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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230118T160000
DTEND;TZID=America/New_York:20230118T170000
DTSTAMP:20260530T082736
CREATED:20230109T144136Z
LAST-MODIFIED:20230117T184203Z
UID:51490-1674057600-1674061200@humanities.princeton.edu
SUMMARY:Friends of Princeton University Library Small Talk with Nina Khrushcheva *98
DESCRIPTION:Russia\, Ukraine\, and the Perils of History \nJoin the Friends of PUL for their monthly Small Talk\, which will feature Nina Khrushcheva *98\, Professor of International Affairs\, The New School. \nWhen Russian President Vladimir Putin ordered a “special military operation” in Ukraine last February what were his reasoning and his endgame? Did he want to punish Ukraine for turning towards the West by destabilizing its government\, destroying its military infrastructure as well as parts of the country in its totality? Did he want to challenge the West for its perceived “unjust” world domination waging his own “just” war on this\, what he often calls\, “brotherly nation”? In a year since the conflict began there are still debates as to what the Kremlin’s exact motivations had been\, and how far the Russian president may go to achieve his goals. Putin’s actual reasons for invading Ukraine are much less political or pragmatic than one should expect in 21st century geopolitics\, but there are relevant instances of history\, both czarist and Soviet\, that have been driving Putin’s current actions. In this context\, the events of October 1962 during the Cuban Missile Crisis\, which recently marked its sixtieth anniversary\, provides for a useful comparison to the Ukraine crisis today. \nIn-person attendance is reserved for members of the Friends of PUL\, but the virtual component is open to all. Registration is required: https://libcal.princeton.edu/event/9860826
URL:https://humanities.princeton.edu/event/friends-of-princeton-university-library-small-talk-with-nina-khrushcheva-98/
LOCATION:Princeton Senior Resource Center\, 101 Poor Farm Road\, Princeton\, NJ\, 08544
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2023/01/NinaKhrushcheva28947.jpg
ORGANIZER;CN="Stephanie Oster":MAILTO:soster@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230116T090000
DTEND;TZID=UTC:20230116T110000
DTSTAMP:20260530T082736
CREATED:20230103T143821Z
LAST-MODIFIED:20230103T163803Z
UID:51412-1673859600-1673866800@humanities.princeton.edu
SUMMARY:Celebrating the Life and Legacy of Dr. Martin Luther King Jr.
DESCRIPTION:Join the Arts Council of Princeton to celebrate the life and legacy of Dr. Martin Luther King Jr. \nWe will begin the morning with remarks from our 2023 featured speaker\, Tina Campt – noted Black feminist theorist of visual culture and contemporary art and Roger S. Berlind ’52 Professor in the Humanities at Princeton University – during a community bagel and coffee breakfast. \nFamilies are invited to pick up a copy of an updated limited-edition coloring book featuring prominent Black residents of Princeton from history\, including accomplished business owners\, politicians\, educators and influential women\, in addition to Martin Luther King Jr.’s visits to campus in the 1960s\, designed in partnership with the Historical Society of Princeton\, neighborhood historian Shirley Satterfield\, and Princeton University Wintersession. \nHelp us help those in need: bring canned or boxed non-perishables for our food drive. All donations will benefit Princeton Nursery School\, a non-profit organization providing a quality preschool education program and child care for families in need\, providing a diverse environment and a broad array of support services. \nCo-sponsored by the Department of African American Studies\, the Humanities Council\, and the Office of Campus Engagement. \nAbout the speaker: \nTina Campt is Roger S. Berlind ’52 Professor of Humanities\, holding a joint appointment between the Department of Art and Archaeology and the Lewis Center for the Arts at Princeton University. Campt is a Black feminist theorist of visual culture and contemporary art and lead convener of the Practicing Refusal Collective and the Sojourner Project. She began her career as a historian of modern Germany\, earning a Ph.D. in history from Cornell University. She is one of the founding scholars of Black European Studies\, and her early work theorized gender\, racial\, and diasporic formation in Black communities in Europe and southern Africa\, with an emphasis on the role of vernacular photography in historical interpretation. Campt’s more recent scholarship bridges the divide between vernacular image-making in Black diasporic communities and the interventions of Black contemporary artists in reshaping how we see ourselves and our societies. Her teaching reflects her ongoing interest in exploring the multiple sensory registers of images and the importance of attending to their sonic and haptic registers. \nCampt has published five books and received the 2020 Photography Catalogue of the Year Award from Paris Photo and Aperture Foundation for her co-edited collection\, Imagining Everyday Life: Engagements with Vernacular Photography (with Marianne Hirsch\, Gil Hochberg and Brian Wallis\, Steidl). Campt has held faculty positions at Brown University\, Barnard College-Columbia University\, Duke University\, University of California-Santa Cruz\, and the Technical University of Berlin.
URL:https://humanities.princeton.edu/event/celebrating-the-life-and-legacy-of-dr-martin-luther-king-jr/
LOCATION:Arts Council of Princeton
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2023/01/MLK-2023.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230111T160000
DTEND;TZID=UTC:20230111T170000
DTSTAMP:20260530T082736
CREATED:20230104T173305Z
LAST-MODIFIED:20230104T173305Z
UID:51422-1673452800-1673456400@humanities.princeton.edu
SUMMARY:Discovery of the Secret Gospels\, Nag Hammadi Egypt\, 1945
DESCRIPTION:Join Elaine Pagels live on Zoom as she discusses the 1945 discovery of the secret gospels near the town of Nag Hammadi\, Egypt. \nA historian of religion\, Professor Pagels is the Harrington Spear Paine Professor at Princeton University and an Aspen Institute Trustee. Pagels joined the Princeton faculty in 1982\, shortly after receiving a MacArthur Fellowship. Perhaps best known as the author of The Gnostic Gospels\, The Origin of Satan\, and Adam\, Eve and the Serpent\, Pagels has published widely on Gnosticism and early Christianity\, and continues to pursue research interests in late antiquity. Her most recent book Why Religion? A Personal Story explores the spiritual dimensions of the human experience. Pagels is an alumna of Stanford University and holds a PhD in Religion from Harvard University. She has been a beloved member of the Princeton University faculty since 1982\, and\, in 2016\, was awarded the National Medal for the Arts from President Barack Obama. \nRegister here.
URL:https://humanities.princeton.edu/event/discovery-of-the-secret-gospels-nag-hammadi-egypt-1945/
LOCATION:Zoom\, Princeton\, NJ\, 08544\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221221T193000
DTEND;TZID=UTC:20221221T210000
DTSTAMP:20260530T082736
CREATED:20221219T161546Z
LAST-MODIFIED:20221219T161618Z
UID:51375-1671651000-1671656400@humanities.princeton.edu
SUMMARY:MPP 219 Performance: OLAGÓN
DESCRIPTION:A workshop presentation featuring singers Iarla Ó Lionáird and Gelsey Bell with an ensemble of Princeton musicians\, in selections from Olagón\, a new opera work composed by Dan Trueman\, with text by Paul Muldoon. Music direction by Gabriel Crouch\, and the production directed by Mark DeChiazza. \nThis performance serves to conclude the MPP219 Opera Performance course\, co-taught by Gabriel Crouch (Music) and Mark DeChiazza\, the Edward T. Cone Visiting Fellow in the Humanities Council and Department of Music. \nFree and unticketed. \n  \n 
URL:https://humanities.princeton.edu/event/mpp-219-performance-olagon/
LOCATION:Lee Rehearsal Room\, Lewis Arts Complex
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/12/effron-and-LAC-1280x600-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221215T190000
DTEND;TZID=UTC:20221215T203000
DTSTAMP:20260530T082736
CREATED:20221130T163014Z
LAST-MODIFIED:20221130T163014Z
UID:51249-1671130800-1671136200@humanities.princeton.edu
SUMMARY:Debussy\, Ravel\, and The Jazz Age
DESCRIPTION:A concert which presents the music of Debussy and Ravel alongside jazz music by Jelly Roll Morton\, W.C. Handy\, Duke Ellington\, Louis Armstrong\, Fats Waller and Bill Evans. Performed by Sunghae Anna Lim and Rob Thomas\, violin; Melissa Slocum\, bass; Carlton Holmes and Francine Kay\, piano. Program includes the Debussy and Ravel Sonatas for violin and piano. \nThis event is supported by a 2020-21 Rapid Response Grant from the Humanities Council and presented by the Department of French & Italian and the Music Department.
URL:https://humanities.princeton.edu/event/debussy-ravel-and-the-jazz-age/
LOCATION:Taplin Auditorium
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/11/jazz_age_calendar-1280x600-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221215T173000
DTEND;TZID=UTC:20221215T190000
DTSTAMP:20260530T082736
CREATED:20221209T015532Z
LAST-MODIFIED:20221209T015532Z
UID:51321-1671125400-1671130800@humanities.princeton.edu
SUMMARY:Artist Conversation: Samuel Fosso
DESCRIPTION:The Nigerian-Cameroonian artist Samuel Fosso is arguably one of the most compelling photographers working in the genre of self-portraiture today. Samuel Fosso: Affirmative Acts is the first museum survey of his work in the United States. Samuel Fosso and Princeton Professor Chika Okeke-Agulu\, curator\, artist\, and director of the Program in African Studies\, discuss Fosso’s photography practice\, life experience\, and the different series presented in the exhibition. Reception to follow. \nAttend this event at Art on Hulfish or stream it live on Zoom. Register for the Zoom event here. \nThis event will include live closed captions in both English and Spanish. English captions are available directly in the Zoom toolbar by clicking the “CC” icon. To access Spanish-language captioning\, open Streamtext\, where you can select “Spanish” to see the live captioning. \nPara acceder a los subtítulos en varios idiomas\, ingrese al seminario web de Zoom durante un evento en vivo\, luego abra un navegador web separado para visitar esta página donde puede seleccionar “español” o el idioma de su elección. \nLATE THURSDAYS! Thursday evening programming is made possible in part by Heather and Paul G. Haaga Jr.\, Class of 1970. Additional support has been provided by the New Jersey State Council on the Arts\, a partner agency of the National Endowment for the Arts\, and the Curtis W. McGraw Foundation. \nSamuel Fosso: Affirmative Acts is curated by Princeton University Professor Chika Okeke-Agulu with Princeton students Silma Berrada\, Class of 2022; Lawrence Chamunorwa\, doctoral student; Maia Julis\, Class of 2023; and Iheanyi Onwuegbucha\, doctoral student. Organized by the Princeton University Art Museum in collaboration with The Walther Collection. \nArt on Hulfish is made possible by the leadership support of Annette Merle-Smith and by Princeton University. Generous support is also provided by William S. Fisher\, Class of 1979\, and Sakurako Fisher; J. Bryan King\, Class of 1993; the New Jersey State Council on the Arts\, a partner agency of the National Endowment for the Arts; John Diekman\, Class of 1965\, and Susan Diekman; Christopher E. Olofson\, Class of 1992; Barbara and Gerald Essig; Rachelle Belfer Malkin\, Class of 1986\, and Anthony E. Malkin; the Curtis W. McGraw Foundation; Jim and Valerie McKinney; Tom Tuttle\, Class of 1988\, and Mila Tuttle; Nancy A. Nasher\, Class of 1976\, and David J. Haemisegger\, Class of 1976; Gene Locks\, Class of 1959\, and Sueyun Locks; H. Vincent Poor\, Graduate School Class of 1977; the Walther Family Foundation; and Palmer Square Management. Additional supporters include the Humanities Council\, the Lewis Center for the Arts\, the Africa World Initiative\, the Program in African Studies\, the Department of African American Studies\, and the Center for Collaborative History.
URL:https://humanities.princeton.edu/event/artist-conversation-samuel-fosso/
LOCATION:Art on Hulfish\, 11 Hulfish St\, Princeton\, 08542
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/12/tati_2_fossoguide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221214T100000
DTEND;TZID=America/New_York:20221214T110000
DTSTAMP:20260530T082736
CREATED:20221201T014512Z
LAST-MODIFIED:20221201T014512Z
UID:51254-1671012000-1671015600@humanities.princeton.edu
SUMMARY:Seeing Providence Chinatown
DESCRIPTION:Jeffrey Yoo Warren – an artist\, community scientist\, illustrator\, and researcher – presents his project\, Seeing Providence Chinatown\, a virtual reconstruction of the since-disappeared Chinatown in Providence. To recreate this space\, Yoo Warren examined archival photographs\, built 3D architectural models of the streetscape\, and designed a virtual environment. In doing so\, Yoo Warren reclaims a forgotten episode in Asian American history\, and establishes a new site for lived practices and ancestral knowledge. \nYoo Warren was recently named the Library of Congress 2023 Innovator in Residence. \nMuseumverse\, funded by a Humanities Council Flash Grant\, is dedicated to exploring and utilizing emerging virtual and digital technologies in humanities research\, education\, and curatorial strategies. \nRegister here.
URL:https://humanities.princeton.edu/event/seeing-providence-chinatown/
LOCATION:Zoom\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/11/Jeff-Yoo-Warren-promo-image.png
ORGANIZER;CN="Michael W. Zhang":MAILTO:mwzhang@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221213T163000
DTEND;TZID=America/New_York:20221213T180000
DTSTAMP:20260530T082736
CREATED:20221119T034617Z
LAST-MODIFIED:20221119T034617Z
UID:51087-1670949000-1670954400@humanities.princeton.edu
SUMMARY:Compiling Magic: the Scribe at Work
DESCRIPTION:For the past seven years I have been reediting\, translating\, and studying the magical handbooks from Roman Egypt preserved on papyrus. A magical formulary is a collection of instructions for the performance of different spells and rituals\, generally designed for private use. These “recipe” books systematize traditions of knowledge developed to deal with a wide range of everyday human concerns. Such instructions for ritual procedures (praxeis) are not usually considered alongside other genres considered more “scientific\,” such as medical\, astronomical\, and mathematical­ compilations.  In fact\, “ambitious magical formularies” are similar to these genres in their effort to compile and organize technical knowledge and have the invaluable advantage of surviving in the form of a considerable corpus of papyri\, allowing us to observe scribal practices of compilation and transmission. In this paper I will present a methodology to uncover and understand these ancient practices of compilation – storage\, standardization\, manipulation and presentation– derived from scribal observation in the magical formularies. \nClick here for the Zoom registration link 
URL:https://humanities.princeton.edu/event/compiling-magic-the-scribe-at-work/
LOCATION:East Pyne 010 and Zoom\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/SofiaTorallas-Tovar-Image-P.Oslo_.inv1c0101.jpg
ORGANIZER;CN="Eileen Robinson":MAILTO:eileenrobinson@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221213T130000
DTEND;TZID=America/New_York:20221213T170000
DTSTAMP:20260530T082736
CREATED:20220819T130335Z
LAST-MODIFIED:20221212T192016Z
UID:48830-1670936400-1670950800@humanities.princeton.edu
SUMMARY:17th Annual Innovation Forum
DESCRIPTION:Join this annual Keller Center event to hear amazing innovations and network with the University community as participants present their research in a pitch to the audience and a panel of judges. REGISTER HERE. \nThe event consists of two distinct tracks: \n\nScience and engineering innovations\nSocial sciences and humanities innovations\n\nA demo session cocktail hour will follow the presentation pitches\, concluding with the announcement of the 2022 winners. Co-sponsored by the Office of Technology Licensing and the Humanities Council at Princeton. \n\n\n1:15 pm – Introductory remarks \n\nAndrea Goldsmith\, Dean of the School of Engineering and Applied Science; Arthur LeGrand Doty Professor of Electrical and Computer Engineering\nCornelia Huellstrunk\, Executive Director of the Keller Center\n\n1:30 pm – STEM pitches \n\nPureLi: Extracting Lithium from low-grade aqueous sources including seawater.\nFLO-SSEMBLY: Innovating electronic display screens by using microfluidics and lasers to transport\, arrange\, and precisely place multiple small-scale semiconductor elements.\nFoogly: Uses technology for the valorization of food waste and radical localization of food supply chains.\nInverse Optimization: Artificial intelligence assistant for better system design.\nMagnetic Reconnection Plasma Thruster: A uniquely fuel efficient and power scalable rocket engine.\n\n2:20 pm – “Overview of Keller Center’s New Design for Innovation Program” presentation \n\nManish Bhardwaj\, Director of Design for Innovation for the Humanities and Social Sciences; Lecturer in the Keller Center; CEO and co-founder of Innovators In Health; James Wei Visiting Professor in Entrepreneurship 2021-2022\nNena Golubovic\, Director of Design for Innovation for STEM\n\n2:40 pm – Break \n3 pm – Welcome back remarks \n\nTera W. Hunter\, Acting Chair\, Humanities Council; Edwards Professor of American History; Professor of History and African American Studies\n\n3:10 pm – Humanities and social sciences pitches \n\nKarma Health: A comprehensive integrated healthcare program.\nMoVA: A virtual interactive museum experience.\nProject Leadership: A web-based app for developing teamwork and leadership skills in the classroom.\nWaldemar Cordeiro Exhibition: A digital exhibition of Brazilian artist Waldemar Cordeiro.\nMuseumverse: Exploring new ways of storytelling\, public engagement\, and research using emerging technologies.\n\n4 pm – Fireside chat \n\nCraig Arnold\, Vice Dean for Innovation; Susan Dod Brown Professor of Mechanical and Aerospace Engineering\nNaveen Verma\, Director of the Keller Center; Professor of Electrical and Computer Engineering; Associated Faculty in the Andlinger Center for Energy and the Environment; Associated Faculty in the Princeton Institute of Materials (PRISM)\n\n4:30 pm – Demo stations and networking reception \n5:30 pm – Award ceremony and closing remarks \n\nCornelia Huellstrunk\, Executive Director of the Keller Center\n\n6 pm – Event concludes
URL:https://humanities.princeton.edu/event/17th-annual-innovation-forum/
LOCATION:Frick Chemistry Lab Atrium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/08/IF-17-Stage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221212
DTEND;VALUE=DATE:20221217
DTSTAMP:20260530T082736
CREATED:20221207T202303Z
LAST-MODIFIED:20221207T220913Z
UID:51296-1670814000-1671188400@humanities.princeton.edu
SUMMARY:Synaxis and Workshops | A Hidden World Revealed: The Palimpsests of Saint Catherine’s Monastery on Mount Sinai
DESCRIPTION:Founded by the Roman emperor Justinian in the sixth century\, the Monastery of Saint Catherine in the Sinai is one of the most famous monasteries in the world and a place whose celebrated manuscript collection is of profound importance for a number of academic fields. A series of workshops at Princeton will highlight the recent\, spectacular findings of the Sinai Palimpsests Project\, illustrating the methods of multi-spectral imaging and image-processing\, along with cataloging and paleographic work with Arabic\, Greek\, Latin\, and Syriac manuscripts. Leading experts in their fields will give presentations followed by hands-on sessions with participants. \nMore information and full schedule can be found here. \n\nSponsored by The Committee for the Study of Late Antiquity and the Seeger Center for Hellenic Studies\nCo-sponsored by Comparative Antiquity: A Humanities Council Global Initiative\, Program in Medieval Studies\, MARBAS (Manuscript\, Rare Book and Archive Studies at Princeton)\, Special Collections\, Princeton University Library
URL:https://humanities.princeton.edu/event/synaxis-and-workshops-a-hidden-world-revealed-the-palimpsests-of-saint-catherines-monastery-on-mount-sinai/
LOCATION:219 Aaron Burr Hall
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/12/Image.png
ORGANIZER;CN="Eleni Banis":MAILTO:hbanis@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221209T133000
DTEND;TZID=America/New_York:20221210T173000
DTSTAMP:20260530T082736
CREATED:20221119T034205Z
LAST-MODIFIED:20221119T034205Z
UID:51080-1670592600-1670693400@humanities.princeton.edu
SUMMARY:Conference | Art & the Americanization of France
DESCRIPTION:The question of the Americanization of France is an old one\, most often addressed through studies of diplomacy\, economics\, and politics. This conference will address the issue from a fresh angle\, looking at it through the prism of the arts with a particular focus on popular music. The period we will cover runs from the second industrial revolution through the digital era of the twenty-first century. Registration is required to attend this conference. Register here \nFull conference schedule available here. \n\nCo-Sponsored by:\n\nCenter for Collaborative History | Department of African American Studies | Department of Music | Humanities Council | University Center for Human Values | Maison des Sciences de l’Homme | Université Paris-Saclay
URL:https://humanities.princeton.edu/event/conference-art-the-americanization-of-france/
LOCATION:211 Dickinson Hall
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/Poster_AAF-e1668829272884.jpg
ORGANIZER;CN="Jennifer Loessy":MAILTO:jloessy@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221209T120000
DTEND;TZID=America/New_York:20221209T140000
DTSTAMP:20260530T082736
CREATED:20221129T152845Z
LAST-MODIFIED:20221129T152845Z
UID:51202-1670587200-1670594400@humanities.princeton.edu
SUMMARY:Crime\, Safety and Justice in the 2022 Elections
DESCRIPTION:Join the Department of African American Studies for a conversation with Rena Karefa-Johnson\, moderated by Zoë Towns\, Old Dominion Visiting Fellow in the Humanities Council and Department of African American Studies\, as they debrief and reflect on the 2022 midterm elections.
URL:https://humanities.princeton.edu/event/crime-safety-and-justice-in-the-2022-elections/
LOCATION:Barfield-Johnson Seminar Room 201\, Morrison Hall
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/11/Zoe_towns_Converstion_v2.png
ORGANIZER;CN="Anthony Gibbons":MAILTO:akg2@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221209T120000
DTEND;TZID=UTC:20221209T133000
DTSTAMP:20260530T082736
CREATED:20221202T031434Z
LAST-MODIFIED:20221202T031624Z
UID:51277-1670587200-1670592600@humanities.princeton.edu
SUMMARY:Faculty Research Forum: Introduction to Project-Based Humanities Grantseeking
DESCRIPTION:The Office of the Dean for Research and the Humanities Council invite humanities scholars (faculty\, postdocs\, staff\, graduate students\, and humanities-focused researchers) to an information session to learn about strategies for project-based grantseeking. Unlike individual research projects that are the norm in the humanities\, project-based grantseeking is typically collaborative\, interdisciplinary\, and complex. We want to de-mystify the process of developing and launching project-based research\, and applying for internal or external funding that may be needed to support that research. Scholars at all levels of experience are invited to attend. The event will be held in person.
URL:https://humanities.princeton.edu/event/faculty-research-forum-introduction-to-project-based-humanities-grantseeking/
LOCATION:298 Julis Romo Rabinowitz Building
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/12/Grants-GrantStation-Email-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221209T090000
DTEND;TZID=America/New_York:20221209T170000
DTSTAMP:20260530T082736
CREATED:20221118T152429Z
LAST-MODIFIED:20221121T182820Z
UID:50972-1670576400-1670605200@humanities.princeton.edu
SUMMARY:Machine Learning and the Future of Philology
DESCRIPTION:What will philology become in the wake of the digital revolution? How can computer vision\, handwritten text recognition\, natural language processing\, deep neural networks and/or other forms of machine learning refine the arsenal of techniques for studying pre-modern evidence? \nThis works-in-progress symposium will feature six teams of Princeton scholars who are applying machine learning to manuscripts\, rare books\, archives\, inscriptions\, coins and other pre-1600 texts. Presentations will include projects on materials in Syriac\, Hebrew\, Latin\, Greek\, Chinese and English. David Smith (Computer Science\, Northeastern) will offer remarks. \nThe symposium will take place at the CDH on Friday\, December 9\, 2022\, 9 am to 5 pm at the Center for Digital Humanities (B Floor\, Firestone Library) and on Zoom. \nThis event is co-organized by the Center for Digital Humanities and the Manuscript\, Rare Book and Archive Studies Initiative\, with support from the Center for Statistics and Machine Learning. This symposium is intended as the first of a pair; the second will take place in 2023–24 and solicit proposals from beyond the Princeton community. \nA provisional schedule is available on the CDH website. \nThis event is limited to Princeton affiliates. Please register here.
URL:https://humanities.princeton.edu/event/machine-learning-and-the-future-of-philology/
LOCATION:Firestone Library\, Floor B and Zoom\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/CDH-ML-and-Philology-Symposium-Event-Card_1080x1080.jpg
ORGANIZER;CN="Camey VanSant":MAILTO:cvansant@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221208T170000
DTEND;TZID=America/New_York:20221208T181500
DTSTAMP:20260530T082736
CREATED:20221130T211024Z
LAST-MODIFIED:20221130T211849Z
UID:51258-1670518800-1670523300@humanities.princeton.edu
SUMMARY:Justice for Animals
DESCRIPTION:Martha C. Nussbaum is the Ernst Freund Distinguished Service Professor of Law and Ethics\, appointed in the Philosophy Department and the Law School of the University of Chicago. She gave the 2016 Jefferson Lecture for the National Endowment for the Humanities and won the 2016 Kyoto Prize in Arts and Philosophy. The 2018 Berggruen Prize in Philosophy and Culture\, and the 2020 Holberg Prize. These three prizes are regarded as the most prestigious awards available in fields not eligible for a Nobel. She has written more than twenty-two books\, including Upheavals of Thought: The Intelligence of Emotions; Anger and Forgiveness: Resentment\, Generosity\, Justice; Not for Profit: Why Democracy Needs the Humanities; and The Monarchy of Fear. \nKnown as one of the world’s most influential philosophers and humanists\, Martha Nussbaum in her latest book Justice for Animals\, provides a revolutionary approach to animal rights\, ethics\, and law. \nFrom dolphins to crows\, elephants to octopuses\, Nussbaum examines the entire animal kingdom\, showcasing the lives of animals with wonder\, awe\, and compassion to understand how we can create a world in which human beings are truly friends of animals\, not exploiters or users. All animals should have a shot at flourishing in their own way. Humans have a collective duty to face and solve animal harm. An urgent call to action and a manual for change\, Nussbaum’s groundbreaking theory directs politics and law to help us meet our ethical responsibilities as no book has done before. \nPlease Note: Copies of Martha’s new book\, Justice for Animals: Our Collective Responsibility will be handed out to the first 200 attendees. \nLocation\nMcCosh Hall 50\nTo attend this event virtually\, CLICK HERE \nAudience\nFree and open to the public
URL:https://humanities.princeton.edu/event/martha-nussbaum-justice-for-animals/
LOCATION:50 McCosh Hall\, 50 McCosh Hall\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/Martha-Nussbaum-Justice-for-Animals.jpg
GEO:40.3453563;-74.6374228
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=50 McCosh Hall 50 McCosh Hall Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=50 McCosh Hall:geo:-74.6374228,40.3453563
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221208T163000
DTEND;TZID=America/New_York:20221208T180000
DTSTAMP:20260530T082736
CREATED:20211019T151208Z
LAST-MODIFIED:20221119T033842Z
UID:50314-1670517000-1670522400@humanities.princeton.edu
SUMMARY:Communities of piety from Late Antiquity to Byzantium
DESCRIPTION:The rise of the holy man and the development of monasticism are one of the defining features of Late Antiquity that also shaped the subsequent centuries of medieval Byzantium. While theologians and other authors tend to insist on the superiority of monasteries as a space for the practice of virtues\, men and women of lay status also found ways to express their piety in communal settings. There is a wide range of evidence across the centuries that can demonstrate how communities of piety were shaped and organized\, thus calling into question the assumed divide between the holy and the secular life. \nClaudia Rapp has been Professor of Byzantine Studies\, University of Vienna\, where she moved after almost 20 years at UCLA. She is the interim Director of the Institute for Medieval Research at the Austrian Academy of Sciences\, Member of several learned academies\, editorial and advisory boards\, and has held numerous fellowships (including at the Institute for Advanced Study) and visiting professorships. \nHer research focuses on social and cultural history\, often from the angle of religious history and manuscript studies. Holy Bishops in Late Antiquity: Christian Leadership in an Age of Transition\, published in 2005\, was re-issued in paperback in 2013. Her most recent book\, Brother-Making in Late Antiquity and Byzantium: Monks\, Laymen and Christian Ritual (2016) has led to the formation of the Euchologia Project at the Austrian Academy of Sciences. Funding through the Wittgenstein-Award has enabled her to assemble a team of scholars for the joint investigation of Mobility\, Microstructures and Personal Agency. She is the Scholarly Director of the Sinai Palimpsests Project.
URL:https://humanities.princeton.edu/event/communities-of-piety-from-late-antiquity-to-byzantium/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2021/10/220px-Prof-claudia-rapp-BBAW-berlin-vortrag-heiligkeitskonkurrenz-2020-02-29.jpeg
GEO:40.352621;-74.651021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=010 East Pyne 010 East Pyne Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=010 East Pyne:geo:-74.651021,40.352621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221207T180000
DTEND;TZID=America/New_York:20221207T193000
DTSTAMP:20260530T082736
CREATED:20221128T145008Z
LAST-MODIFIED:20221128T183808Z
UID:51209-1670436000-1670441400@humanities.princeton.edu
SUMMARY:Seduced by Story: The Use and Abuse of Narrative
DESCRIPTION:The scholar and literary critic Peter Brooks’s new book is a reckoning with today’s flourishing cult of story. We invite you to a presentation and discussion. \nJoin us at Labyrinth or click here to register for the livestream. \nForty years after publishing his seminal work Reading for the Plot\, his important contribution to what came to be known as the “narrative turn” in contemporary criticism and philosophy\, Brooks returns to question the unquestioning fashion in which story is now embraced as an excuse or explanation and the fact that every brand or politician comes equipped with one. In a discussion that ranges from The Girl on the Train to legal argument\, Brooks reminds us that among the powers of narrative is the power to deceive. \n“A rhapsody to the partial suspension of disbelief that allows us to immerse ourselves in novels\, but simultaneously and most crucially\, a brilliant intervention against the complete suspension of disbelief that allows a citizenry to succumb to conspiracy theories\, false-flag narratives\, authoritarian fictions. An eloquent and triumphant culmination of Peter Brooks’s lifelong inquiry into the aesthetic and ethical intersection of literature\, psychoanalysis\, law\, and politics. Impossibly good.”  —David Shields \nPeter Brooks is the author of several influential books\, including The Melodramatic Imagination\, Reading for the Plot\, Psychoanalysis and Storytelling\, Troubling Confessions\, Realist Vision\, Henry James Goes to Paris\, and Flaubert in the Ruins of Paris\, as well as of two novels\, World Elsewhere and The Emperor’s Body. He is Sterling Professor Emeritus of Comparative Literature at Yale. Brigid Doherty holds a joint appointment in German and Art & Archaeology at Princeton University. Her research and teaching focus on the interdisciplinary study of twentieth-century art and literature\, with special emphasis on the history of German modernism and on relationships among the visual arts\, literature\, and aesthetic and psychoanalytic theories. She is currently completing a book on contemporary artist Rosemarie Trockel’s “Rorschach Pictures”.
URL:https://humanities.princeton.edu/event/seduced-by-story-the-use-and-abuse-of-narrative/
LOCATION:Labyrinth Books and Livestream\, 122 Nassau Street\, Princeton\, NJ\, 08542\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/seduced-by-story-cc-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221207T163000
DTEND;TZID=UTC:20221207T190000
DTSTAMP:20260530T082736
CREATED:20221201T015408Z
LAST-MODIFIED:20221201T015408Z
UID:51267-1670430600-1670439600@humanities.princeton.edu
SUMMARY:'Angélica' Film Screening and Q & A with Marisol Gómez-Mouakad
DESCRIPTION:Angélica\, the story of a Puerto Rican woman who spent her whole life escaping from her mixed racial identity\, but a family crisis forces her to return to Puerto Rico and rethink her life. \n100 mins. Spanish with English Subtitles. \nCo-sponsored with the Program in Latin American Studies\, the Department of Spanish and Portuguese\, the Effron Center for the Study of America and the Program in Latino Studies
URL:https://humanities.princeton.edu/event/angelica-film-screening-and-q-a-with-marisol-gomez-mouakad/
LOCATION:219 Aaron Burr Hall
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/Angelica.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221207T163000
DTEND;TZID=UTC:20221207T180000
DTSTAMP:20260530T082736
CREATED:20221128T174707Z
LAST-MODIFIED:20221128T190448Z
UID:51224-1670430600-1670436000@humanities.princeton.edu
SUMMARY:On the origins of Cikunda\, "a language without a land"  (Presentation of the OriKunda project)
DESCRIPTION:In this talk\, I will present the OriKunda project (April 2023 – March 2027\, funded by the National Agency for Research\, France)\, which aims to review the unique history of the Cikunda people (pronounced /ʧikunda/)\, from its genesis until today\, through their language. Originally\, the Cikunda were troops of Bantu-speaking slave soldiers from different communities who defended the “prazos” territories in central Mozambique during the colonial era. From a common social identity came an ethnic identity involving the creation of a language\, Cikunda\, resulting from intra-Bantu dialect and language mixing. With the collapse of the “prazo” system in the 19th century and the emancipation of the slaves\, the Cikunda retreated westwards to the confluence of the Zambezi and Luangwa rivers\, which today corresponds to the border area between Zambia\, Mozambique and Zimbabwe. The available sources on the Cikunda are merely historical\, notably with the studies of historian Allen Isaacman. However\, the unusual history of the Cikunda raises fascinating questions from a linguistic point of view\, with possibly major repercussions for the historical narrative of this community. The OriKunda project aims to study the Cikunda language from a historical perspective\, falling within three subdisciplines of linguistics\, i.e. historical linguistics\, anthropological linguistics and sociolinguistics. \n \nRozenn Guérois is a researcher at LLACAN (African Languages and Cultures Laboratory) at CNRS in Paris.  She received her Ph.D. in Linguistics in 2015 from Université Lyon 2 Lumière\, an M.A. in Linguistics from Université Paris 7 Diderot\, an M.A. and Licence (B.A.) in English and Portuguese Language and Literature from Université Rennes 2. \n  \nRozenn specializes in language documentation and description\, with a focus on the Bantu languages of Mozambique\, notably Cuwabo\, Sena\, and Cikunda. Her work involves intensive fieldwork\, and extends to morphosyntax\, comparative Bantu linguistics\, typology\, and contact linguistics. She has participated in two international projects on Bantu morphosyntax at SOAS (London) and at the university of Ghent. She is the recipient of a grant from the French National Research Agency (ANR) to document the Cikunda language in its historical and sociolinguistic contexts. Since 2020\, she has been a member of the editorial board of the journal Linguistique et Langues Africaines (LLA). To learn more about her research\, visit https://llacan.cnrs.fr/p_guerois.php.
URL:https://humanities.princeton.edu/event/on-the-origins-of-cikunda-a-language-without-a-land-presentation-of-the-orikunda-project/
LOCATION:1-S-5 Green Hall\, 1-S-5 Green Hall\, Princeton\, NJ\, 08540\, United States
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/11/Rozenn-2.png
GEO:40.3524818;-74.6613275
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1-S-5 Green Hall 1-S-5 Green Hall Princeton NJ 08540 United States;X-APPLE-RADIUS=500;X-TITLE=1-S-5 Green Hall:geo:-74.6613275,40.3524818
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221207T121500
DTEND;TZID=America/New_York:20221207T132000
DTSTAMP:20260530T082736
CREATED:20221201T020600Z
LAST-MODIFIED:20221201T020932Z
UID:51270-1670415300-1670419200@humanities.princeton.edu
SUMMARY:Focus on Ukraine Seminar Series: Is Ukraine Still Post-Soviet?
DESCRIPTION:Join visiting research scholars for this discussion\, part of the “Focus on Ukraine” seminar series. Open to the Public. RSVP required. \nSPEAKERS: \n\nMark R. Beissinger\, Henry W. Putnam Professor of Politics\nIuliia Skubytska\, Associate Research Scholar\, Judaic Studies\nYana Prymachenko\, Visiting Research Scholar\, Department of History\nMykola Riabchuk\, Associate Research Scholar\, Liechtenstein Institute on Self-Determination and Department of Politics\n\nModerated by Marzenna James\, Lecturer\, Department of Politics \nIntroduced by Nadia Crisan\, Executive Director\, Liechtenstein Institute on Self-Determination \nSponsored by the Liechtenstein Institute on Self-Determination\, the School of Public and International Affairs\, and the Program in Russian\, East European and Eurasian Studies
URL:https://humanities.princeton.edu/event/focus-on-ukraine-seminar-series-is-ukraine-still-post-soviet/
LOCATION:016 Robertson Hall
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221207T120000
DTEND;TZID=America/New_York:20221207T132000
DTSTAMP:20260530T082736
CREATED:20220823T203538Z
LAST-MODIFIED:20220823T203538Z
UID:48883-1670414400-1670419200@humanities.princeton.edu
SUMMARY:Value and Solidarity
DESCRIPTION:Marx’s theory of the value form provides an alternative to common sense—i.e. ideological—understandings of the relationship between culture and economy. Might it also be useful to unblocking the perceptual and political impasses characterizing our academic wars of position against the universal? \nCo-Sponsored by the Department of Comparative Literature and the Department of English.
URL:https://humanities.princeton.edu/event/value-and-solidarity/
LOCATION:TBD\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/08/image.jpg
ORGANIZER;CN="Barbara Leavey":MAILTO:blleavey@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221206T193000
DTEND;TZID=America/New_York:20221206T203000
DTSTAMP:20260530T082736
CREATED:20221122T203552Z
LAST-MODIFIED:20221122T203552Z
UID:51170-1670355000-1670358600@humanities.princeton.edu
SUMMARY:L'Avant-Scène presents "Race in French Theater"
DESCRIPTION:L’Avant-Scène presents “Race in French Theater” by students enrolled in FRE-THR 390. The presentation will feature scenes from Finir en beauté by Mohamed El Khatib\, Le Iench by Eva Doumbia\, Akila\, le tissu d’Antigone by Marine Bachelot Nguyen\, Pistes by Penda Diouf\, Ce qu’il faut dire by Léonora Miano\, and Des territoires (… Et tout sera pardonné?) by Baptiste Amann.\nRegistration required; In French\, the approximate running time is 50 minutes.
URL:https://humanities.princeton.edu/event/lavant-scene-presents-race-in-french-theater/
LOCATION:Godfrey Kerr Studio\, Lewis Arts Complex\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/RaceInFrenchThe.jpg
ORGANIZER;CN="Kelly Eggers":MAILTO:keggers@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221206T180000
DTEND;TZID=UTC:20221206T193000
DTSTAMP:20260530T082736
CREATED:20221128T144744Z
LAST-MODIFIED:20221128T144744Z
UID:51206-1670349600-1670355000@humanities.princeton.edu
SUMMARY:Two Writers on Writing: Considering Class\, Play\, Power\, and Language in the Essay and the Poem
DESCRIPTION:Join us as two exceptional young writers interview each other about the questions that animate them and about their respective crafts. \nHybrid event held at Labyrinth; click here to register for the livestream. \nHilary Plum’s new book\, Hole Studies\, is a book about care and the forms it may take. It’s an essay collection on writing and labor\, art and activism\, attention as a transformative practice\, difference and collaboration\, adjuncting and the margins of the academy\, whiteness and its weapons\, professionalization and its discontents\, the radical importance of surprise\, friendship at work\, the self and its public and private modes. Essays explore the music of the Swet Shop Boys\, the literature of the US’s brutal war in Iraq\, the career of Sinéad O’Connor\, the aesthetics of the Dirtbag Left\, the legacies of the “war on terror\,” feminism on the job\, and illness in America. The book is an intimate document and a critical guide. \nIt’s midnight. The anti-heroine in the poems collected in Raphel’s Our Dark Academia is perpetually working\, trying to work it out. She’s lonely but onscreen. Meanwhile\, is this new sensation grief or groin pull? Who’s in the waiting room? Is it too late to join the symposium? To buy organic greens? To save up? Save anything? With unsettling humor\, Raphel traces the suspect filigrees of the “late late stage”: advanced degrees\, wellness trends\, inherited trinketry\, GIFs of inspo lynx. Sliding with formal dynamism from sonnet crown to sestina\, Wiki page to personal statement\, crossword to quiz\, Our Dark Academia captures the exuberant florid panicked acrobatics of this time at the edge of time. \nHilary Plum is the author of several books\, most recently the novel Strawberry Fields\, winner of the Fence Modern Prize in Prose. Her poetry collection\, Excisions\, is forthcoming from Black Lawrence. She teaches fiction\, nonfiction\, and editing & publishing at Cleveland State University and in the NEOMFA program\, and she serves as associate director of the CSU Poetry Center. Recent work has appeared in Granta\, College Literature\, American Poetry Review\, Fence\, and elsewhere. Adrienne Raphel is the author of Thinking Inside the Box: Adventures with Crosswords and the Puzzling People Who Can’t Live Without Them and of the poetry collection What Was It For\, selected by Cathy Park Hong as the winner of the Black Box Poetry Prize. Her essays\, poetry\, and criticism appear in The New York Times\, The New Yorker\, The Paris Review\, Poetry\, The New Republic\, and The Atlantic\, among other publications. She teaches in the Writing Program at Princeton University.
URL:https://humanities.princeton.edu/event/two-writers-on-writing-considering-class-play-power-and-language-in-the-essay-and-the-poem/
LOCATION:Labyrinth Books and Livestream\, 122 Nassau Street\, Princeton\, NJ\, 08542\, United States
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/plum.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221206T170000
DTEND;TZID=America/New_York:20221206T183000
DTSTAMP:20260530T082736
CREATED:20220829T181624Z
LAST-MODIFIED:20220830T145418Z
UID:49024-1670346000-1670351400@humanities.princeton.edu
SUMMARY:“Ten Minutes Later”  A Public Lecture by Belknap Visiting Fellow Josephine Meckseper
DESCRIPTION:Sponsored by Department of Art & Archaeology and the Humanities Council\nCo-sponsored by Princeton University Art Museum\, Program in Visual Arts \, Lewis Center for the Arts\, and the Program in Media + Modernity.
URL:https://humanities.princeton.edu/event/ten-minutes-later-a-public-lecture-by-belknap-visiting-fellow-josephine-meckseper/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/08/MEJ2013-009.jpg
ORGANIZER;CN="Brigid Doherty / Mo M. Chen":MAILTO:bdoherty@princeton.edu / mochen@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221206T163000
DTEND;TZID=America/New_York:20221206T180000
DTSTAMP:20260530T082736
CREATED:20221118T153008Z
LAST-MODIFIED:20221118T153008Z
UID:51083-1670344200-1670349600@humanities.princeton.edu
SUMMARY:Exile and Justice: A Panel Discussion
DESCRIPTION:Chair:\nMelissa Lane\, Director of the University Center for Human Values \nPanelists:\nJoseph Chan\, Global Scholar and Visiting Professor\nDesmond Jagmohan\, Laurance S. Rockefeller Visiting Faculty Fellow\nEvgeny Roshchin\, Research Scholar\nArseniy Kumankov\, Research Scholar in Politics (affiliated with UCHV) \nTo register to attend\, click here.
URL:https://humanities.princeton.edu/event/exile-and-justice-a-panel-discussion/
LOCATION:001 Robertson Hall
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/Exile-and-Justice-Image.jpg
ORGANIZER;CN="Dawn Disette":MAILTO:ddisette@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221206T150000
DTEND;TZID=America/New_York:20221206T160000
DTSTAMP:20260530T082736
CREATED:20221122T203512Z
LAST-MODIFIED:20221122T203512Z
UID:51167-1670338800-1670342400@humanities.princeton.edu
SUMMARY:L’Avant-Scène presents Fragments XXII
DESCRIPTION:L’Avant-Scène presents Fragments XXII performed by students enrolled in FRE-THR 211 and directed by Florent Masse. \nThe presentation will feature scenes from La puce à l’oreille and Le Dindon by Feydeau\, La seconde surprise de l’amour and Le Prince travesti by Marivaux\, Le Malade imaginaire and Le Tartuffe by Molière\, Le Cid by Corneille and Andromaque by Racine. \nRegistration required; In French\, the approximate running time is 50 minutes.
URL:https://humanities.princeton.edu/event/lavant-scene-presents-fragments-xxii/
LOCATION:Berlind Theatre Rehearsal Room
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/Fragments-XXII-image.jpg
ORGANIZER;CN="Kelly Eggers":MAILTO:keggers@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221206T120000
DTEND;TZID=America/New_York:20221206T132000
DTSTAMP:20260530T082736
CREATED:20221119T033202Z
LAST-MODIFIED:20221119T033202Z
UID:51107-1670328000-1670332800@humanities.princeton.edu
SUMMARY:Sick Architecture
DESCRIPTION:Architecture and sickness are tightly intertwined. Architectural discourse always weaves itself through theories of body and brain\, constructing the architect as a kind of doctor and the client as a patient. Architecture has been portrayed as both a form of prevention and cure for thousands of years. Sick Architecture began as a series of graduate seminars led by Professor Beatriz Colomina highlighting a topic that has shaped our lives since the outbreak of the COVID-19 pandemic. For their research\, doctoral students explored a range of case studies in which architecture\, urbanization\, infrastructure\, and spatial discourse were strongly influenced by concern for sickness\, health\, and medicine. \nPRESENTED BY\nProfessor Beatriz Colomina\, Architecture \nWITH CASES STUDIES BY\nAngela H. Brown\, Art and Archaeology\nMarie de Testa\, Architecture\nDante Furioso\, Architecture\nAngelika Joseph\, Architecture\nShivani Shedde\, Architecture\nMaxwell Smith-Holmes\, Architecture \nOpen to students\, faculty\, visiting scholars\, staff and invited guests. Lunch will be provided while supplies last.
URL:https://humanities.princeton.edu/event/sick-architecture/
LOCATION:Betts Auditorium
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/11/Sick-Architecture.png
ORGANIZER;CN="Damaris Zayas":MAILTO:damaris@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221205T163000
DTEND;TZID=America/New_York:20221205T180000
DTSTAMP:20260530T082736
CREATED:20221018T160625Z
LAST-MODIFIED:20221108T152158Z
UID:50436-1670257800-1670263200@humanities.princeton.edu
SUMMARY:The Kids Aren’t Alright: Afro-German Afrofuturism and the Fight for Futurity
DESCRIPTION:Drawing on theoretical models culled from Black (German) studies\, Afrofuturism\, performance studies and queer theory\, in this talk I will analyze examples Black German artists’ engagement with “future-making” through fantasy and speculative and science fiction. From the “Afronauts” painting cycle (1999) of visual artist\, Daniel Kojo Schrade\, and the poetry of Philipp Khabo Köpsell\, to the prose of Sharon Dodua Otoo and the plays and performances of Olivia Wenzel and Simone Dede Ayivi\, Black German artists have increasingly employed Afrofuturist tropes in order to critique Eurocentricism\, uncover German racism and confront German colonialism. For centuries\, Black Germans’ existence has been inherently threatened by both ideological and repressive state apparati\, in such forms as schooling\, artistic representation\, police and institutions. Through Afrofuturism\, Black Germans create a future in which Black German life can not only survive but thrive. As such\, many of these texts center children as a symbol of the future. But rather than using “the Child” as an oppressive prescription for heteronormativity\, Black German Afrofuturism embraces Black Diasporic queer kinship and asserts that children are valued\, not for their innocence from social discourses\, but precisely because they will eventually become racially conscious and politically active Black German adults necessary for sustaining the community. Thus\, Black German futurity is part of the communal activity of creating a Black German identity. \nRegistration required for virtual attendees only.
URL:https://humanities.princeton.edu/event/the-kids-arent-alright/
LOCATION:205 East Pyne and Zoom
ATTACH;FMTTYPE=image/png:https://humanities.princeton.edu/wp-content/uploads/2022/10/Layne-Image.png
ORGANIZER;CN="Fiona Romaine":MAILTO:fromaine@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221205T163000
DTEND;TZID=America/New_York:20221205T173000
DTSTAMP:20260530T082736
CREATED:20221130T164004Z
LAST-MODIFIED:20221130T164004Z
UID:51245-1670257800-1670261400@humanities.princeton.edu
SUMMARY:Data Science for the Humanities and Social Sciences Social Hour
DESCRIPTION:Are you curious about how machine learning can be used to study fragments of medieval Egyptian letters? Or how quantitative methods can help trace the monetization of misinformation on the web? Intrigued by AI but don’t know what it is? Not sure how to work with your complex collection of texts\, images\, and other media? Want to learn coding but don’t know where to start? \nJoin us for a casual social hour (food/wine/beer) to learn about new training opportunities for students and researchers in the humanities and social sciences. During Wintersession 2023\, this new set of workshops and classes\, which are specifically tailored for these two communities\, will cover the following: \nData literacy\nPython and R at the beginner and intermediate levels\nNatural language processing\nMachine learning\nHigh-performance computing\nThe event will include brief presentations about the new trainings as well as a showcase of the most exciting computational work done in the humanities and social sciences. \nFor questions\, please contact PICSciE/RC Training Lead Jonathan Halverson (halverson@princeton.edu) or Assistant Dean for Professional Development of the Graduate School James Van Wyck (jvanwyck@princeton.edu). \nOrganized by the Princeton Institute for Computational Science & Engineering and OIT Research Computing. Co-organized by the Graduate School\, Center for Digital Humanities and Data Driven Social Sciences. Participating departments include Philosophy\, East Asian Studies\, Office of Population Research\, Center for Statistics & Machine Learning\, Data and Statistical Services\, Economics Statistical Services\, Stokes Viz Hub (Stokes Library)\, Office of Research Data and Open Scholarship\, and the McGraw Center for Teaching and Learning.
URL:https://humanities.princeton.edu/event/data-science-for-the-humanities-and-social-sciences-social-hour/
LOCATION:Firestone Library\, Floor B
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/20170106_firestone.original-1-1.jpg
ORGANIZER;CN="Camey VanSant":MAILTO:cvansant@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221205T163000
DTEND;TZID=America/New_York:20221205T173000
DTSTAMP:20260530T082736
CREATED:20221122T203417Z
LAST-MODIFIED:20221122T203417Z
UID:51179-1670257800-1670261400@humanities.princeton.edu
SUMMARY:Late Ottoman Turkey in Princeton’s Forgotten Maps\, 1883-1923
DESCRIPTION:Professor Richard J.A. Talbert will outline the attraction and importance of the “Late Ottoman Turkey in Princeton’s Forgotten Maps\, 1883-1923” exhibition\, which is being launched a century after the Smyrna Fire and the establishment of the Turkish Republic. He will highlight the key role of the German cartographers Heinrich and Richard Kiepert and its remarkably long-lasting impact. Kiepert maps of Asia Minor (Turkey) remained the basis of those made by the Ottoman General Staff\, as well as by the British\, German\, Greek\, and Italian armies during and after World War I. \nTalbert will also trace how he gradually became aware of all these rare\, long-forgotten maps\, and shares his experiences in searching for them. He also explains how Princeton University Library’s holdings and expertise have proven crucial to the creation of this absorbing display. \nThe talk will be held in the Fine Hall Visualization Lab and will be followed by a reception in the Maps and Geospatial Information Center. Registration is requested.
URL:https://humanities.princeton.edu/event/late-ottoman-turkey-in-princetons-forgotten-maps-1883-1923/
LOCATION:Engineering Library\, Fine Hall\, Visualization Lab
ATTACH;FMTTYPE=image/jpeg:https://humanities.princeton.edu/wp-content/uploads/2022/11/Turkey-ottomanscript-1923-LowRES1-1.jpg
ORGANIZER;CN="Stephanie Oster":MAILTO:soster@princeton.edu
END:VEVENT
END:VCALENDAR