Stathatos":MAILTO:iasons@princeton.edu
GEO:40.3478617;-74.6561685
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Room N107 School of Architecture Room N107 School of Architecture Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=Room N107\, School of Architecture:geo:-74.6561685,40.3478617
END:VEVENT
END:VCALENDAR