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DTSTART;TZID=UTC:20230208T163000
DTEND;TZID=UTC:20230208T183000
DTSTAMP:20260416T201301
CREATED:20230202T182624Z
LAST-MODIFIED:20230207T142003Z
UID:52016-1675873800-1675881000@humanities.princeton.edu
SUMMARY:Edward Said Memorial Lecture: On "Perfect Victims" and the Politics of Appeal
DESCRIPTION:Palestinians dead and alive have been increasingly visible in Anglophone media—but not everyone can get the mic. For them to make noise\, dead Palestinians need to have been ethnocentrically “exceptional” or have had to endure an exceptionally violent death. And those who are alive need to fit the “perfect victim” prerequisite: docile\, defanged\, and preferably with an American accent. In this lecture\, Mohammed El-Kurd investigates this phenomenon\, asking a question once posed by Edward Said: who has the permission to narrate? And\, more importantly\, why should Palestinians seek such permissions in the first place? \nThis event is sponsored by the Edward W. Said ’57 Memorial Lecture Fund\, the Princeton Committee on Palestine\, and the Department of English.
URL:https://humanities.princeton.edu/event/edward-said-memorial-lecture-on-perfect-victims-and-the-politics-of-appeal/
LOCATION:10 McCosh
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/02/Said-Lecture-2023-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230208T163000
DTEND;TZID=America/New_York:20230208T180000
DTSTAMP:20260416T201301
CREATED:20221011T174622Z
LAST-MODIFIED:20230124T190234Z
UID:50164-1675873800-1675879200@humanities.princeton.edu
SUMMARY:2022-23 Old Dominion Public Lecture Series – “ The Harvest Indeed is Great\, but the Labourers are Few”: Strangers in the Medieval Countryside
DESCRIPTION:Seasonal labor brought considerable numbers of workers long distances to villages and estates in the Middle Ages. These ‘strangers’ faced many difficulties in their interactions with the local population. The lecture addresses several of these difficulties and how elites\, villagers\, and migrant laborers coped with them. \nWilliam Chester Jordan is the Dayton-Stockton Professor of History. He is a former director of the Humanities Council’s Program in Medieval Studies and previously served as director of the Shelby Cullom Davis Center for Historical Studies. Jordan is a prolific author whose current research focuses on migrant labor in the 13th and early 14th century. His Old Dominion Research Professorship will support the study of the economic and social experiences of migrant laborers in the High Middle Ages in the rural areas of northwestern continental Europe. \n\nOld Dominion Research Professors contribute to the Council’s programs and events and engage the campus community in sustained discussions about their research. This cohort of senior faculty join a yearlong program designed to provide additional research time and to enhance the humanities community more broadly. They also serve as faculty fellows in the Society of Fellows in the Liberal Arts. Old Dominion Professors are full professors in the humanities and humanistic social sciences.
URL:https://humanities.princeton.edu/event/2022-23-old-dominion-public-lecture-series-william-jordan/
LOCATION:010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/04/ODP_Jordan.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230208T120000
DTEND;TZID=America/New_York:20230208T132000
DTSTAMP:20260416T201301
CREATED:20230118T184507Z
LAST-MODIFIED:20230127T163435Z
UID:51638-1675857600-1675862400@humanities.princeton.edu
SUMMARY:Historias para lo que viene: Podcasting for Social Justice in Colombia
DESCRIPTION:The participation of history in transitional justice processes has tended to be one of setting the record straight by providing objective evidence about past violent events. As such\, it is tied to conventional notions of history as linear\, progressive\, and centered in nation-states. This presentation showcases Historias para lo que viene\, a public history project which posits that history can do much more than that: it can be a forward-looking endeavor that combines critical inquiry with radical action. The project grew out of the 2016 peace accords between the FARC guerrillas and the Colombian government\, and it is based on the premise that building futures of social justice entails addressing long histories of exclusion and inequality. This collaborative project brings together social leaders from communities victimized in the context of the armed conflict\, communicators\, schoolteachers and historians to co-produce audio stories that entwine the past and present of those communities and their political struggles\, from their perspective and in their voices\, as an epistemological intervention. Just as historical narratives have been inherent to the production of power structures\, they can play a role in challenging them. \nABOUT OUR GUEST SPEAKER \nCatalina Muñoz (Ph.D.\, University of Pennsylvania) is an associate professor of history at the Universidad de los Andes in Bogotá\, Colombia. Her publications include A Fervent Crusade for the National Soul: Cultural Politics in Colombia\, 1930-1946 (Lexington Books\, 2022) and articles in the Hispanic American Historical Review\, Ethnohistory\, and Revista de Estudios Sociales\, among others. She was a Fulbright Visiting Scholar at the Humanities Action Lab in Rutgers University-Newark in the fall of 2017 and was awarded a membership in the Institute for Advanced Study\, School of Social Science\, in the fall of 2022. A public historian\, her research and practice examine the relevance of historical thinking and longue durée analysis to transitional justice\, a field traditionally dominated by lawyers. Read full bio. \nDISCUSSANT\nSebastián Ramírez\, Lecturer\, Anthropology\, Princeton University \nOpen to students\, faculty\, visiting scholars\, staff and specially invited guests. A boxed lunch will be provided while supplies last.
URL:https://humanities.princeton.edu/event/historias-para-lo-que-viene-podcasting-for-social-justice-in-colombia/
LOCATION:216 Aaron Burr Hall\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/01/Catalina-Munoz-Event-Image.jpg
ORGANIZER;CN="Damaris Zayas":MAILTO:damaris@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230208T120000
DTEND;TZID=America/New_York:20230208T131500
DTSTAMP:20260416T201301
CREATED:20230202T005428Z
LAST-MODIFIED:20230208T160704Z
UID:51993-1675857600-1675862100@humanities.princeton.edu
SUMMARY:Mellon Forum // Smallpox and Slavery in the Early Modern Atlantic World: A Digital History
DESCRIPTION:Mellon Forum on the Urban Environment\nSpring 2023 || SPATIAL STORYTELLING\nSmallpox and Slavery in the Early Modern Atlantic World: A Digital History is a digital history project consisting of a searchable database\, an embedded timelapse map\, and historical vignettes about enslaved people who survived smallpox outbreaks in the Atlantic World. It is based on Mitchell’s qualitative research database of over 500 smallpox outbreaks that affected enslaved Africans and free people of African descent in the Atlantic World\, with a focus on the Caribbean and West and West Central Africa\, between the 1500s and 1830s. The goal of the project is to offer historians the opportunity to examine the histories of outbreaks and epidemics across several regions\, empires\, and cultural contexts over 300 years\, without losing sight of the millions of people who endured the brutality of the slave trade and slavery. \nThe Spring 2023 Mellon Forum on the Urban Environment is kindly sponsored by the Mellon Foundation and the Princeton University Humanities Council\, Program in Latin American Studies\, Center for Collaborative History\, Departments of Art & Archaeology and English\, HMEI\, PIIRS\, SPIA\, and the School of Architecture.
URL:https://humanities.princeton.edu/event/mellon-forum-smallpox-and-slavery-in-the-early-modern-atlantic-world-a-digital-history/
LOCATION:School of Architecture
ORGANIZER;CN="Jacquelyn Walsh":MAILTO:jw42@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230207T170000
DTEND;TZID=America/New_York:20230207T183000
DTSTAMP:20260416T201301
CREATED:20230201T154200Z
LAST-MODIFIED:20230203T221714Z
UID:51879-1675789200-1675794600@humanities.princeton.edu
SUMMARY:"Signals”
DESCRIPTION:Video is everywhere—on our phones and screens\, walls and streets\, defining new spaces and experiences\, spreading memes and lies\, fervor and power. Shared\, sent\, and networked\, it shapes public opinion and creates counter-publics in turn. \nThis talk explores the ways in which artists have both championed and questioned video as an agent of world change\, focusing on key works in Kuo’s forthcoming exhibition Signals: How Video Transformed the World (co-curated with Stuart Comer). From viral video to TikTok War\, surveillance footage to televised revolution\, video overflows boundaries of medium and geography; it splinters and migrates across disparate viewing conditions\, sites of display\, and modes of address\, both forming—and fraying—the networks of power within which we now live. \nDr. Michelle Kuo is The Marlene Hess Curator of Painting and Sculpture at The Museum of Modern Art\, New York. From 2010-17\, she was the Editor in Chief of Artforum International. She has published and lectured widely on new media and materials in contemporary art\, and is working on a book about the postwar organization Experiments in Art and Technology. \nDevin A. Fore is Professor of German at Princeton University. He is editor of Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test (Yale University Press\, 2017) and History and Obstinacy by Alexander Kluge and Oskar Negt (Zone Books\, 2014); he is also author of Realism after Modernism: The Rehumanization of Art and Literature (The MIT Press\, 2012). \nImage: Nam June Paik. Good Morning Mr. Orwell. 1984. Video (color\, sound). 38 minutes. The Museum of Modern Art\, New York. Gift of the artist. © 2022 Estate of Nam June Paik. Courtesy Electronic Arts Intermix (EAI)\, New York \nPlease visit M+M’s official website for the full events calendar and current information.
URL:https://humanities.princeton.edu/event/signals/
LOCATION:Room N107\, School of Architecture\, Room N107\, School of Architecture\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/01/230207_Michelle-Kuo-insta.jpg
ORGANIZER;CN="Iason Stathatos":MAILTO:iasons@princeton.edu
GEO:40.3478617;-74.6561685
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Room N107 School of Architecture Room N107 School of Architecture Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=Room N107\, School of Architecture:geo:-74.6561685,40.3478617
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230207T163000
DTEND;TZID=UTC:20230207T180000
DTSTAMP:20260416T201301
CREATED:20230109T205157Z
LAST-MODIFIED:20230127T163243Z
UID:51581-1675787400-1675792800@humanities.princeton.edu
SUMMARY:5000 Years of African Literature
DESCRIPTION:2022-2023 CREMS Faber Lecture \nThis talk’s central claim is that Africa has a 5000-year literary history. Why does such a possibility remain almost entirely unrecognized? How well does the extant evidence support such a claim? And what difference might the answers to these questions make? The presentation takes up each of these matters in turn. It approaches the first by looking at the organization of academic programs—what they enable and obscure. The second follows the successive fortunes of various African writing systems\, from ancient Egyptian to the present\, including indigenous and imported literary languages. Transmission is traced via direct connections among these languages; through the reconstruction of oral linkages\, where possible\, and utilizing extra-African relays\, with the African literary diaspora constituting a brief if recurrent\, motif. Finally\, the conclusion reviews several issues raised by the preceding survey—the rationale for disciplinary divisions\, the ethical and political resonances (if any)\, the (un)importance of contributions to knowledge\, the relationship between broad historical summary and close reading of texts\, the tension between continuity and rupture in literary traditions\, the importance of geography in literary networks\, and\, not least\, the relative hierarchy of African literary languages. \nRespondent: Wendy Laura Belcher\, Professor of Comparative Literature and African American Studies\, Princeton University \nChair: Ousseina Alidou\, Professor of African\, Middle Eastern and South Asian Languages and Literatures\, Rutgers University \nWalter Cohen is a Professor of English at the University of Michigan\, Ann Arbor\, after having taught from 1980 to 2014 in Comparative Literature at Cornell University\, where he received a distinguished teaching award and held various college and university administrative positions for two decades (including Dean of the Graduate School and Vice Provost of the University). He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain (Cornell UP\, 1985)\,  A History of European Literature: The West and the World from Antiquity to the Present (Oxford UP\, 2017)\, and of numerous articles on Renaissance literature\, literary criticism\, the history of the novel\, and world literature. He is also one of the editors of The Norton Shakespeare (3rd ed.\, 2015). His current research interests include the literature on ecological catastrophe\, the history of African literature\, the languages of Jewish literature\, the social agency of written language\, and the role of social class in literary study. \nReception to follow the presentation\nPlease RSVP to blleavey@princeton.edu if you plan to attend \n 
URL:https://humanities.princeton.edu/event/5000-years-of-african-literature/
LOCATION:219 Aaron Burr\, 219 Aaron Burr\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/01/Map-uncolonized-reduced-2048x2037-1.jpg
GEO:40.3501852;-74.6566027
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=219 Aaron Burr 219 Aaron Burr Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=219 Aaron Burr:geo:-74.6566027,40.3501852
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230206T170000
DTEND;TZID=America/New_York:20230206T183000
DTSTAMP:20260416T201301
CREATED:20230201T155221Z
LAST-MODIFIED:20230203T221547Z
UID:51953-1675702800-1675708200@humanities.princeton.edu
SUMMARY:Reading by Dantiel W. Moniz
DESCRIPTION:Dantiel W. Moniz\, a National Book Foundation “5 Under 35” honoree and the Pushcart Prize-winning author of Milk Blood Heat\, reads from her work alongside several creative writing seniors. The C.K. Williams Reading Series showcases senior thesis students of the Program in Creative Writing with established writers as special guests.
URL:https://humanities.princeton.edu/event/reading-by-dantiel-w-moniz/
LOCATION:Drapkin Studio at Lewis Arts complex\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/02/Moniz_Dantiel-W.-Author-2021.jpg
ORGANIZER;CN="Steve Runk":MAILTO:LewisCenter@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230206T163000
DTEND;TZID=America/New_York:20230206T180000
DTSTAMP:20260416T201301
CREATED:20230118T165231Z
LAST-MODIFIED:20230127T163130Z
UID:51622-1675701000-1675706400@humanities.princeton.edu
SUMMARY:Transistors. Mediating Migration
DESCRIPTION:In Christian Petzold´s film Transit\, an adaptation of Anna Seghers´s eponymous novel\, the protagonist Georg repairs the transistor radio of the young boy Driss\, a scene which unintentionally practices and reflects the polyvalence of language. The transistor – a portmanteau of transfer and resistor – becomes emblematic for a politics of migration that resists appropriation and assimilation and instead produces zones of transition. In her talk\, Karl focuses on the intersection between narratives of migration and cultural belonging\, as well as the media transfer conditioning such polyvalence. In Olivia Wenzel´s novel 1000 Serpentinen Angst\, for instance\, the narrator puts her focal point inside a vending machine on the platform where her brother committed suicide. Similar to Driss´s transistor\, the apparatus is needed not only to mediate the traumatic loss of her twin sibling\, but also to unfold the multilayered auto-fictional account of a young Afro-German woman born and raised in the former GDR. Looking at Petzold´s film in tandem with Wenzel´s novel\, Karl will show that instances of transistors – moments that both trigger and resist narrativization – may help us explore the critical potential of German (post-) migrant literature and film today.
URL:https://humanities.princeton.edu/event/transistors-mediating-migration/
LOCATION:205 East Pyne
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/01/Karl-lecture-image.jpg
ORGANIZER;CN="Fiona Romaine":MAILTO:fromaine@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230203T163000
DTEND;TZID=America/New_York:20230203T180000
DTSTAMP:20260416T201301
CREATED:20230201T153950Z
LAST-MODIFIED:20230201T153950Z
UID:51950-1675441800-1675447200@humanities.princeton.edu
SUMMARY:“The Quiet Girls of Early Ireland: Women in medieval Irish literature”
DESCRIPTION:“The Quiet Girls of Early Ireland: Women in medieval Irish literature\,” a lecture by Dr. Geraldine Parsons\, Senior Lecturer in Celtic and Gaelic and Head of Subject at the University of Glasgow\, Scotland\, seeks to complicate the gender history of the Finn Cycle\, by recovering women’s roles in its production and in the narratives themselves. Introduced by Chair of the Fund for Irish Studies Fintan O’Toole.
URL:https://humanities.princeton.edu/event/the-quiet-girls-of-early-ireland-women-in-medieval-irish-literature/
LOCATION:James Stewart Film Theater\, 185 Nassau Street\, Princeton\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/02/fis-ban-logo-2021.jpg
ORGANIZER;CN="Steve Runk":MAILTO:LewisCenter@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230203T163000
DTEND;TZID=America/New_York:20230203T180000
DTSTAMP:20260416T201301
CREATED:20230130T142151Z
LAST-MODIFIED:20230202T141143Z
UID:51805-1675441800-1675447200@humanities.princeton.edu
SUMMARY:Musicology Colloquium Series | Petrine Prophecy as Power Discourse in the Thought of John Plousiadenos\, ‘unionist priest’ (ἑνωτικός ἱερεύς)
DESCRIPTION:Among the most intriguing aspects of late Byzantine intellectual and religious history is the phenomenon of Greek theologians who renounced the schism and advocated reunion with the Roman Church. The unionist movement reached its high point in the proceedings that resulted in the Council of Florence and its declaration of union between the Latin and Greek Churches in 1439. This article examines a key theological motif visible in the writings of Greek proponents of the Florentine Union\, and John Plousiadenos (fl. 1460s) in particular: their identification of the Roman See and its bishop with prophetic power capable of overcoming earthly kings and disturbing terrestrial kingdoms. For unionists such as Plousiadenos\, the Roman Church was not merely the “Mother See” and divinely appointed Head of Christendom\, but a formidable Mistress that must be respected and obeyed at the threat of loss of power and liberty. For Plousiadenos\, as well as other unionists who influenced him such as Basil Bessarion and George of Trebizond\, the recent conquest of Constantinople by the Ottoman Turks stood as a warning for the rest of the Greek Christian world about the consequences of rejecting Roman authority. While elaborating this motif\, this article also demonstrates that a narrative about Pope Alexander III allegedly humiliating the Emperor Frederick Barbarossa\, which was previously thought to have been fabricated by Martin Luther or else by German humanists of the late-fifteenth and early-sixteenth centuries\, was actually known in the middle of the fifteenth century by the Greek unionist John Plousiadenos. \nFree\, non-ticketed
URL:https://humanities.princeton.edu/event/musicology-colloquium-series-petrine-prophecy-as-power-discourse-in-the-thought-of-john-plousiadenos-unionist-priest-%e1%bc%91%ce%bd%cf%89%cf%84%ce%b9%ce%ba%cf%8c%cf%82-%e1%bc%b1/
LOCATION:102 Woolworth\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/01/Charles-Yost-scaled-1.jpg
ORGANIZER;CN="Simeon Brown":MAILTO:swbrown@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230203T133000
DTEND;TZID=America/New_York:20230204T180000
DTSTAMP:20260416T201301
CREATED:20230110T181839Z
LAST-MODIFIED:20230130T015901Z
UID:51418-1675431000-1675533600@humanities.princeton.edu
SUMMARY:Abundance and Loss: Narratives of Diversity Across the Natural and Human Sciences
DESCRIPTION:The History of Science Program is delighted to announce their annual workshop. This year’s topic focuses on “Abundance and Loss: Narratives of Diversity Across the Natural and Human Sciences.” Biodiversity as a topic has been explored by scholars across the environmental humanities and environmental history\, including many of the participants in this workshop. As a scientific idea\, biodiversity has long origins in theories of natural abundance and hope\, tinged with fears over death and loss. Even more broadly\, analogies between human populations and plant or animal species have long driven shifts in social\, economic\, and political theory. Our goal with this workshop is to think together about the intellectual and cultural work done by ideas of abundance and loss in nature\, from the early modern world to the twenty-first century\, and especially the nodes crossing the natural sciences and humanities that have driven changes in these ideas. In recent decades\, biodiversity and diversity have become proxies for many things. There is a rich critique of diversity work in the academy\, including its recent form as Diversity\, Equity\, Inclusion (DEI). Diversity has become a powerful buzzword across disciplines and a compelling site for organizing funding and garnering institutional attention. Have these concepts become bland avatars\, emptied of power and meaning? If so\, how and why did this happen? If not\, how did these narratives become so widespread? Untangling the power and politics at the heart of these histories would be useful so as to rearticulate their meanings and give us greater traction over the present. We have in mind three sessions – Power and Politics; Meaning and Value; and Abundance and Loss – although we imagine that these themes will run through many of the papers. \nCo-organized by Erika Milam and Banu Subramaniam \nFull schedule and more information.
URL:https://humanities.princeton.edu/event/abundance-and-loss-narratives-of-diversity-across-the-natural-and-human-sciences/
LOCATION:211 Dickinson Hall
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/01/abundance-and-loss.jpg
ORGANIZER;CN="Erika Milam":MAILTO:emilam@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230202T163000
DTEND;TZID=UTC:20230202T180000
DTSTAMP:20260416T201301
CREATED:20221013T000610Z
LAST-MODIFIED:20230127T163040Z
UID:50221-1675355400-1675360800@humanities.princeton.edu
SUMMARY:Medieval Black Sea Seminar Series
DESCRIPTION:Thursday\, February 2\, 2023\n4:30 PM | 211 Dickinson Hall & Zoom \n\nRodrigo Pacheco-Ruiz\, University of Southampton | “Documenting Archaeological Sites Using Deep Sea Robotics – The Black Sea MAP Project”\nJohan Rönnby\, Södertörn University | “Sea Change. A Maritime Archaeological Perspective to Black Sea Long-term Human and Environmental History”\n\nZoom Registration – For those who wish to attend this seminar virtually. \nRegistration is not required for in-person attendance of this seminar. We kindly ask that you please follow the current University Covid-19 guidelines. \nThe recording of any meeting\, activity or event relating to the Medieval Black Sea Project (and/or distribution of that recording) is not authorised without advance notice to\, consultation with and express permission from the organisers and administrators of the project. Unauthorised recording is a violation of the policy of Princeton University and may result in disciplinary action. For further information on university policies\, please consult with the Office of the General Counsel. \nSponsored by: Center for Collaborative History | Department of Art & Archaeology | Department of Religion | Humanities Council | Princeton Institute for International and Regional Studies | Program in Medieval Studies | Program in Russian\, East European and Eurasian Studies | The Seeger Center for Hellenic Studies | University Center for Human Values
URL:https://humanities.princeton.edu/event/medieval-black-sea-seminar-series-3/
LOCATION:211 Dickinson Hall or Zoom
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/09/Medieval-Black-Sea-Project.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230201T160000
DTEND;TZID=America/New_York:20230201T170000
DTSTAMP:20260416T201301
CREATED:20230109T144329Z
LAST-MODIFIED:20230126T155156Z
UID:51493-1675267200-1675270800@humanities.princeton.edu
SUMMARY:Friends of Princeton University Library Small Talk with Gene Andrew Jarrett
DESCRIPTION:“From the Library of Congress to Loafing-Holt: Reliving Paul Laurence Dunbar’s Libraries” \nThe Friends of Princeton University Library present Gene Andrew Jarrett\, the Dean of the Faculty and William S. Tod Professor of English at Princeton University. Jarrett will share the story of how remarkable libraries bookended the professional career of the legendary African American writer Paul Laurence Dunbar at the turn of the 20th century. \nLibraries inspired Dunbar both as a young man and as a poet. In his mid-twenties\, he overcame illnesses to work at the Library of Congress\, where he built his brilliant sense of literary time and place\, and where he learned that distinctive forms of art\, such as music and poetry\, could converge\, stimulate the imagination\, and move audiences. A decade later\, in 1905\, he published a book titled Lyrics of Sunshine and Shadow\, which included a poem about the “sylvan\, cool retreat” called “Loafing-Holt\,” or the second-floor study inside his home in Dayton\, Ohio\, where he prematurely passed away the following year. \nDean Jarrett will be introduced by Tera Hunter\, Edwards Professor of American History; Professor of History and African American Studies; Acting Chair\, Council of the Humanities; Acting Director\, Program in Humanistic Studies \nIn-person attendance to the talk is reserved for Friends of PUL\, but the virtual component (Zoom) is open to all. Registration is required: https://libcal.princeton.edu/event/10146022
URL:https://humanities.princeton.edu/event/friends-of-princeton-university-library-small-talk-with-gene-andrew-jarrett/
LOCATION:Princeton Senior Resource Center\, 101 Poor Farm Road\, Princeton\, NJ\, 08544
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/01/genejarrett.dunbarinterview.1450x.070622.jpg
ORGANIZER;CN="Stephanie Oster":MAILTO:soster@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230201T120000
DTEND;TZID=America/New_York:20230201T132000
DTSTAMP:20260416T201301
CREATED:20221222T155057Z
LAST-MODIFIED:20230127T171817Z
UID:51388-1675252800-1675257600@humanities.princeton.edu
SUMMARY:The Opposite of Cancel Culture: Shifting Opera and Ballet for a Multiracial Future
DESCRIPTION:As performing art forms of Europe like opera and ballet shift to serving diverse communities\, how do they continue to uphold tradition and artistic legacy without resorting to canceling works with outdated racial depictions that don’t ring true with audiences today? Join author\, choreographer\, and advocate Phil Chan for a practical discussion on what a shift from a Eurocentric to a multiracial artforms needs to look like to survive in the 21st century. \nRegister here. \nCo-sponsored by the Effron Center for the Study of America\, Lewis Center for the Arts\, and the Department of Music
URL:https://humanities.princeton.edu/event/the-opposite-of-cancel-culture-shifting-opera-and-ballet-for-a-multiracial-future/
LOCATION:300 Wallace Hall
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/12/Carrotta_NYUCBA_VenetianRoom-144.jpg
ORGANIZER;CN="Barbara Leavey":MAILTO:blleavey@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230131T163000
DTEND;TZID=UTC:20230131T180000
DTSTAMP:20260416T201301
CREATED:20230120T191431Z
LAST-MODIFIED:20230127T171743Z
UID:51708-1675182600-1675188000@humanities.princeton.edu
SUMMARY:The Falling Sky and The Yanomami Struggle
DESCRIPTION:The world-renowned shaman and Indigenous leader Davi Kopenawa will visit Princeton on Tuesday\, January 31. He will speak at Chancellor Green’s Rotunda at 4:30 pm. Kopenawa is the author of the classic The Falling Sky and is at the forefront of struggles to guarantee Indigenous rights and to safeguard the Amazon rainforest. \nKopenawa will be accompanied by the acclaimed photographer Cláudia Andujar\, the anthropologists Bruce Albert and Ana Maria Machado\, and the Indigenous artists and activists Ehuana Yaira\, Morzaniel Ɨramari\, Joseca Mokahesi\, and Dario Yanomami. \nOn February 3\, the group will participate in the North American debut of The Yanomami Struggle\, an exhibition at The Shed in New York dedicated to the collaboration and friendship between Andujar and the Yanomami people. The exhibition includes more than 80 drawings and paintings by Yanomami artists. Visitors will also discover new video works by contemporary Yanomami filmmakers. These works will appear alongside more than 200 photographs by Claudia Andujar that trace the artist’s encounters with the Yanomami and continue to raise visibility for their struggle to protect their land\, people\, and culture. \nThe Yanomami Struggle is organized by the Fondation Cartier pour l’art contemporain and Instituto Moreira Salles in partnership with the Brazilian NGOs Hutukara Associação Yanomami and Instituto Socioambiental. \nThroughout the Spring\, the Brazil LAB and the Department of Anthropology will help to organize guided tours to The Yanomami Struggle exhibition at The Shed in New York. \nThe event at Princeton\, The Falling Sky and The Yanomami Struggle\, is being organized by the Brazil LAB and the Department of Anthropology in conjunction with multiple partners on campus. \nCo-sponsors: PIIRS\, Department of Art and Archaeology\, Princeton University Art Museum\, Lewis Center for the Arts\, Pace Center for Civic Engagement\, High Meadows Environmental Institute\, University Center for Human Values\, Humanities Council\, Program in Latin American Studies\, Department of Spanish and Portuguese. \nNot on campus? Watch the livestream here.
URL:https://humanities.princeton.edu/event/the-falling-sky-and-the-yanomami-struggle/
LOCATION:Chancellor Green Rotunda\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/01/The-Falling-Sky.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230118T160000
DTEND;TZID=America/New_York:20230118T170000
DTSTAMP:20260416T201301
CREATED:20230109T144136Z
LAST-MODIFIED:20230117T184203Z
UID:51490-1674057600-1674061200@humanities.princeton.edu
SUMMARY:Friends of Princeton University Library Small Talk with Nina Khrushcheva *98
DESCRIPTION:Russia\, Ukraine\, and the Perils of History \nJoin the Friends of PUL for their monthly Small Talk\, which will feature Nina Khrushcheva *98\, Professor of International Affairs\, The New School. \nWhen Russian President Vladimir Putin ordered a “special military operation” in Ukraine last February what were his reasoning and his endgame? Did he want to punish Ukraine for turning towards the West by destabilizing its government\, destroying its military infrastructure as well as parts of the country in its totality? Did he want to challenge the West for its perceived “unjust” world domination waging his own “just” war on this\, what he often calls\, “brotherly nation”? In a year since the conflict began there are still debates as to what the Kremlin’s exact motivations had been\, and how far the Russian president may go to achieve his goals. Putin’s actual reasons for invading Ukraine are much less political or pragmatic than one should expect in 21st century geopolitics\, but there are relevant instances of history\, both czarist and Soviet\, that have been driving Putin’s current actions. In this context\, the events of October 1962 during the Cuban Missile Crisis\, which recently marked its sixtieth anniversary\, provides for a useful comparison to the Ukraine crisis today. \nIn-person attendance is reserved for members of the Friends of PUL\, but the virtual component is open to all. Registration is required: https://libcal.princeton.edu/event/9860826
URL:https://humanities.princeton.edu/event/friends-of-princeton-university-library-small-talk-with-nina-khrushcheva-98/
LOCATION:Princeton Senior Resource Center\, 101 Poor Farm Road\, Princeton\, NJ\, 08544
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/01/NinaKhrushcheva28947.jpg
ORGANIZER;CN="Stephanie Oster":MAILTO:soster@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230116T090000
DTEND;TZID=UTC:20230116T110000
DTSTAMP:20260416T201301
CREATED:20230103T143821Z
LAST-MODIFIED:20230103T163803Z
UID:51412-1673859600-1673866800@humanities.princeton.edu
SUMMARY:Celebrating the Life and Legacy of Dr. Martin Luther King Jr.
DESCRIPTION:Join the Arts Council of Princeton to celebrate the life and legacy of Dr. Martin Luther King Jr. \nWe will begin the morning with remarks from our 2023 featured speaker\, Tina Campt – noted Black feminist theorist of visual culture and contemporary art and Roger S. Berlind ’52 Professor in the Humanities at Princeton University – during a community bagel and coffee breakfast. \nFamilies are invited to pick up a copy of an updated limited-edition coloring book featuring prominent Black residents of Princeton from history\, including accomplished business owners\, politicians\, educators and influential women\, in addition to Martin Luther King Jr.’s visits to campus in the 1960s\, designed in partnership with the Historical Society of Princeton\, neighborhood historian Shirley Satterfield\, and Princeton University Wintersession. \nHelp us help those in need: bring canned or boxed non-perishables for our food drive. All donations will benefit Princeton Nursery School\, a non-profit organization providing a quality preschool education program and child care for families in need\, providing a diverse environment and a broad array of support services. \nCo-sponsored by the Department of African American Studies\, the Humanities Council\, and the Office of Campus Engagement. \nAbout the speaker: \nTina Campt is Roger S. Berlind ’52 Professor of Humanities\, holding a joint appointment between the Department of Art and Archaeology and the Lewis Center for the Arts at Princeton University. Campt is a Black feminist theorist of visual culture and contemporary art and lead convener of the Practicing Refusal Collective and the Sojourner Project. She began her career as a historian of modern Germany\, earning a Ph.D. in history from Cornell University. She is one of the founding scholars of Black European Studies\, and her early work theorized gender\, racial\, and diasporic formation in Black communities in Europe and southern Africa\, with an emphasis on the role of vernacular photography in historical interpretation. Campt’s more recent scholarship bridges the divide between vernacular image-making in Black diasporic communities and the interventions of Black contemporary artists in reshaping how we see ourselves and our societies. Her teaching reflects her ongoing interest in exploring the multiple sensory registers of images and the importance of attending to their sonic and haptic registers. \nCampt has published five books and received the 2020 Photography Catalogue of the Year Award from Paris Photo and Aperture Foundation for her co-edited collection\, Imagining Everyday Life: Engagements with Vernacular Photography (with Marianne Hirsch\, Gil Hochberg and Brian Wallis\, Steidl). Campt has held faculty positions at Brown University\, Barnard College-Columbia University\, Duke University\, University of California-Santa Cruz\, and the Technical University of Berlin.
URL:https://humanities.princeton.edu/event/celebrating-the-life-and-legacy-of-dr-martin-luther-king-jr/
LOCATION:Arts Council of Princeton
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/01/MLK-2023.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230111T160000
DTEND;TZID=UTC:20230111T170000
DTSTAMP:20260416T201301
CREATED:20230104T173305Z
LAST-MODIFIED:20230104T173305Z
UID:51422-1673452800-1673456400@humanities.princeton.edu
SUMMARY:Discovery of the Secret Gospels\, Nag Hammadi Egypt\, 1945
DESCRIPTION:Join Elaine Pagels live on Zoom as she discusses the 1945 discovery of the secret gospels near the town of Nag Hammadi\, Egypt. \nA historian of religion\, Professor Pagels is the Harrington Spear Paine Professor at Princeton University and an Aspen Institute Trustee. Pagels joined the Princeton faculty in 1982\, shortly after receiving a MacArthur Fellowship. Perhaps best known as the author of The Gnostic Gospels\, The Origin of Satan\, and Adam\, Eve and the Serpent\, Pagels has published widely on Gnosticism and early Christianity\, and continues to pursue research interests in late antiquity. Her most recent book Why Religion? A Personal Story explores the spiritual dimensions of the human experience. Pagels is an alumna of Stanford University and holds a PhD in Religion from Harvard University. She has been a beloved member of the Princeton University faculty since 1982\, and\, in 2016\, was awarded the National Medal for the Arts from President Barack Obama. \nRegister here.
URL:https://humanities.princeton.edu/event/discovery-of-the-secret-gospels-nag-hammadi-egypt-1945/
LOCATION:Zoom\, Princeton\, NJ\, 08544\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221221T193000
DTEND;TZID=UTC:20221221T210000
DTSTAMP:20260416T201301
CREATED:20221219T161546Z
LAST-MODIFIED:20221219T161618Z
UID:51375-1671651000-1671656400@humanities.princeton.edu
SUMMARY:MPP 219 Performance: OLAGÓN
DESCRIPTION:A workshop presentation featuring singers Iarla Ó Lionáird and Gelsey Bell with an ensemble of Princeton musicians\, in selections from Olagón\, a new opera work composed by Dan Trueman\, with text by Paul Muldoon. Music direction by Gabriel Crouch\, and the production directed by Mark DeChiazza. \nThis performance serves to conclude the MPP219 Opera Performance course\, co-taught by Gabriel Crouch (Music) and Mark DeChiazza\, the Edward T. Cone Visiting Fellow in the Humanities Council and Department of Music. \nFree and unticketed. \n  \n 
URL:https://humanities.princeton.edu/event/mpp-219-performance-olagon/
LOCATION:Lee Rehearsal Room\, Lewis Arts Complex
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/12/effron-and-LAC-1280x600-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221215T190000
DTEND;TZID=UTC:20221215T203000
DTSTAMP:20260416T201301
CREATED:20221130T163014Z
LAST-MODIFIED:20221130T163014Z
UID:51249-1671130800-1671136200@humanities.princeton.edu
SUMMARY:Debussy\, Ravel\, and The Jazz Age
DESCRIPTION:A concert which presents the music of Debussy and Ravel alongside jazz music by Jelly Roll Morton\, W.C. Handy\, Duke Ellington\, Louis Armstrong\, Fats Waller and Bill Evans. Performed by Sunghae Anna Lim and Rob Thomas\, violin; Melissa Slocum\, bass; Carlton Holmes and Francine Kay\, piano. Program includes the Debussy and Ravel Sonatas for violin and piano. \nThis event is supported by a 2020-21 Rapid Response Grant from the Humanities Council and presented by the Department of French & Italian and the Music Department.
URL:https://humanities.princeton.edu/event/debussy-ravel-and-the-jazz-age/
LOCATION:Taplin Auditorium
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/11/jazz_age_calendar-1280x600-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221215T173000
DTEND;TZID=UTC:20221215T190000
DTSTAMP:20260416T201301
CREATED:20221209T015532Z
LAST-MODIFIED:20221209T015532Z
UID:51321-1671125400-1671130800@humanities.princeton.edu
SUMMARY:Artist Conversation: Samuel Fosso
DESCRIPTION:The Nigerian-Cameroonian artist Samuel Fosso is arguably one of the most compelling photographers working in the genre of self-portraiture today. Samuel Fosso: Affirmative Acts is the first museum survey of his work in the United States. Samuel Fosso and Princeton Professor Chika Okeke-Agulu\, curator\, artist\, and director of the Program in African Studies\, discuss Fosso’s photography practice\, life experience\, and the different series presented in the exhibition. Reception to follow. \nAttend this event at Art on Hulfish or stream it live on Zoom. Register for the Zoom event here. \nThis event will include live closed captions in both English and Spanish. English captions are available directly in the Zoom toolbar by clicking the “CC” icon. To access Spanish-language captioning\, open Streamtext\, where you can select “Spanish” to see the live captioning. \nPara acceder a los subtítulos en varios idiomas\, ingrese al seminario web de Zoom durante un evento en vivo\, luego abra un navegador web separado para visitar esta página donde puede seleccionar “español” o el idioma de su elección. \nLATE THURSDAYS! Thursday evening programming is made possible in part by Heather and Paul G. Haaga Jr.\, Class of 1970. Additional support has been provided by the New Jersey State Council on the Arts\, a partner agency of the National Endowment for the Arts\, and the Curtis W. McGraw Foundation. \nSamuel Fosso: Affirmative Acts is curated by Princeton University Professor Chika Okeke-Agulu with Princeton students Silma Berrada\, Class of 2022; Lawrence Chamunorwa\, doctoral student; Maia Julis\, Class of 2023; and Iheanyi Onwuegbucha\, doctoral student. Organized by the Princeton University Art Museum in collaboration with The Walther Collection. \nArt on Hulfish is made possible by the leadership support of Annette Merle-Smith and by Princeton University. Generous support is also provided by William S. Fisher\, Class of 1979\, and Sakurako Fisher; J. Bryan King\, Class of 1993; the New Jersey State Council on the Arts\, a partner agency of the National Endowment for the Arts; John Diekman\, Class of 1965\, and Susan Diekman; Christopher E. Olofson\, Class of 1992; Barbara and Gerald Essig; Rachelle Belfer Malkin\, Class of 1986\, and Anthony E. Malkin; the Curtis W. McGraw Foundation; Jim and Valerie McKinney; Tom Tuttle\, Class of 1988\, and Mila Tuttle; Nancy A. Nasher\, Class of 1976\, and David J. Haemisegger\, Class of 1976; Gene Locks\, Class of 1959\, and Sueyun Locks; H. Vincent Poor\, Graduate School Class of 1977; the Walther Family Foundation; and Palmer Square Management. Additional supporters include the Humanities Council\, the Lewis Center for the Arts\, the Africa World Initiative\, the Program in African Studies\, the Department of African American Studies\, and the Center for Collaborative History.
URL:https://humanities.princeton.edu/event/artist-conversation-samuel-fosso/
LOCATION:Art on Hulfish\, 11 Hulfish St\, Princeton\, 08542
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/12/tati_2_fossoguide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221214T100000
DTEND;TZID=America/New_York:20221214T110000
DTSTAMP:20260416T201301
CREATED:20221201T014512Z
LAST-MODIFIED:20221201T014512Z
UID:51254-1671012000-1671015600@humanities.princeton.edu
SUMMARY:Seeing Providence Chinatown
DESCRIPTION:Jeffrey Yoo Warren – an artist\, community scientist\, illustrator\, and researcher – presents his project\, Seeing Providence Chinatown\, a virtual reconstruction of the since-disappeared Chinatown in Providence. To recreate this space\, Yoo Warren examined archival photographs\, built 3D architectural models of the streetscape\, and designed a virtual environment. In doing so\, Yoo Warren reclaims a forgotten episode in Asian American history\, and establishes a new site for lived practices and ancestral knowledge. \nYoo Warren was recently named the Library of Congress 2023 Innovator in Residence. \nMuseumverse\, funded by a Humanities Council Flash Grant\, is dedicated to exploring and utilizing emerging virtual and digital technologies in humanities research\, education\, and curatorial strategies. \nRegister here.
URL:https://humanities.princeton.edu/event/seeing-providence-chinatown/
LOCATION:Zoom\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/11/Jeff-Yoo-Warren-promo-image.png
ORGANIZER;CN="Michael W. Zhang":MAILTO:mwzhang@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221213T163000
DTEND;TZID=America/New_York:20221213T180000
DTSTAMP:20260416T201301
CREATED:20221119T034617Z
LAST-MODIFIED:20221119T034617Z
UID:51087-1670949000-1670954400@humanities.princeton.edu
SUMMARY:Compiling Magic: the Scribe at Work
DESCRIPTION:For the past seven years I have been reediting\, translating\, and studying the magical handbooks from Roman Egypt preserved on papyrus. A magical formulary is a collection of instructions for the performance of different spells and rituals\, generally designed for private use. These “recipe” books systematize traditions of knowledge developed to deal with a wide range of everyday human concerns. Such instructions for ritual procedures (praxeis) are not usually considered alongside other genres considered more “scientific\,” such as medical\, astronomical\, and mathematical­ compilations.  In fact\, “ambitious magical formularies” are similar to these genres in their effort to compile and organize technical knowledge and have the invaluable advantage of surviving in the form of a considerable corpus of papyri\, allowing us to observe scribal practices of compilation and transmission. In this paper I will present a methodology to uncover and understand these ancient practices of compilation – storage\, standardization\, manipulation and presentation– derived from scribal observation in the magical formularies. \nClick here for the Zoom registration link 
URL:https://humanities.princeton.edu/event/compiling-magic-the-scribe-at-work/
LOCATION:East Pyne 010 and Zoom\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/SofiaTorallas-Tovar-Image-P.Oslo_.inv1c0101.jpg
ORGANIZER;CN="Eileen Robinson":MAILTO:eileenrobinson@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221213T130000
DTEND;TZID=America/New_York:20221213T170000
DTSTAMP:20260416T201301
CREATED:20220819T130335Z
LAST-MODIFIED:20221212T192016Z
UID:48830-1670936400-1670950800@humanities.princeton.edu
SUMMARY:17th Annual Innovation Forum
DESCRIPTION:Join this annual Keller Center event to hear amazing innovations and network with the University community as participants present their research in a pitch to the audience and a panel of judges. REGISTER HERE. \nThe event consists of two distinct tracks: \n\nScience and engineering innovations\nSocial sciences and humanities innovations\n\nA demo session cocktail hour will follow the presentation pitches\, concluding with the announcement of the 2022 winners. Co-sponsored by the Office of Technology Licensing and the Humanities Council at Princeton. \n\n\n1:15 pm – Introductory remarks \n\nAndrea Goldsmith\, Dean of the School of Engineering and Applied Science; Arthur LeGrand Doty Professor of Electrical and Computer Engineering\nCornelia Huellstrunk\, Executive Director of the Keller Center\n\n1:30 pm – STEM pitches \n\nPureLi: Extracting Lithium from low-grade aqueous sources including seawater.\nFLO-SSEMBLY: Innovating electronic display screens by using microfluidics and lasers to transport\, arrange\, and precisely place multiple small-scale semiconductor elements.\nFoogly: Uses technology for the valorization of food waste and radical localization of food supply chains.\nInverse Optimization: Artificial intelligence assistant for better system design.\nMagnetic Reconnection Plasma Thruster: A uniquely fuel efficient and power scalable rocket engine.\n\n2:20 pm – “Overview of Keller Center’s New Design for Innovation Program” presentation \n\nManish Bhardwaj\, Director of Design for Innovation for the Humanities and Social Sciences; Lecturer in the Keller Center; CEO and co-founder of Innovators In Health; James Wei Visiting Professor in Entrepreneurship 2021-2022\nNena Golubovic\, Director of Design for Innovation for STEM\n\n2:40 pm – Break \n3 pm – Welcome back remarks \n\nTera W. Hunter\, Acting Chair\, Humanities Council; Edwards Professor of American History; Professor of History and African American Studies\n\n3:10 pm – Humanities and social sciences pitches \n\nKarma Health: A comprehensive integrated healthcare program.\nMoVA: A virtual interactive museum experience.\nProject Leadership: A web-based app for developing teamwork and leadership skills in the classroom.\nWaldemar Cordeiro Exhibition: A digital exhibition of Brazilian artist Waldemar Cordeiro.\nMuseumverse: Exploring new ways of storytelling\, public engagement\, and research using emerging technologies.\n\n4 pm – Fireside chat \n\nCraig Arnold\, Vice Dean for Innovation; Susan Dod Brown Professor of Mechanical and Aerospace Engineering\nNaveen Verma\, Director of the Keller Center; Professor of Electrical and Computer Engineering; Associated Faculty in the Andlinger Center for Energy and the Environment; Associated Faculty in the Princeton Institute of Materials (PRISM)\n\n4:30 pm – Demo stations and networking reception \n5:30 pm – Award ceremony and closing remarks \n\nCornelia Huellstrunk\, Executive Director of the Keller Center\n\n6 pm – Event concludes
URL:https://humanities.princeton.edu/event/17th-annual-innovation-forum/
LOCATION:Frick Chemistry Lab Atrium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/08/IF-17-Stage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221212
DTEND;VALUE=DATE:20221217
DTSTAMP:20260416T201301
CREATED:20221207T202303Z
LAST-MODIFIED:20221207T220913Z
UID:51296-1670814000-1671188400@humanities.princeton.edu
SUMMARY:Synaxis and Workshops | A Hidden World Revealed: The Palimpsests of Saint Catherine’s Monastery on Mount Sinai
DESCRIPTION:Founded by the Roman emperor Justinian in the sixth century\, the Monastery of Saint Catherine in the Sinai is one of the most famous monasteries in the world and a place whose celebrated manuscript collection is of profound importance for a number of academic fields. A series of workshops at Princeton will highlight the recent\, spectacular findings of the Sinai Palimpsests Project\, illustrating the methods of multi-spectral imaging and image-processing\, along with cataloging and paleographic work with Arabic\, Greek\, Latin\, and Syriac manuscripts. Leading experts in their fields will give presentations followed by hands-on sessions with participants. \nMore information and full schedule can be found here. \n\nSponsored by The Committee for the Study of Late Antiquity and the Seeger Center for Hellenic Studies\nCo-sponsored by Comparative Antiquity: A Humanities Council Global Initiative\, Program in Medieval Studies\, MARBAS (Manuscript\, Rare Book and Archive Studies at Princeton)\, Special Collections\, Princeton University Library
URL:https://humanities.princeton.edu/event/synaxis-and-workshops-a-hidden-world-revealed-the-palimpsests-of-saint-catherines-monastery-on-mount-sinai/
LOCATION:219 Aaron Burr Hall
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/12/Image.png
ORGANIZER;CN="Eleni Banis":MAILTO:hbanis@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221209T133000
DTEND;TZID=America/New_York:20221210T173000
DTSTAMP:20260416T201301
CREATED:20221119T034205Z
LAST-MODIFIED:20221119T034205Z
UID:51080-1670592600-1670693400@humanities.princeton.edu
SUMMARY:Conference | Art & the Americanization of France
DESCRIPTION:The question of the Americanization of France is an old one\, most often addressed through studies of diplomacy\, economics\, and politics. This conference will address the issue from a fresh angle\, looking at it through the prism of the arts with a particular focus on popular music. The period we will cover runs from the second industrial revolution through the digital era of the twenty-first century. Registration is required to attend this conference. Register here \nFull conference schedule available here. \n\nCo-Sponsored by:\n\nCenter for Collaborative History | Department of African American Studies | Department of Music | Humanities Council | University Center for Human Values | Maison des Sciences de l’Homme | Université Paris-Saclay
URL:https://humanities.princeton.edu/event/conference-art-the-americanization-of-france/
LOCATION:211 Dickinson Hall
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/Poster_AAF-e1668829272884.jpg
ORGANIZER;CN="Jennifer Loessy":MAILTO:jloessy@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221209T120000
DTEND;TZID=America/New_York:20221209T140000
DTSTAMP:20260416T201301
CREATED:20221129T152845Z
LAST-MODIFIED:20221129T152845Z
UID:51202-1670587200-1670594400@humanities.princeton.edu
SUMMARY:Crime\, Safety and Justice in the 2022 Elections
DESCRIPTION:Join the Department of African American Studies for a conversation with Rena Karefa-Johnson\, moderated by Zoë Towns\, Old Dominion Visiting Fellow in the Humanities Council and Department of African American Studies\, as they debrief and reflect on the 2022 midterm elections.
URL:https://humanities.princeton.edu/event/crime-safety-and-justice-in-the-2022-elections/
LOCATION:Barfield-Johnson Seminar Room 201\, Morrison Hall
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/11/Zoe_towns_Converstion_v2.png
ORGANIZER;CN="Anthony Gibbons":MAILTO:akg2@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221209T120000
DTEND;TZID=UTC:20221209T133000
DTSTAMP:20260416T201301
CREATED:20221202T031434Z
LAST-MODIFIED:20221202T031624Z
UID:51277-1670587200-1670592600@humanities.princeton.edu
SUMMARY:Faculty Research Forum: Introduction to Project-Based Humanities Grantseeking
DESCRIPTION:The Office of the Dean for Research and the Humanities Council invite humanities scholars (faculty\, postdocs\, staff\, graduate students\, and humanities-focused researchers) to an information session to learn about strategies for project-based grantseeking. Unlike individual research projects that are the norm in the humanities\, project-based grantseeking is typically collaborative\, interdisciplinary\, and complex. We want to de-mystify the process of developing and launching project-based research\, and applying for internal or external funding that may be needed to support that research. Scholars at all levels of experience are invited to attend. The event will be held in person.
URL:https://humanities.princeton.edu/event/faculty-research-forum-introduction-to-project-based-humanities-grantseeking/
LOCATION:298 Julis Romo Rabinowitz Building
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/12/Grants-GrantStation-Email-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221209T090000
DTEND;TZID=America/New_York:20221209T170000
DTSTAMP:20260416T201301
CREATED:20221118T152429Z
LAST-MODIFIED:20221121T182820Z
UID:50972-1670576400-1670605200@humanities.princeton.edu
SUMMARY:Machine Learning and the Future of Philology
DESCRIPTION:What will philology become in the wake of the digital revolution? How can computer vision\, handwritten text recognition\, natural language processing\, deep neural networks and/or other forms of machine learning refine the arsenal of techniques for studying pre-modern evidence? \nThis works-in-progress symposium will feature six teams of Princeton scholars who are applying machine learning to manuscripts\, rare books\, archives\, inscriptions\, coins and other pre-1600 texts. Presentations will include projects on materials in Syriac\, Hebrew\, Latin\, Greek\, Chinese and English. David Smith (Computer Science\, Northeastern) will offer remarks. \nThe symposium will take place at the CDH on Friday\, December 9\, 2022\, 9 am to 5 pm at the Center for Digital Humanities (B Floor\, Firestone Library) and on Zoom. \nThis event is co-organized by the Center for Digital Humanities and the Manuscript\, Rare Book and Archive Studies Initiative\, with support from the Center for Statistics and Machine Learning. This symposium is intended as the first of a pair; the second will take place in 2023–24 and solicit proposals from beyond the Princeton community. \nA provisional schedule is available on the CDH website. \nThis event is limited to Princeton affiliates. Please register here.
URL:https://humanities.princeton.edu/event/machine-learning-and-the-future-of-philology/
LOCATION:Firestone Library\, Floor B and Zoom\, Princeton\, NJ\, 08544\, United States
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ORGANIZER;CN="Camey VanSant":MAILTO:cvansant@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221208T170000
DTEND;TZID=America/New_York:20221208T181500
DTSTAMP:20260416T201301
CREATED:20221130T211024Z
LAST-MODIFIED:20221130T211849Z
UID:51258-1670518800-1670523300@humanities.princeton.edu
SUMMARY:Justice for Animals
DESCRIPTION:Martha C. Nussbaum is the Ernst Freund Distinguished Service Professor of Law and Ethics\, appointed in the Philosophy Department and the Law School of the University of Chicago. She gave the 2016 Jefferson Lecture for the National Endowment for the Humanities and won the 2016 Kyoto Prize in Arts and Philosophy. The 2018 Berggruen Prize in Philosophy and Culture\, and the 2020 Holberg Prize. These three prizes are regarded as the most prestigious awards available in fields not eligible for a Nobel. She has written more than twenty-two books\, including Upheavals of Thought: The Intelligence of Emotions; Anger and Forgiveness: Resentment\, Generosity\, Justice; Not for Profit: Why Democracy Needs the Humanities; and The Monarchy of Fear. \nKnown as one of the world’s most influential philosophers and humanists\, Martha Nussbaum in her latest book Justice for Animals\, provides a revolutionary approach to animal rights\, ethics\, and law. \nFrom dolphins to crows\, elephants to octopuses\, Nussbaum examines the entire animal kingdom\, showcasing the lives of animals with wonder\, awe\, and compassion to understand how we can create a world in which human beings are truly friends of animals\, not exploiters or users. All animals should have a shot at flourishing in their own way. Humans have a collective duty to face and solve animal harm. An urgent call to action and a manual for change\, Nussbaum’s groundbreaking theory directs politics and law to help us meet our ethical responsibilities as no book has done before. \nPlease Note: Copies of Martha’s new book\, Justice for Animals: Our Collective Responsibility will be handed out to the first 200 attendees. \nLocation\nMcCosh Hall 50\nTo attend this event virtually\, CLICK HERE \nAudience\nFree and open to the public
URL:https://humanities.princeton.edu/event/martha-nussbaum-justice-for-animals/
LOCATION:50 McCosh Hall\, 50 McCosh Hall\, Princeton\, NJ\, 08544\, United States
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