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SUMMARY:Black Bodies\, White Gold—Art\, Cotton\, and Commerce in the Atlantic World
DESCRIPTION:In Black Bodies\, White Gold\, Anna Arabindan-Kesson (African American Studies\, Art & Archaeology) uses cotton\, a commodity central to the slave trade and colonialism\, as a focus for new interpretations of the way art\, commerce\, and colonialism were intertwined in the nineteenth-century Atlantic world. Artist and art-historian\, Chika Okeke-Agulu (African American Studies\, Art & Archaeology) joins her for this important conversation; we hope you can too. \nAnna Arabindan-Kesson is an assistant professor of African American and Black Diasporic art at Princeton University with a joint appointment in the Department of Art and Archaeology. Her forthcoming monograph is called An Empire State of Mind: Plantation Imaginaries\, Colonial Medicine and Ways of Seeing. Chika Okeke-Agulu is an artist\, art historian\, curator\, and professor in the African American Studies and Art and Archaeology Departments at Princeton. He is the author of Obiora Udechukwu: Line\, Image\, Text; Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria; and (with Okwui Enwezor)\, Contemporary African Art Since 1980. \nOnline event; register here. \nThis event is presented by Labyrinth Books and co-sponsored by Princeton University’s African American Studies Department and Humanities Council and the Princeton Public Library.
URL:https://humanities.princeton.edu/event/black-bodies-white-gold-art-cotton-and-commerce-in-the-atlantic-world/
LOCATION:Zoom\, Princeton\, NJ\, 08544\, United States
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